What Is *Rudall, Rose & Carte: The Art of the Flute in Britain* About?

Updated

Rudall, Rose & Carte: The Art of the Flute in Britain is a book by Robert Bigio, a flute maker and author of books on the flute. As the title indicates, it deals with the art of the flute in Britain, centered on the firm Rudall, Rose & Carte. On bigio.com, the book is presented alongside his other flute-history writing, including Readings in the History of the Flute.

What the title tells you

The title names both a company and a subject:

  • Rudall, Rose & Carte — the British flute-making firm that is the focus of the book.
  • The Art of the Flute in Britain — the broader subject: flute making and design as practised in Britain.

So the book is not a general beginner's guide to playing the flute. It is a historical work about British flute manufacture, organised around one of its key firms.

Who wrote it, and why that matters

Robert Bigio is described on his site as a flute maker and author of books on the flute. That combination shapes the book's perspective: it is written by someone who works with flutes as an instrument maker, not only as a historian or collector. A maker's account tends to pay attention to construction, design and workshop practice — the physical craft behind the instruments — rather than treating flutes purely as collectibles or as performance tools.

Where it sits in his writing

Bigio's site lists his flute-related books together, including:

Work Subject
Rudall, Rose & Carte: The Art of the Flute in Britain British flute making, centred on the Rudall, Rose & Carte firm
Readings in the History of the Flute A collection of readings on flute history

Seeing them side by side is useful: Readings offers a broader documentary sweep of flute history, while Rudall, Rose & Carte narrows to a single British firm and its place in that history.

Why it matters for flute history

For anyone studying the flute's development, British makers of the nineteenth century are a central chapter, and Rudall, Rose & Carte is one of the names most associated with that chapter. A book devoted to the firm gives readers a way to examine:

  • how a major British flute-making business operated and evolved;
  • how design and craftsmanship were understood by the people making the instruments;
  • how a single firm fits into the wider story of the flute in Britain.

If your interest is the history of flute making — especially the British tradition — this is the book's territory. If you are looking for a playing method or a general introduction to the instrument, it is a different kind of book.

How to use bigio.com to learn more

bigio.com is Robert Bigio's own site, presenting him as a flute maker and author and listing these titles. To go further:

  1. Start from the site's home page, which names him and his books.
  2. Look for the page or listing for Rudall, Rose & Carte to see how the book is described in his own words.
  3. Compare it with the listing for Readings in the History of the Flute to judge which better matches your interest — one firm, or flute history more broadly.

The site itself is the primary place to confirm details about the book and the author's other work.