How to Buy or Commission a Custom Piece from Omega Artworks

Omega Artworks sells finished pieces through its online shop and accepts custom commissions through direct contact. The studio is a small family business founded in 1982, and every item is made by three artists in its Saint Paul, Minnesota studio — so both buying and commissioning work through a conversation with the makers rather than a mass-production catalog. If you want something already made, start with the shop. If you have a specific vision, contact the studio to discuss it.

Buying a Finished Piece

The shop page is where the studio lists what it has recently completed. The homepage highlights new items in the store, with examples including:

• Small Athame Necklace Knife
• Small Olive Necklace Knife
• Small Orange Necklace Knife

These listings show the kind of work currently coming out of the studio: small, wearable blades in the athame and necklace-knife category. Because the studio describes its output as one-of-a-kind sculpture in steel, bronze, and wood, you should expect inventory to change as pieces are finished and sold rather than staying fixed like a standard product catalog.

What to do: Open the shop page, look through the current new items, and check back periodically if nothing matches what you want. Since pieces are made individually, the specific item you see today may not be repeatable.

Commissioning a Custom Piece

The studio explicitly invites custom work: the homepage says to contact them "if you have a vision you want us to bring to life." That is the entry point for a commission.

What the studio makes

Omega Artworks specializes in unique swords, athames, sickles, and ceremonial blades, combining artistry with functionality. Materials named on the site are steel, bronze, and wood. A commission should fall within this range of blade and ceremonial work.

What to include when you reach out

The site does not publish a commission form or a fixed process, so the useful move is to describe your idea clearly enough for the artists to judge feasibility. Based on what the studio says it does, cover:

• Type of piece — sword, athame, sickle, or another ceremonial blade
• Material preference — steel, bronze, wood, or a combination
• Intended use — display, ritual, or functional use, since the studio aims to make objects "as beautiful as they are useful"
• Size and any design details — especially relevant given the range from small necklace knives to full swords

What to expect

Because all items are made by three artists in one studio, this is not a fast-turnaround or high-volume operation. A commission is a back-and-forth with the makers, and feasibility depends on whether your idea fits their materials and methods. The site does not state pricing, lead times, or deposit terms, so those are questions to raise directly in your first contact.

Deciding Between Buying and Commissioning

Key Points to Keep in Mind

• Everything is handmade in Saint Paul, Minnesota by three artists, so no two pieces are identical.
• The shop reflects recent work, not a permanent inventory — check it for what is currently available.
• Custom work starts with contact, not a checkout flow. Describe your vision, materials, and intended use.
• Pricing, timelines, and shipping are not published on the site, so ask about them when you make contact.

The practical next step is simple: browse the shop for finished pieces, and if you have a specific vision, reach out to the studio with a clear description of the blade or ceremonial item you want.