What Experience and Clients Does Score a Score Have?

Score a Score is a music licensing and production company founded in 2010, with a catalog of 50,000+ tracks from 400+ artists worldwide and music placed in Super Bowl spots for brands including TurboTax, Michelob ULTRA, Toyota, Totino's, and Zevo. It states it has appeared on the Inc. 5000 list for five straight years and is trusted by 50,000+ creatives. If you're evaluating whether the company has the track record to handle a film, TV, game, or ad project, the credentials below are the ones to weigh.

Company track record at a glance

The Super Bowl placements matter because those spots are among the most scrutinized music briefs in advertising — short timelines, heavy clearance requirements, and very large audiences. Having five different brand placements listed is a concrete signal of experience at that level, not just a claim of general capability.

What clients say

The site publishes testimonials from named creatives at agencies and production companies:

• Melissa Christian, DSG — "You guys are like a superpower we didn't know we had!"
• Matt Bailey, Workshop — "One of my go to's for really unique and eclectic stuff that a lot of other people don't have."
• Isaac Boruchowicz, Ogilvy — praised the team for coming to Ogilvy and demonstrating "the speed you can make this work."
• A fourth testimonial credits Jordan and the Score a Score team, with the client saying they "would always reach out if anything new" came up.

These are client-supplied quotes rather than independently verified reviews, so treat them as directional. The recurring themes — speed, unusual catalog depth, and repeat business — are worth checking against your own project's needs.

Where the experience is most relevant

The credentials point to a few project types where this background is a genuine advantage:

• Advertising and brand campaigns. The Super Bowl placements and the "Music for Ads" service line suggest comfort with campaign timelines, revisions, and brand-side approvals.
• Trailers. Score a Score runs a trailer collection called "Locked," with a roster it says is ready to customize any cut.
• Projects needing clearance handled. The company lists supervision, licensing, and clearance through its "Antenna" team, which matters when you don't want to manage rights paperwork yourself.
• Work spanning multiple formats. The catalog and service range cover film, TV, video games, and ads, so a single vendor can serve mixed slates.

How to verify the fit before committing

Track record alone doesn't tell you whether the catalog suits your specific brief. Two practical checks:

1. Ask for a curated pull. The company's stated process is that you send as little as a few adjectives or as much as a full video edit, and receive a custom playlist by email within a few hours. A sample pull tells you more about catalog fit than any credential list.
2. Confirm the licensing path early. If your project needs clearance on a tight schedule, ask how the Antenna supervision team handles it and what the timeline looks like for your use case.

If your project is a brand campaign, trailer, or a production that needs licensing and clearance bundled with the music search, the experience above is directly relevant. If you need something highly specialized — a niche genre, a specific composer relationship, or a workflow the company doesn't list — test that with a sample request before assuming the catalog covers it.