ianhomerphotography.co.uk

Ian Homer Photography is a Dublin-based photographer and film-maker who, according to the site, has produced PR and corporate photography for commercial business clients and editorial images for magazines and newspapers for over 15 years. Before commissioning him for a corporate or PR project, the practical checks are: confirm a relevant portfolio match, verify his editorial and corporate experience fits your tone, and contact him directly with scope, location and timing. The site lists phone numbers in Ireland (+353 89 981 2545) and the UK (+44 7768 974 890) and a Contact page, but it does not publish rates, package details or availability, so those must be settled in conversation.

Start with the portfolio match

The site's navigation includes a Gallery and an "Online folio," which is where you should begin. Look for:

• Corporate work — portraits of executives or staff, office and workplace scenes, conference or event coverage.
• PR work — staged handovers, launches, announcements, or client-facing imagery intended for press use.
• Editorial work — images shot for magazines and newspapers, which signals experience producing to an editor's brief and deadline.

The distinction matters because PR and corporate assignments usually need images that are cleared for commercial and press distribution, while editorial work follows different conventions. Ask him which category specific portfolio images fall into if it isn't obvious.

Confirm the service type you need

The site's heading lists "Editorial, Corporate, PR Photography & Film," so film is offered alongside stills. If your project includes video — a short corporate film, a social cut, or event footage — raise it in the first conversation rather than assuming it is bundled with a photo commission. The site does not describe packages or combined rates.

Prepare a clear brief before you call

Because no pricing or booking process is published, the first contact should carry enough detail for him to respond usefully. Have ready:

Usage and licensing are worth stating explicitly, since corporate and PR images are often reused across channels.

Use the published contact routes

The site provides two phone numbers — Ireland and the UK — plus a Contact page. For a first approach, a short message through the Contact page or a call that references the portfolio pieces closest to your project works well. Mention your timeline early: editorial and PR work is often deadline-driven, so confirming he is free on your date is the first gating question.

Questions to ask in the first conversation

• Have you shot this type of corporate or PR assignment before, and can you share comparable examples?
• How do you handle usage rights and image licensing for commercial and press use?
• What is your turnaround for delivered images, and does it change for urgent PR deadlines?
• Do you work with an assistant or second shooter for larger events?
• For film, what is the scope of editing included?

Common sticking points

• Assuming published prices. None appear on the site; budget must come from a direct quote.
• Treating editorial and corporate as interchangeable. They carry different expectations for usage and styling — say which you need.
• Leaving usage vague. Corporate and PR images travel further than expected; agree terms up front.
• Booking late. With no online calendar, availability can only be confirmed by contacting him, so start early for fixed-date events.

If your project is a straightforward corporate portrait session or a PR event in Dublin or the UK and the portfolio shows comparable work, a direct call with a written brief is the sensible next step. If you need a large multi-day production or services beyond photography and film, confirm scope and capacity before committing.

To see Ian Homer's work, go to ianhomerphotography.co.uk and open the Gallery section, which holds his online portfolio of editorial, corporate and PR photography and film. To reach him, use the Contact page, or call +353 89 981 2545 (Ireland) or +44 7768 974 890 (UK). Both routes are listed directly on the site, so you can browse and get in touch without going through a third party.

Viewing the portfolio

The site describes itself as the online folio of a Dublin-based photographer and film-maker who has produced PR and corporate photography for commercial business clients, plus editorial images for magazines and newspapers, for over 15 years. That tells you what to expect in the Gallery: commissioned business work and published editorial images rather than, say, wedding or family portrait collections.

A practical way to use the site:

1. Open the Gallery to review the range of work and judge whether the style fits your brief.
2. Check Services to confirm the specific photography or film work offered.
3. Read About for background and experience.
4. Skim the Blog for recent projects or working notes.

The site does not publish a price list, package tiers or booking terms in the material available, so treat the Gallery and Services pages as a fit check only. Cost, availability and licensing need to be confirmed directly with the photographer.

Contacting Ian Homer

The Contact page is the intended enquiry route. The site also lists two phone numbers:

The two numbers suggest he takes enquiries from both sides of the Irish Sea, which is useful if your project is based in the UK rather than Ireland. No email address, contact form behaviour or response-time commitment is stated in the available material, so if you prefer email, ask for it via the Contact page or a phone call.

What to include in an enquiry

Because the site gives no booking form details, a short, specific message saves a round of questions. For example, if you need corporate headshots for a Dublin office, say so and include:

• The type of work (corporate, PR, editorial or film)
• Rough dates and location
• Expected number of images or shoot length
• Where the images will be used (internal, press, advertising)

This lets him confirm availability and terms in one reply. Usage rights matter for PR and editorial work in particular, since the same shoot can be licensed very differently depending on where the images appear.

Common snags

• No published pricing. Don't assume a rate from the site; ask for a quote against your brief.
• Gallery is visual only. Captions or client names may be limited, so if you need proof of experience in a specific sector, ask directly.
• Two countries, one diary. If your project spans Ireland and the UK, confirm travel and scheduling early rather than assuming either number covers both.

Ian Homer Photography is a Dublin-based photography and film service aimed at commercial clients, magazines, and newspapers. According to the site, it provides editorial, corporate, and PR photography plus film-making, with over 15 years of experience serving businesses and editorial outlets. If you need images or short films for a press release, company profile, or publication, this is the relevant service mix; if you need wedding, family, or fine-art prints, the site gives no indication of those offerings.

Core Service Categories

The homepage heading lists the practice areas directly: Editorial, Corporate, PR Photography & Film. These are best understood as three related but distinct service lines.

Editorial Photography

Images made for magazines and newspapers. This typically means working to an editor's brief, on location or in a studio, and delivering images that fit a publication's style and deadline. The site states the photographer has produced editorial images for magazines and newspapers for over 15 years, so this is a long-standing part of the practice rather than an occasional add-on.

Corporate and PR Photography

Photography for commercial business clients and public relations use. Common scenarios include:

• Staff and leadership portraits for a company website or annual report
• Office, facility, or workplace imagery
• Event coverage for launches, conferences, or announcements
• Images packaged for press releases and media outreach

The site frames this work around "commercial business clients," which suggests a B2B focus rather than consumer portraiture.

Film-Making

The practice also covers film, listed alongside photography in the main heading and in the site's self-description as a "photographer & Film-maker." The site does not break down film formats, lengths, or deliverables, so treat film as an available capability to confirm directly rather than a specified package.

Who the Services Are For

The common thread is commissioned, commercially used imagery — work that appears in print, online, or in PR materials. The site does not present pricing, packages, or booking terms, so scope and cost need to be discussed directly.

How to Check Fit and Get Started

1. Confirm your use case matches. If your project is editorial, corporate, PR, or film for a business or publication, it falls within the stated services. If it is a personal or event-for-family shoot, ask before assuming.
2. Review the portfolio. The site includes a Gallery and an Online folio; these are the best evidence of style and subject range before you enquire.
3. Make contact with your brief. The Contact page is the entry point. Include the intended use (publication, website, press release), rough dates, location, and whether you need stills, film, or both.
4. Confirm deliverables and rights in writing. The site does not publish licensing or usage terms, so agree on image usage, turnaround, and file formats as part of the booking conversation.

Common Pitfalls

• Assuming consumer services. Nothing on the site points to weddings, family portraits, or print sales; verify before enquiring.
• Expecting published rates. No pricing information is provided, so budget must come from a direct quote.
• Treating film as identical to photography. Film is listed as a service but without detail; specify duration, purpose, and output when you ask.

Contact Details

The site lists two phone numbers: +353 89 981 2545 (Ireland) and +44 7768 974 890 (UK). Given the Dublin base with a UK line, the practice appears set up to serve clients on both sides of the Irish Sea — useful if your project spans Irish and UK media or offices.

Ian Homer Photography is the online portfolio and service site of Ian Homer, a Dublin-based photographer and film-maker who provides editorial, corporate, and PR photography and film for commercial business clients, magazines, and newspapers. According to the site, he has worked in this field for over 15 years. The site is the right starting point if you want to review his work, understand the services offered, or get in touch about a commercial or editorial assignment.

Who the Site Is For

The site presents itself to two broad audiences:

• Commercial and corporate clients looking for PR or corporate photography and film coverage.
• Editorial outlets such as magazines and newspapers seeking images for publication.

If your need falls outside those areas — for example, wedding or family portrait photography — the site's stated focus does not cover it, so you would need to confirm directly whether such work is offered.

What the Site Contains

The page evidence shows a simple portfolio structure with these sections:

The footer lists two phone numbers: +353 89 981 2545 (Ireland) and +44 7768 974 890 (UK), indicating availability to clients in both countries.

How to Use It

1. Review the work first. Open the Gallery to judge whether the style and subject matter match your project.
2. Check service fit. Read the Services section to confirm the offering covers photography, film, or both for your type of assignment.
3. Gather context. The About and Blog sections give a sense of experience and recent activity.
4. Make contact. Use the phone numbers or the Contact page to describe your brief, timeline, and intended use of the images.

What to Confirm Before Committing

The available site information does not state pricing, package details, licensing terms, or turnaround times. Before booking, ask directly about:

• Cost and what a quote includes.
• Usage rights for the images or film, especially for PR and editorial distribution.
• Availability for your dates and locations in Ireland or the UK.

These points matter most for commercial clients, where the licence to use an image can be as important as the image itself.