What to Check Before Hiring Ian Homer Photography for a Corporate or PR Project

Ian Homer Photography is a Dublin-based photographer and film-maker who, according to the site, has produced PR and corporate photography for commercial business clients and editorial images for magazines and newspapers for over 15 years. Before commissioning him for a corporate or PR project, the practical checks are: confirm a relevant portfolio match, verify his editorial and corporate experience fits your tone, and contact him directly with scope, location and timing. The site lists phone numbers in Ireland (+353 89 981 2545) and the UK (+44 7768 974 890) and a Contact page, but it does not publish rates, package details or availability, so those must be settled in conversation.

Start with the portfolio match

The site's navigation includes a Gallery and an "Online folio," which is where you should begin. Look for:

• Corporate work — portraits of executives or staff, office and workplace scenes, conference or event coverage.
• PR work — staged handovers, launches, announcements, or client-facing imagery intended for press use.
• Editorial work — images shot for magazines and newspapers, which signals experience producing to an editor's brief and deadline.

The distinction matters because PR and corporate assignments usually need images that are cleared for commercial and press distribution, while editorial work follows different conventions. Ask him which category specific portfolio images fall into if it isn't obvious.

Confirm the service type you need

The site's heading lists "Editorial, Corporate, PR Photography & Film," so film is offered alongside stills. If your project includes video — a short corporate film, a social cut, or event footage — raise it in the first conversation rather than assuming it is bundled with a photo commission. The site does not describe packages or combined rates.

Prepare a clear brief before you call

Because no pricing or booking process is published, the first contact should carry enough detail for him to respond usefully. Have ready:

Usage and licensing are worth stating explicitly, since corporate and PR images are often reused across channels.

Use the published contact routes

The site provides two phone numbers — Ireland and the UK — plus a Contact page. For a first approach, a short message through the Contact page or a call that references the portfolio pieces closest to your project works well. Mention your timeline early: editorial and PR work is often deadline-driven, so confirming he is free on your date is the first gating question.

Questions to ask in the first conversation

• Have you shot this type of corporate or PR assignment before, and can you share comparable examples?
• How do you handle usage rights and image licensing for commercial and press use?
• What is your turnaround for delivered images, and does it change for urgent PR deadlines?
• Do you work with an assistant or second shooter for larger events?
• For film, what is the scope of editing included?

Common sticking points

• Assuming published prices. None appear on the site; budget must come from a direct quote.
• Treating editorial and corporate as interchangeable. They carry different expectations for usage and styling — say which you need.
• Leaving usage vague. Corporate and PR images travel further than expected; agree terms up front.
• Booking late. With no online calendar, availability can only be confirmed by contacting him, so start early for fixed-date events.

If your project is a straightforward corporate portrait session or a PR event in Dublin or the UK and the portfolio shows comparable work, a direct call with a written brief is the sensible next step. If you need a large multi-day production or services beyond photography and film, confirm scope and capacity before committing.