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EnglishHow to Contact Jason Nelson or Learn More About His Work
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dpoetry.com is Jason Nelson's portfolio site for digital writing, digital art, and art-games. To contact him or learn more, use the site's own navigation: About for background, Portfolio for the full body of work, Contacts for reaching out, and Share for passing links along. The homepage itself is a scrolling gallery of projects, so the fastest route to any of these is the top navigation rather than the project list.
What the site is and who it's for
The site presents Jason Nelson as a digital artist and writer working across interactive poetry, art-games, and screen-based digital writing. It is aimed at people who want to browse or research that work, or who need to get in touch with him — curators, collaborators, students, journalists, or fellow artists.
Getting in touch
The navigation includes a Contacts section. That is the intended entry point for reaching Jason Nelson. The available page evidence does not list an email address, contact form, or social handles, so the specific channel is only visible once you open that section on the live site. If you need a reply about a specific project, it helps to name the work (for example, Entierly Every Forever or Nine Billion Branches) and the year shown on its listing.
Learning more about his background
The About section is where the site keeps biographical and practice-level information. Read it before the portfolio if you want context on how the projects relate to each other — the listings show a consistent thread of interactive and animated digital writing running from 2018 through ongoing work.
Browsing the work
The Portfolio section holds the project collection. The homepage also lists works with short descriptions and dates, and includes a filter set — All, Digital writing, Digital art, Art-Games — plus an InterbaseDataface category described as a collection of smaller works, "some interactive, some are odd, and all of them are short experiences."
| Project | Year | What it is |
|---|---|---|
| InterbaseDataface | Ongoing | Collection of smaller interactive and short works |
| Entierly Every Forever | 2024 | AR work; a tale told by an all-seeing magpie set in Meanjin/Brisbane |
| Diffracted Hemispheres | 2023–24 | Work exploring the power of light, focused on the lighthouse lens |
| Ultra-Large Digital Narrative and Poetry Research Project | 2022–ongoing | Animated and interactive works exploring AI in digital writing |
| A cottage year | 2022–ongoing | Permanent digital artwork at Queen's Wharf Precinct, Brisbane, using climate and historical environmental data from the early 1850s–60s |
| Impossible Creatures (Curio Creatures) | 2022–23 | Locative art-game satirizing games like Pokémon Go |
| The Many Occasions of Moving | 2022–23 | Investigates video game engines/interfaces and digital narrative and poetry |
| Cheat Codes for Hinterland WalkThroughs | 2021 | Digital poetry game replicating a journey through SE Queensland hinterland changed by bush fires |
| The False Unlimited | 2020 | Interactive digital poem/art-game hybrid on the death of truth in political and social language |
| The Wonders of Lost Trajectories Project | 2018–20 | Exhibition of six interactive and screen-based digital writing works drawn from state archives |
| Acesulfame K | 2019 | You control a skeleton falling and smashing into objects |
| Nine Billion Branches | 2018–19 | Interactive digital poem and fiction hybrid |
| Directions for Ziggurats to Scale | 2018 | Giant-scale site-specific video-based digital poetry projected across the William Jolly Bridge, Brisbane |
If you are looking for a specific type of work, use the filters rather than scrolling: Digital writing for the poetry and narrative pieces, Art-Games for the playable works, Digital art for the visual and installation projects.
Sharing a project
The navigation includes a Share section, which is the site's own way of passing work along. Use it when you want to send a specific project to someone rather than describing it yourself.
Practical notes
- The site is in English.
- No pricing, login, or payment information appears in the available page evidence, so nothing here should be read as free, paid, or account-gated.
- Project descriptions on the homepage are short by design; the Portfolio section is the better place to go deeper on any single work.