What Was Gertrude Jekyll's Connection to Lutyens and the Arts & Crafts Movement?

Updated

Gertrude Jekyll (1843–1932) is linked to the Arts & Crafts movement through the design philosophy she shared with William Morris and his followers, and to Sir Edwin Lutyens through one of the most productive professional partnerships in garden history. The official Jekyll Estate website (gertrudejekyll.co.uk) treats both relationships as dedicated topics, with sections on Lutyens and on Arts & Crafts origins that cover the William Morris influence. If you want to understand how her planting style grew out of Arts & Crafts thinking, or how her work with Lutyens shaped specific gardens, those two sections are the place to start.

The Arts & Crafts connection

The site's Arts & Crafts section is framed around origins and overview, and it explicitly addresses the William Morris influence on Jekyll. That framing matches the historical picture: Jekyll moved in the same circles as Morris and the wider Arts & Crafts milieu, and her approach to planting—dense, colour-led, cottage-garden-derived, and deliberately opposed to formal Victorian bedding—belongs to the same reaction against industrial uniformity that drove Morris's work in textiles, printing, and interiors.

The website also presents Jekyll as a painter and as a plantswoman in its "More" section. Both matter for reading her Arts & Crafts credentials. Her training as a painter informed the colour theory behind her borders, and her work breeding and popularising plants at her garden centre at Munstead Wood gave the aesthetic a practical horticultural base rather than leaving it as decoration.

What to look for on the site

  • Arts & Crafts → Origins & Overview for the movement context.
  • Arts & Crafts → William Morris for the specific influence link.
  • More → Gertrude Jekyll as a Painter and as a Plantswoman for the skills behind the design method.

The Lutyens partnership

The site gives Lutyens his own top-level section, with an overview and a page on seeing the work of Lutyens. This reflects how central the collaboration is to Jekyll's reputation: she and Lutyens worked together on gardens where his architectural framework and her planting plans were designed as a single composition. The site's "The Lutyens Association" page sits under Life & Career, so the relationship is treated both as biography and as a design subject.

The homepage summary gives the scale of her output—more than 400 gardens in the UK, Europe, and America, created or advised on—which is the context in which the Lutyens commissions should be read. Not all of those gardens involved Lutyens, and the site does not claim they did.

A concrete example of how the two strands meet

Munstead Wood, near Godalming in Surrey, was Jekyll's own home, designed by Lutyens, with the garden laid out by Jekyll. It is the clearest single case where the Arts & Crafts house, the architectural garden structure, and her planting philosophy come together, and it is also where she ran her garden centre and bred plants. Reading the Lutyens section alongside the Life & Career pages on Munstead Wood and her garden design work gives the fullest picture the site offers.

Using the site to follow the thread

The navigation is consistent across pages, so a workable route is:

  1. Start at Arts & Crafts → Origins & Overview, then read William Morris for the intellectual background.
  2. Move to Lutyens → Overview and Seeing the work of Lutyens for the partnership and where to encounter it.
  3. Cross-reference Life & Career → The Lutyens Association and Garden Design for the biographical sequence.
  4. Use Gardens → Visiting Jekyll Gardens (with the within-one-hour-of-London and further-afield lists) if you want to see surviving examples, since the site notes that some gardens have been faithfully restored in whole or part and can be visited.

Where the primary material sits

The site is a guide rather than an archive. For original material it points elsewhere: Godalming Museum holds many of her notebooks and copies of all her garden drawings, compiled and sorted by members of the Surrey Gardens Trust, while the original drawings are at the University of California, Berkeley. The Surrey History Centre in Woking holds further material on Jekyll and the Jekyll family, including copies of garden designs. Her own gardening books remain widely read in modern editions, and the site maintains a complete list of her books and articles—useful if you want to trace the Arts & Crafts argument in her own words rather than through secondary summary.

For the family background behind the Surrey setting, the site's Jekyll Family Line page covers over 500 years, and Lost Gardens of Gertrude Jekyll addresses sites that no longer survive—relevant if a garden you want to visit turns out to be among the lost ones.