What exhibitions and projects are featured on BEATA GEYER's website?

Beata Geyer's website (beatageyer.com) features a portfolio of site-specific installations, with three exhibitions documented in the available page content: METROPOLIS at the China Cultural Centre in Sydney (2022), FALL in the BLUE TOO exhibition at WAY OUT Kandos (2021), and LOVED at Penrith Regional Gallery (2020–2021). Each entry pairs the work with its venue, dates, and—where applicable—curators and partner organizations.

METROPOLIS (2022)

METROPOLIS is described as a new site-specific installation shown in the MATERIAL GIRRRL exhibition at the China Cultural Centre in Sydney.

The exhibition listing names a large group of participating artists alongside Geyer: Dandizi Chen, Euphemia Bostock, Peihua Chen, Maria Fernanda Cardoso, Qiyao Chen, Elizabeth Day, Yang Liu, Beata Geyer, Yi Pang, Rox De Luca, and Wenmin Tong.

It was co-hosted by the Consulate-General of the People's Republic of China in Sydney and the China Cultural Centre in Sydney, with ART NOVA 100 and Beijing Mingtai Culture & Art Co., Ltd. listed as partners.

FALL (2021)

FALL was a site-specific installation included in the BLUE TOO exhibition at WAY OUT Kandos.

LOVED (2020–2021)

LOVED was a site-specific installation shown in the FABRIK exhibition at Penrith Regional Gallery, Sydney. The installation photo is credited to Silversalt.

The website's description of LOVED explains the work's conceptual focus: it "explores intersections between colour, fashion and design with a particular focus on colour forecasting and palette development." The text traces colour forecasting to the 18th century and describes it as a collective effort to predict consumer purchasing roughly two years in advance, driven by major forecasting companies such as Pantone, CMG, and WGSN. It also notes that the (post)pandemic colour forecasts "seem to highlight our lack of certainty about the future," spanning themes from neon and saturated brights to muted neutrals and monochromes.

How the projects relate

All three documented works are site-specific installations, and LOVED in particular connects to Geyer's stated interest in colour, trend forecasting, and consumption cycles. The listings also show a pattern of group exhibition contexts—MATERIAL GIRRRL, BLUE TOO, and FABRIK—rather than solo presentations, with curatorial and institutional partners named for the 2022 show.

If you want to confirm current or additional exhibitions, check the site directly, since the available content covers only these three entries.