robspeight.com

Rob Speight provides sound engineering and design for podcasts, games, film, television and radio. That list comes directly from the site's own description of the work, so if your project falls into one of those five categories, it is within the stated scope of the practice.

The five media types listed on the site

The homepage heading reads "Sound Engineering & Design for podcasts, games, film, television and radio." The same page describes the owner as "an extremely experienced and passionate audio professional" who has "worked across many genres including games, film, radio and podcasts."

Two of the five — television and radio — appear only in the main heading, while podcasts, games, film and radio are repeated in the "About Me" summary. The overlap is consistent: nothing on the page narrows the scope to a single medium.

How to tell whether your project fits

The site frames the work as both sound engineering and sound design, which are related but distinct tasks. Engineering typically covers recording, editing, mixing and delivery; design typically covers creating or shaping sound elements for a production. Because the site lists both alongside five media types, the practical reading is that the scope is defined by the medium rather than by a single service.

A quick way to check fit:

1. Identify which medium your project belongs to — podcast, game, film, TV or radio.
2. If it matches one of the five, the site's stated scope covers it.
3. If your project sits outside those five (for example, a live concert or an audiobook), the homepage does not claim it, so you would need to ask directly rather than assume.

What the site does not specify

The homepage does not break down which specific services apply to which medium — for example, it does not say whether game work covers implementation, middleware or adaptive audio, or whether film work includes on-set recording versus post-production only. It also does not list rates, turnaround times or a project intake process on the pages captured here.

The site does link to training material, including a "Pro Tools For Creators" course page with course options and fees, which is separate from the service work described on the homepage. If you are looking for production services rather than training, treat those as two different offerings.

Practical next step

If your project is a podcast, game, film, TV show or radio production and you need sound engineering or sound design, the site's stated coverage matches your category. To confirm the specific deliverable — mixing only, full post-production, sound design from scratch, or something else — you would need to make contact, since the homepage describes the media types but not the exact scope of each engagement.

robspeight.com is the personal professional site of Rob Speight, an audio professional who describes himself as "extremely experienced and passionate." The site presents his sound engineering and design work across podcasts, games, film, television, and radio, and it also serves as the entry point for his Pro Tools training courses. It is a portfolio-and-services site rather than a storefront: you go there to understand what he does, see the range of media he works in, and find out about his course offerings.

Who the site is for

The site speaks to two broad audiences:

• Production clients and collaborators looking for sound engineering and design help on a project in podcasts, games, film, TV, or radio.
• Audio learners who want structured Pro Tools training, since the site links to course options, fees, and training course pages.

If you are hiring for audio work or trying to learn Pro Tools from a working professional, the site is aimed at you. If you need a general audio gear review site or a stock sound library, this is not that.

What the site covers

The homepage headline frames the whole offering: "Sound Engineering & Design for podcasts, games, film, television and radio." That single line is the clearest statement of scope on the page.

The "About Me" section is the place to start if you want background on his experience; the page invites visitors to "Find out a little more about me."

The Pro Tools training side

Beyond client work, the site hosts a training arm. Two linked pages matter here:

• Training Courses — the general entry point for his course offerings.
• Pro Tools For Creators – Course Options and Fees — the page that lays out what the courses include and what they cost.

If your goal is learning rather than hiring, go straight to the course options and fees page. The site does not publish pricing on the homepage, so treat the course page as the source for cost and format details rather than assuming anything from the landing page.

How to use the site

1. Start with the homepage to confirm the service areas match your project — podcasts, games, film, TV, or radio.
2. Read the About Me section if you want to judge experience and background before reaching out.
3. For training, follow the Training Courses link, then the course options and fees page, to compare what is offered and at what price.
4. For project work, use the site as a portfolio and contact starting point rather than expecting an online booking or checkout flow — none is indicated.

What the site does not tell you

A few things are simply not stated in the available material, so do not assume them:

• No pricing appears on the homepage; only the course pages carry fee information.
• No payment platforms are listed.
• No client list, showreel, or sample work is described in the page evidence beyond the service areas.
• No booking process or availability details are given.

For anything beyond the service scope and the existence of Pro Tools courses, the site's own pages — particularly the About Me and course pages — are where the detail lives.

The quickest way is to visit robspeight.com and open the About Me section, which the site describes as the place to "find out a little more about me." That page is the main entry point for evaluating his audio background before deciding whether to reach out about a project. If you want to judge fit for a specific job, pair the About Me page with the site's service areas and training pages rather than relying on the homepage alone.

What the site tells you up front

The homepage presents Rob Speight as "an extremely experienced and passionate audio professional" who has "worked across many genres including games, film, radio and podcasts." The site's own heading frames the work as Sound Engineering & Design for podcasts, games, film, television and radio.

So the site positions him across five audio media:

• Podcasts
• Games
• Film
• Television
• Radio

That list is the fastest way to check whether your project type is in scope before you read further.

Where to look, and what each section gives you

The About Me section is the one explicitly described as the place to learn more about him, so start there if your question is "who is this and what has he done?"

How to use this for a decision

If you are evaluating him for a collaboration or consultation, work through three checks:

1. Medium match — Does your project fall under podcasts, games, film, television or radio? If it sits outside those, the site gives no signal that it is covered.
2. Experience fit — Read the About Me section for the breadth of genres and formats, since the site emphasizes experience across many genres rather than a single specialty.
3. Next step — If the background fits, the site is the natural place to find the contact route for an enquiry. If your interest is learning rather than hiring, the training pages are the relevant destination instead.

Common sticking points

• The homepage alone is thin. It gives a positioning statement and a pointer to About Me, not a full CV. Expect to click through.
• Training and services are separate tracks. Course options and fees live on their own pages, so don't read the training pages as a description of his client work, or vice versa.
• No pricing for client work is stated on the pages reviewed here. Only the training side points to fees, so treat any budget question for project work as something to raise directly.

Rob Speight's site lists Pro Tools training under a dedicated "Pro Tools For Creators" area, with a separate page for course options and fees. If you are trying to decide whether to sign up, the practical first step is to open that course options and fees page directly, because the site presents the available formats and pricing there rather than in a single headline figure. The information below explains what the site confirms, what it does not, and what to check before committing.

What the site confirms

The site is the professional home of Rob Speight, described as a sound engineering and design practice for podcasts, games, film, television and radio. Within that site, two pages are directly relevant to training:

• A Training Courses page
• A Pro Tools For Creators – Course Options and Fees page

The existence of a page specifically named for "course options and fees" tells you the intended structure: multiple course options, each with its own fee, rather than one fixed package. That is the main signal available from the site itself.

What the site does not state

The available site information does not include:

• The number of course options
• The name or level of each option
• Any fee amounts or currency
• Course duration, format (live, self-paced, one-to-one), or location
• Whether enrolment is open, waitlisted, or scheduled in cohorts
• Any refund, cancellation, or access terms

Because none of this appears in the source material, treat any figure you see elsewhere as unverified until you read it on the course options and fees page itself.

Who this is likely aimed at

The course is branded "Pro Tools For Creators," which points to people who make audio content rather than only studio engineers — for example:

• Podcast producers who edit and mix their own episodes
• Game audio creators working with dialogue, effects, and implementation
• Film, television, or radio freelancers who need Pro Tools fluency
• Creators moving from a simpler editor to a professional DAW

If your goal is general audio editing rather than Pro Tools specifically, this framing is worth noting: the course is tied to one DAW, so it suits you best if Pro Tools is the tool you intend to use.

How to evaluate the options before paying

Use the course options and fees page as your primary source, and check each of these against your own situation:

A practical way to decide

1. Open the Pro Tools For Creators – Course Options and Fees page.
2. List each option with its stated level, format, duration, and fee.
3. Match the option against the work you actually do — podcast editing, game audio, or broadcast — since the site positions the practice across all of these.
4. If an option's level or format is unclear from the page, ask before enrolling rather than assuming.
5. Compare the total cost against the alternative: self-teaching Pro Tools through free documentation and practice projects. A paid course earns its place mainly through structured feedback and saved time, so weigh those specifically.

Bottom line

Rob Speight's site does offer Pro Tools training, organised as "Pro Tools For Creators" with a page dedicated to course options and fees. The site confirms the structure but not the specific options or prices in the material available here, so the fee page is the only reliable place to get current figures. Decide by matching an option's level and format to your own workflow, and confirm anything the page leaves ambiguous before you pay.