What Pro Tools training courses and fees does Rob Speight offer?

Updated

Rob Speight's site lists Pro Tools training under a dedicated "Pro Tools For Creators" area, with a separate page for course options and fees. If you are trying to decide whether to sign up, the practical first step is to open that course options and fees page directly, because the site presents the available formats and pricing there rather than in a single headline figure. The information below explains what the site confirms, what it does not, and what to check before committing.

What the site confirms

The site is the professional home of Rob Speight, described as a sound engineering and design practice for podcasts, games, film, television and radio. Within that site, two pages are directly relevant to training:

  • A Training Courses page
  • A Pro Tools For Creators – Course Options and Fees page

The existence of a page specifically named for "course options and fees" tells you the intended structure: multiple course options, each with its own fee, rather than one fixed package. That is the main signal available from the site itself.

What the site does not state

The available site information does not include:

  • The number of course options
  • The name or level of each option
  • Any fee amounts or currency
  • Course duration, format (live, self-paced, one-to-one), or location
  • Whether enrolment is open, waitlisted, or scheduled in cohorts
  • Any refund, cancellation, or access terms

Because none of this appears in the source material, treat any figure you see elsewhere as unverified until you read it on the course options and fees page itself.

Who this is likely aimed at

The course is branded "Pro Tools For Creators," which points to people who make audio content rather than only studio engineers — for example:

  • Podcast producers who edit and mix their own episodes
  • Game audio creators working with dialogue, effects, and implementation
  • Film, television, or radio freelancers who need Pro Tools fluency
  • Creators moving from a simpler editor to a professional DAW

If your goal is general audio editing rather than Pro Tools specifically, this framing is worth noting: the course is tied to one DAW, so it suits you best if Pro Tools is the tool you intend to use.

How to evaluate the options before paying

Use the course options and fees page as your primary source, and check each of these against your own situation:

Check Why it matters
Option level Beginner, intermediate, or advanced determines whether it fits your current skill
Format Live sessions, recorded modules, or one-to-one changes how much time you must schedule
Duration Affects whether you can finish alongside ongoing work
Fee and what it includes Confirms whether materials, feedback, or follow-up support are part of the price
Entry requirements Some courses assume existing DAW familiarity
Refund or transfer terms Relevant if your schedule may change

A practical way to decide

  1. Open the Pro Tools For Creators – Course Options and Fees page.
  2. List each option with its stated level, format, duration, and fee.
  3. Match the option against the work you actually do — podcast editing, game audio, or broadcast — since the site positions the practice across all of these.
  4. If an option's level or format is unclear from the page, ask before enrolling rather than assuming.
  5. Compare the total cost against the alternative: self-teaching Pro Tools through free documentation and practice projects. A paid course earns its place mainly through structured feedback and saved time, so weigh those specifically.

Bottom line

Rob Speight's site does offer Pro Tools training, organised as "Pro Tools For Creators" with a page dedicated to course options and fees. The site confirms the structure but not the specific options or prices in the material available here, so the fee page is the only reliable place to get current figures. Decide by matching an option's level and format to your own workflow, and confirm anything the page leaves ambiguous before you pay.