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What is Gertrude Jekyll?
Gertrude Jekyll (1843–1932) was an English garden designer, plantswoman and writer who created or advised on more than 400 gardens across the UK, Europe and America. Her approach—painterly planting, careful colour grouping and a strong sense of place—shaped garden design well beyond her lifetime. She lived much of her life in Surrey, latterly at Munstead Wood near Godalming, where she ran a garden centre and bred new plants. She also wrote widely read gardening books and contributed over 1,000 articles to magazines such as Country Life and The Garden.
The official Jekyll Estate site, Gertrude Jekyll, is a useful starting point if you want to go beyond that summary. Its structure shows what kind of resource it is:
| Section | What it covers | Best for |
|---|---|---|
| Life & Career | Family background, early years, garden design, chronology, lasting achievements | Readers wanting a biographical overview |
| Gardens | Jekyll gardens to visit, grouped by distance from London and outside Britain | Planning a garden visit |
| Lutyens | Her collaborative work with architect Edwin Lutyens | Understanding her design partnerships |
| Arts & Crafts | Origins, William Morris's influence, Jekyll as painter and plantswoman | Context on her style and influences |
| Books | A complete list of her books and articles | Finding her own writing |
If you are new to her work, read the Life & Career overview first, then use the Gardens section to find a restored garden near you—many of her gardens survive wholly or partly and can be visited. If you are researching her design methods, the Arts & Crafts and Lutyens sections explain the ideas behind the planting. For primary material, Godalming Museum holds many of her notebooks and copies of all her garden drawings, while the Surrey History Centre in Woking holds further family and design material.
Which gardens designed by Gertrude Jekyll can I visit near London?
The official Gertrude Jekyll site groups visitable Jekyll gardens into those within one hour of London and those an hour or more away, so the "near London" list is the one to start with. The site does not name individual gardens in the page text supplied here, so use its "Gardens within one hour of London" page as the authoritative list rather than relying on secondhand roundups.
How to plan around it
- Check opening arrangements before travelling. Restored Jekyll gardens are often private, National Trust–run, or open only on limited days; the estate site notes that some have been faithfully restored "wholly or partly," which affects what you will actually see.
- Pair a visit with archive material. Godalming Museum holds many of her notebooks and copies of all her garden drawings, and the Surrey History Centre in Woking holds further material including copies of designs. Seeing the planting plans before or after a visit makes the borders much easier to read.
- Decide by travel time, not fame. If you have a single afternoon, pick from the within-one-hour list; if you can spare a full day, the further group widens the choice considerably.
Useful starting points
- Gertrude Jekyll — the estate's own garden lists by distance from London, plus books, chronology and Lutyens material.
- National Trust — for opening times and booking at any Jekyll-related property in its care.
- Surrey Gardens Trust — county-level garden heritage information, useful for spotting smaller restored sites.
As a practical rule: choose one garden with a documented restored planting scheme over three with only surviving layout, since Jekyll's contribution was as much horticultural as architectural.
How did Gertrude Jekyll's collaboration with Edwin Lutyens shape her garden designs?
Their partnership gave Jekyll a structural frame to plant against: Lutyens designed the house, terraces, steps and axes, and she laid planting over and beside that geometry, using colour and seasonal sequence to soften hard lines and pull the eye through the garden. The result, in gardens they worked on together, is usually read as architecture and planting designed as one composition rather than a house with beds added afterwards.
What each side contributed
- Lutyens: formal layout, level changes, walls, paving and long views — the "bones" that make a garden legible.
- Jekyll: the planting plans, with drifts and borders arranged by colour and flowering time, so the structure is clothed and changes through the year.
Gertrude Jekyll documents her career and the Lutyens association, including a section on seeing Lutyens's work; it is the most direct starting point for the collaboration.
A practical way to read a Jekyll–Lutyens garden
When visiting one of their joint gardens, look for three things: how the paving and steps set the route; where the borders sit relative to walls and openings; and how colour is grouped so one area hands over to the next as the season advances. Restoration status matters — some gardens are wholly or partly restored, so treat the planting you see as an interpretation rather than a surviving original.
If you want to go further
For the wider Arts and Crafts context behind the planting style, the Arts and Crafts movement is a general reference point, and the Survey of London volumes are useful for the architecture of Lutyens's London work. For garden-history research, county record offices and the archives named on the Jekyll site hold drawings and notebooks worth consulting before a visit.
Where can I find Gertrude Jekyll's original garden drawings and notebooks for research?
Start with the official Jekyll Estate site's own pointers: it states that Godalming Museum holds many of her notebooks and copies of all her garden drawings, sorted by members of the Surrey Gardens Trust, while the original drawings are at the University of California, Berkeley. It also notes that Surrey History Centre in Woking holds much material about her and the Jekyll family, including copies of garden designs. Those three are the practical research destinations named on Gertrude Jekyll.
What to expect at each place
- Godalming Museum (Surrey): best first stop for notebooks and a complete set of drawing copies in one place, convenient if you are tracing a specific Surrey garden.
- University of California, Berkeley: the home of the originals, so the place for high-resolution study or anything requiring the actual sheets; plan around access rules for special collections.
- Surrey History Centre, Woking: family papers and design copies, useful for context—commissions, correspondence, local properties—alongside the drawings themselves.
A sensible next step
Decide whether you need the originals or a working copy. For most garden-history research, start with the Godalming copies to identify the garden and sheet you need, then approach Berkeley only for the originals. Email the relevant reading room in advance with the garden name and rough date, since drawings are usually fetched from storage and some material may need an appointment.
For wider context once you have the drawings, the same site's garden-visiting pages help you match a design to a site you can actually walk, and National Trust covers properties such as Munstead Wood where her planting ideas can be seen in person.
Which of Gertrude Jekyll's books or articles should I read first to learn her gardening ideas?
Start with Colour in the Flower Garden (often published as Colour Schemes for the Flower Garden). It is the most direct route to her central idea: planting in long, drifting groups of harmonious colour rather than isolated specimens, with careful attention to foliage and seasonal succession. If you want the practical, hands-on side of her thinking—planting, propagation and garden craft—Wood and Garden and Garden Ornament are good follow-ups. Her writing is best read as design reasoning rather than step-by-step instructions, so plan to read one book alongside visits to restored gardens.
The official site, Gertrude Jekyll, is useful for orientation before you commit: its "Books" section gives a complete list of her books and articles, and its garden listings group visitable gardens by distance from London and by location outside Britain. Use that list to pick a restored garden near you, then choose the book that matches what you will see—colour borders for a flower-garden visit, Wood and Garden for woodland and hardy planting.
A practical reading order:
- Colour in the Flower Garden — her design philosophy and colour theory; read this first if you want ideas you can apply to a border.
- Wood and Garden — her own garden at Munstead Wood, written accessibly as seasonal observations.
- Garden Ornament — structures, paths, and architectural planting; useful if you are planning layout rather than planting.
- Articles — dip into her Country Life pieces for shorter, single-topic treatments; the site's complete list helps you locate them.
If you prefer a biography before the primary texts, the site's "Life & Career" pages give the chronology and context, including her partnership with Edwin Lutyens. For a reader planning a visit, check the garden listings first and let the garden choose the book.
How did the Arts and Crafts movement and William Morris influence Gertrude Jekyll's work?
Gertrude Jekyll’s connection to the Arts and Crafts movement is best understood through shared principles rather than a single direct line of influence. The official Jekyll Estate site treats “Arts & Crafts” and “William Morris” as separate topics, with pages on the movement’s origins and overview and on Morris’s influence, alongside her own painting and plant knowledge. That structure points to the practical answer: Morris’s ideas about craftsmanship, natural materials and handmade work reinforced values already visible in Jekyll’s gardening—planting in informal drifts, designing with texture and colour, and treating the garden as a made thing rather than a formal display.
What the influence looks like in practice
For a reader planning a garden visit or studying her designs, look for these Arts and Crafts traits:
- Hands-on making: Jekyll ran a garden centre at Munstead Wood and bred plants, so her design thinking was tied to propagating and growing, not just drawing plans.
- Colour and texture as craft: Her painting background supports a designer’s eye for grouped planting and seasonal colour rather than isolated specimen plants.
- Collaboration across crafts: Her association with Edwin Lutyens links garden design to architecture and craftsmanship, a familiar Arts and Crafts pattern.
- Restored gardens as evidence: The site notes that some Jekyll gardens have been faithfully restored and can be visited, which is the most direct way to see these ideas in planting and layout.
A useful next step
If you want to trace the Morris connection rather than assume it, read the site’s “William Morris” and “Arts & Crafts: Origins & Overview” pages together with “Gertrude Jekyll as a Plantswoman.” For garden visits, use the site’s lists of gardens within an hour of London and farther afield, then compare a restored garden’s planting with her published books. The estate site also points to Godalming Museum, the Surrey History Centre and the University of California, Berkeley for drawings and notebooks—useful if you are researching specific designs rather than general influence.
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