How to Purchase or License Frank Lopez's Photography

Frank Lopez Imagery sells its work in two ways: as limited edition fine art prints, and as stock imagery for licensing. The site does not list prices, editions, or a checkout flow — it states that imagery may be purchased as limited edition fine art prints or for stock, and asks you to inquire. So the practical answer is that you start by contacting Frank Lopez directly with the specific image and intended use, then agree on terms before anything is paid for or delivered.

What you can actually get

Both routes are described on the site as available, and both begin with an inquiry rather than an online order.

Step-by-step: from browsing to inquiry

1. Browse the portfolios. The site organizes work into named series, including We are Seeds, Emanations, Manifestation of Light and Energy, Entropic, The Instant of Being Here, China Minority Spaces – Pinhole Travels, South Korea Pinhole Travels, Fair Park, Dallas, Vietnam Pinhole Images, Calatrava: White Steel, Blue Skies, San Antonio Missions, Found and Assembled, Carny – State Fair of Texas, and The Gates, Central Park, NYC. Note the exact series and image you want — this is the reference you'll need in your message.
2. Decide which format fits. If you want something to own and display, you're asking about a fine art print. If you want to reproduce the image in a project, you're asking about stock licensing. The two involve different terms, so say which one you mean.
3. Use the Contact page. The site's navigation includes a Contact link alongside Portfolios, About, CV, Media, and Instagram. That is the documented route for reaching the artist.
4. State your request clearly. Include the series and image, whether you want a print or a license, and — for licensing — where and how the image would be used, the audience or territory, and the duration. For a print, ask about available sizes, edition size, and whether the edition is still open.
5. Wait for terms before paying. Because no pricing or payment method is published, expect the artist to reply with availability, price, and any conditions. Treat that reply as the point where you can evaluate cost and commit.

What the site does not tell you

• No prices are published. Nothing on the page indicates what a print or a license costs, so don't assume a range.
• No payment platform is listed. There is no visible checkout, cart, or payment provider, so the transaction is arranged through the inquiry.
• No edition sizes or print specifications are given. Ask about these directly rather than inferring them.
• No licensing tiers are described. Whether a given use is permitted, and on what terms, is a per-inquiry question.

Practical notes before you write

• Be specific. "I'm interested in your work" is hard to answer. "I'd like to license the pinhole image from Vietnam Pinhole Images shown third in the series for an editorial article in a regional print magazine, English-language, North America, one year" is answerable.
• Separate print and license questions. If you're unsure which you need, describe the end use and let the artist tell you which applies.
• Check the CV and Media pages first. They may answer questions about exhibitions, past placements, or how the work has been used, which can save a round of email.
• Instagram is listed in the navigation and may show more recent or additional work, but it is not described as a purchasing channel — use Contact for that.

Who this suits

This approach fits buyers who already know which image they want and are comfortable with a direct, negotiated purchase — collectors seeking a limited edition print, or editors and producers seeking a specific image for a defined use. It does not suit anyone looking for instant online checkout, published price lists, or automated licensing, because none of those are offered on the site as described.