scoreascore.com

Score a Score is a music licensing and production company founded in 2010, with a catalog of 50,000+ tracks from 400+ artists worldwide and music placed in Super Bowl spots for brands including TurboTax, Michelob ULTRA, Toyota, Totino's, and Zevo. It states it has appeared on the Inc. 5000 list for five straight years and is trusted by 50,000+ creatives. If you're evaluating whether the company has the track record to handle a film, TV, game, or ad project, the credentials below are the ones to weigh.

Company track record at a glance

The Super Bowl placements matter because those spots are among the most scrutinized music briefs in advertising — short timelines, heavy clearance requirements, and very large audiences. Having five different brand placements listed is a concrete signal of experience at that level, not just a claim of general capability.

What clients say

The site publishes testimonials from named creatives at agencies and production companies:

• Melissa Christian, DSG — "You guys are like a superpower we didn't know we had!"
• Matt Bailey, Workshop — "One of my go to's for really unique and eclectic stuff that a lot of other people don't have."
• Isaac Boruchowicz, Ogilvy — praised the team for coming to Ogilvy and demonstrating "the speed you can make this work."
• A fourth testimonial credits Jordan and the Score a Score team, with the client saying they "would always reach out if anything new" came up.

These are client-supplied quotes rather than independently verified reviews, so treat them as directional. The recurring themes — speed, unusual catalog depth, and repeat business — are worth checking against your own project's needs.

Where the experience is most relevant

The credentials point to a few project types where this background is a genuine advantage:

• Advertising and brand campaigns. The Super Bowl placements and the "Music for Ads" service line suggest comfort with campaign timelines, revisions, and brand-side approvals.
• Trailers. Score a Score runs a trailer collection called "Locked," with a roster it says is ready to customize any cut.
• Projects needing clearance handled. The company lists supervision, licensing, and clearance through its "Antenna" team, which matters when you don't want to manage rights paperwork yourself.
• Work spanning multiple formats. The catalog and service range cover film, TV, video games, and ads, so a single vendor can serve mixed slates.

How to verify the fit before committing

Track record alone doesn't tell you whether the catalog suits your specific brief. Two practical checks:

1. Ask for a curated pull. The company's stated process is that you send as little as a few adjectives or as much as a full video edit, and receive a custom playlist by email within a few hours. A sample pull tells you more about catalog fit than any credential list.
2. Confirm the licensing path early. If your project needs clearance on a tight schedule, ask how the Antenna supervision team handles it and what the timeline looks like for your use case.

If your project is a brand campaign, trailer, or a production that needs licensing and clearance bundled with the music search, the experience above is directly relevant. If you need something highly specialized — a niche genre, a specific composer relationship, or a workflow the company doesn't list — test that with a sample request before assuming the catalog covers it.

Score a Score runs a music-for-media service built around a fast, human-led workflow: you reach out by email, text, or call, describe your project in as much or as little detail as you have, and receive a custom playlist in your inbox within hours. From there, feedback drives refinement — more tracks or a custom route — and the team handles licensing paperwork once you've picked the right soundtrack. This fits projects that need curated music, turnkey licensing, bespoke production, sound design, mixing, sonic branding, supervision, or clearance, whether for advertising, film, TV, games, or trailers.

Step 1: Initial contact

Reach out by email, text, or call. According to Score a Score, your message goes directly to their team, who confirm receipt within minutes. This is the point where you can flag timing pressure — the company states that faster turnaround is possible if needed.

Step 2: Briefing the team

The brief can be as light as a few adjectives or as heavy as a full video edit. Score a Score uses whatever you provide to determine the best approach to the music. There is no minimum brief format described on the site, so a short description of tone and usage is enough to start.

Step 3: Custom playlist delivery

You receive a custom playlist as a starting point, delivered to your inbox within a few hours — or faster if your timeline requires it. This is the first concrete deliverable in the process.

Step 4: Refinement

With your feedback, the team dials in the selection: more tracks, a custom route, or whatever else is needed. This stage is iterative, so plan for at least one round of feedback before locking a track.

Step 5: Licensing

Once the soundtrack is chosen, Score a Score helps finalize all licenses. The company describes this step as "easy papering" — quick and painless finalization of the paperwork.

What the company brings to the process

Service areas you can route through the same process

• Music for ads — custom music and catalog tailored to a campaign
• Trailers — the "Locked" trailer collection, with a roster ready to customize any cut
• Music supervision — the "Antenna" team handles curation, licensing, and clearance
• Sound design — immersive soundscapes for film, games, and ads
• Sonic branding — a distinctive sonic identity for a brand

When this process fits — and when it may not

The workflow suits projects where speed and curation matter: an agency needing a shortlist within hours, a brand building a sonic identity, or a trailer team that needs a track customized to a cut. The client testimonials on the site emphasize speed, uniqueness of catalog, and collaboration.

It may be less suited to projects where you want to browse and license a track entirely on your own without a briefing step, since the described process is built around a team response rather than self-serve checkout. The site does not publish pricing or list payment platforms, so budget and payment terms are not something you can evaluate from the page alone — raise those directly with the team at first contact.

Score a Score organizes its music-for-media services into five named areas you can reach from the homepage: Music for Ads, Trailers, Music Supervision, Sound Design, and Sonic Branding. Each has its own "Explore" link, and the homepage also surfaces case studies under Featured Work. If you already know which service you need, jump straight to that section; if you're scoping a project, start with the services overview and the case studies to see what fits.

The five service areas and where they lead

The homepage presents these as distinct entry points, each with a short description and an explore link:

Two of these are branded sub-offerings rather than generic labels: Locked is the trailer music collection, and Antenna is the supervision team. If a colleague refers to "Locked" or "Antenna," those map to the Trailers and Music Supervision sections respectively.

How to choose the right entry point

The site positions itself as "your one-stop resource for all of your music-for-media needs," and the service list is broader than the five headline areas. The full scope named on the page includes:

• Curated music pulls
• Turnkey licensing
• Bespoke music production
• Custom sound design
• Mixing
• Sonic branding
• Supervision and clearance

Use this to route yourself:

• You need an existing track, cleared and licensed fast → Music Supervision (Antenna) for curation, licensing and clearance.
• You need original music built for a campaign → Music for Ads for custom music, or the broader bespoke production capability.
• You need trailer music → Trailers (Locked).
• You need audio built around picture → Sound Design.
• You need an audio identity for a brand → Sonic Branding.

Featured Work: what it shows and why it's useful

The homepage also has a Featured Work block covering Advertising, Music Supervision, Trailers, and Sound Design, with a "See the case studies" link. This is the fastest way to judge fit before contacting anyone — the page cites music in Super Bowl spots for TurboTax, Michelob ULTRA, Toyota, Totino's and Zevo as evidence of the advertising work.

If your project resembles one of those categories, the case studies tell you more about output than the service descriptions do.

What happens after you make contact

The homepage describes a six-step process, which is worth knowing before you reach out because it sets expectations on turnaround:

1. Instant Response — your email, text, or call goes directly to the team, who confirm receipt within minutes.
2. Attention to Detail — with as little as a few adjectives or as much as a full video edit, they determine the best approach.
3. Hand Picked Tracks — you receive a custom playlist in your inbox within a few hours, or faster if needed.
4. True Adaptability — with your feedback they adjust: more tracks, a custom route, whatever is needed.
5. Easy Papering — once the soundtrack is chosen, they help finalize all licenses.
6. Reliable — framed as ongoing dependability.

The practical takeaway: you don't need a finished brief to start. A few descriptive adjectives are enough for a first pass, and the first deliverable is a curated playlist rather than a locked decision.

Background signals worth checking against your project

The page states the company was founded in 2010, works with 400+ artists worldwide, holds 50,000+ tracks in its catalog, and has appeared on the Inc. 5000 for five straight years. It also claims to be trusted by 50,000+ creatives.

Those numbers matter mainly for scale questions — catalog depth for a straightforward license, artist roster breadth for something more distinctive. Testimonials on the page come from a DSG client, Workshop, Ogilvy, and a repeat collaborator, and they emphasize speed, uniqueness of catalog, and responsiveness rather than price.

Common sticking points

• Pricing isn't published on the homepage. No pricing links or payment details appear in the page content, so budget questions have to go through the contact step.
• "Music Supervision" and "licensing" overlap. If your need is purely clearance of a track you already have, Antenna is still the right entry point — clearance is listed under that service.
• Locked and Antenna are product names, not separate sites. Look for them inside the Trailers and Music Supervision sections.
• The catalog is large but curated. The process promises a hand-picked playlist within hours, so the first response is a shortlist, not a browse-the-whole-catalog experience.

Score a Score is a music company that handles music-for-media needs end to end: curated music pulls, turnkey licensing, bespoke music production, custom sound design, mixing, sonic branding, supervision, and clearance. It fits projects that need either a licensed track fast or original music and sound built to a brief — film, TV, video games, and advertising. The company was founded in 2010, works with 400+ artists worldwide, and its catalog holds 50,000+ tracks.

Music Licensing and Curated Pulls

The core service is finding and clearing the right track for your project.

• Curated music pulls — you describe the need (a few adjectives, or a full video edit) and the team determines the best approach.
• Turnkey licensing — once a track is chosen, Score a Score finalizes the licenses.
• Clearance — handled as part of the supervision offering, so you don't manage rights separately.

The stated workflow: your email, text, or call goes directly to the team, who confirm receipt within minutes; you receive a custom playlist in your inbox within a few hours, faster if needed; then feedback refines it — more tracks or a custom route.

Custom Music Production

Beyond catalog pulls, Score a Score produces original music.

• Bespoke music production — custom tracks built for a specific project.
• Music for ads — custom music and catalog tailored to a campaign.

The site notes music in Super Bowl spots for TurboTax, Michelob ULTRA, Toyota, Totino's, and Zevo, which is the clearest public signal of the advertising work.

Sound Design and Mixing

For projects where the soundscape matters as much as the music:

• Custom sound design — immersive soundscapes for film, games, and ads.
• Mixing — listed among the company's music-for-media services.

Sonic Branding

A distinctive sonic identity that strengthens a brand — the audio equivalent of a logo, built to be recognizable across touchpoints.

Music Supervision

Run through Antenna, Score a Score's supervision team, covering curation, licensing, and clearance. This is the service to choose when you want someone else to own the music decisions and the paperwork.

Trailer Music: The Locked Collection

Locked is Score a Score's trailer collection, with a roster ready to customize any cut. Relevant if you need trailer-specific music rather than general ad or film tracks.

Which Service Fits Your Project

What to Expect Working With Them

The site describes six commitments: instant response (confirmation within minutes), attention to detail (from a few adjectives to a full edit), hand-picked tracks (custom playlist within hours), true adaptability (more tracks or a custom route on feedback), easy papering (licenses finalized quickly), and reliability. Client quotes on the page from DSG, Workshop, and Ogilvy emphasize unique catalog, speed, and collaboration.

Pricing is not published on the page, so licensing and production costs need to be confirmed directly with the team.

Score a Score is a music licensing and music production company for media, founded in 2010. It supplies music and sound services for film, TV, video games, advertising, trailers, and brands — combining a 50,000+ track catalog from 400+ artists with custom production, sound design, and licensing support. It's built for creative teams (agencies, editors, producers, brands) that need music sourced, cleared, and delivered quickly rather than browsing a bare stock library alone.

What Score a Score actually does

The company describes itself as a "one-stop resource for all of your music-for-media needs." Its services fall into a few buckets:

• Curated music pulls — a custom playlist assembled for your project, delivered to your inbox within a few hours (or faster if needed).
• Turnkey licensing — help finalizing all licenses once a track is chosen.
• Bespoke music production — custom music written for a campaign or cut.
• Custom sound design and mixing — immersive soundscapes for film, games, and ads.
• Sonic branding — a distinctive sonic identity for a brand.
• Music supervision and clearance — handled by its supervision team, Antenna.

It also runs a dedicated trailer collection called Locked, with a roster available to customize any cut.

Who it's for

Score a Score works with creatives, agencies, and major brands. The site states it is trusted by 50,000+ creatives and cites music in Super Bowl spots for TurboTax, Michelob ULTRA, Toyota, Totino's, and Zevo. If you're a brand, agency, or production team that needs music sourced and cleared under time pressure, that's the core use case.

How the process works

The site outlines a short, service-led workflow:

1. You reach out — by email, text, or call. The team confirms receipt within minutes.
2. You brief them — with as little as a few adjectives or as much as a full video edit; they determine the best approach.
3. You get a custom playlist — a hand-picked starting point in your inbox within a few hours.
4. You refine — with your feedback they adjust: more tracks, or a custom route.
5. You license — they help finalize all licenses quickly.

The emphasis throughout is speed and human curation rather than self-serve search.

At a glance

When to consider it

Score a Score fits projects where you want a team to source and clear music for you — ads, trailers, film, TV, or games — instead of licensing tracks yourself. If your need is a fast, curated shortlist plus help with paperwork, its stated model (response within minutes, playlist within hours, licensing support) is aimed directly at that. If you'd rather browse and license independently, a self-serve catalog may suit you better. Pricing and account requirements aren't specified on the page, so confirm terms directly with the company before committing.