What Is Juilliard Summer Music for High School Musicians?

Updated

Juilliard Summer Music is a three-week, immersive conservatory program at The Juilliard School for high school instrumentalists, composers, and vocalists, and applications are currently open. It suits students who want a concentrated, conservatory-style experience before deciding on college-level music study; it is not a casual summer camp or a substitute for the full degree application process.

Who the program is for

The program is described on Juilliard's site as being for high school musicians in three tracks:

  • Instrumentalists — students who play an instrument and want intensive conservatory training.
  • Composers — students interested in writing music within a conservatory setting.
  • Vocalists — high school singers seeking focused vocal study.

The common thread is that you are a high school student ready to commit three weeks to immersive music work. If you are earlier in your development or looking for a broad arts sampler, this is likely a stretch; if you are seriously considering conservatory study, it is a direct preview of that environment.

What "immersive conservatory program" means in practice

The site frames the program as a three-week conservatory experience rather than a series of drop-in classes. The practical implication is that you should expect a full-time schedule built around your discipline, with the kind of expectations Juilliard sets for its college students. The page does not publish a detailed daily schedule, so treat the specific class hours, lesson frequency, and performance opportunities as things to confirm with Juilliard directly rather than assume.

How to apply

The homepage states that applications are open now for Juilliard Summer Music. The general steps are:

  1. Confirm your eligibility and track. Decide whether you are applying as an instrumentalist, composer, or vocalist, since materials differ by discipline.
  2. Go to the Summer Music application. Start from the Juilliard site's Summer at Juilliard section, which is where the program is announced.
  3. Prepare your application materials. For musicians this typically means a recorded audition or portfolio; composers usually submit scores and recordings. The exact requirements per track are set by Juilliard and should be read on the application page before you record anything.
  4. Submit and watch for follow-up. After submitting, expect communication from Juilliard about next steps, which may include an audition review or additional materials.

Verification: you have completed the process correctly when you receive a submission confirmation and any subsequent instructions from Juilliard. If you have not heard back within the timeframe stated on the application page, contact admissions rather than resubmitting.

Common sticking points

  • Recording quality vs. content. Applicants often over-invest in production. A clean, honest recording that shows your current level is more useful than a heavily edited one; follow Juilliard's stated format requirements first.
  • Choosing the right track. Composers who also perform well sometimes apply in the wrong category. Pick the track that matches the work you most want to develop.
  • Deadlines. "Applications are open" does not mean open indefinitely. Check the closing date on the application page before you plan your recording schedule.
  • Cost and logistics. The homepage does not publish tuition, housing, or scheduling details for Summer Music. Ask Juilliard directly about fees, housing options, and daily commitments before committing, and do not assume the program is free.

Is it the right fit?

Choose Juilliard Summer Music if you are a high school instrumentalist, composer, or vocalist who wants a short, intense conservatory experience and is prepared to audition. Look elsewhere if you want a low-commitment summer activity, or if you need a program with published cost and schedule details before applying — in that case, request those specifics from Juilliard first, then decide.