Who Was Glenna Goodacre and What Kind of Sculpture Did She Create?
Updated
Glenna Goodacre was an American sculptor who described herself as "a sculptor. A sculptor of people. People of all ages, all races. Portraits of people – groups of people." Her work centered on figurative sculpture, especially portraits of individuals and groups. The official website of the Estate of Glenna Goodacre (glennagoodacre.com) presents her artistic legacy and lists available works from the estate.
Her Self-Described Identity and Artistic Focus
Goodacre's own statement, featured on the estate's website, defines both her subject matter and her motivation:
"I am a sculptor. A sculptor of people. People of all ages, all races. Portraits of people –groups of people. I enjoy people. I love my work....and I feel incredibly fortunate in making a living doing what I love."
Several things stand out in this statement:
- Figurative sculpture, not abstraction. Her subject is people, not forms or concepts.
- Range across ages and races. She explicitly names "all ages, all races" as her subjects.
- Both individuals and groups. She worked in both single-portrait and multi-figure formats.
- Personal enjoyment as a driver. She frames her career as a fortunate blend of love for people and love for the work.
What the Estate Website Offers
The site is titled "The Official Website of the Estate of Glenna Goodacre." It functions as a source for her artistic legacy and includes a section of available works. Examples listed on the site include:
| Work | Price | Height | Edition |
|---|---|---|---|
| John Lawless | $12,000.00 | 17 1/2" | Edition of 25 |
| Terra Cotta Coin Study | $400.00 | 7 1/4" | Edition of 2000 |
| Waiting to Dance | $24,000.00 | 37 1/4" | Edition of 35 |
These listings show the range of her output: from a small, widely editioned study to larger, more limited bronze works. Each entry includes height and edition size, which are standard details for collectors evaluating sculpture.
The site also offers a newsletter signup for news and updates, which is the main way to follow estate announcements.
Why the Site Matters for Understanding Her Work
For anyone researching Goodacre, the estate website is the primary official source. It pairs her own words about her artistic philosophy with concrete examples of available works, giving both the intent behind the sculpture and a sense of scale, edition size, and market range. If you want to know what kind of sculptor she was, her own description is the clearest answer: a sculptor of people, across ages and races, in individual and group portraits.