Where to Find Score a Score's Music Services on Its Website

Score a Score organizes its music-for-media services into five named areas you can reach from the homepage: Music for Ads, Trailers, Music Supervision, Sound Design, and Sonic Branding. Each has its own "Explore" link, and the homepage also surfaces case studies under Featured Work. If you already know which service you need, jump straight to that section; if you're scoping a project, start with the services overview and the case studies to see what fits.

The five service areas and where they lead

The homepage presents these as distinct entry points, each with a short description and an explore link:

Two of these are branded sub-offerings rather than generic labels: Locked is the trailer music collection, and Antenna is the supervision team. If a colleague refers to "Locked" or "Antenna," those map to the Trailers and Music Supervision sections respectively.

How to choose the right entry point

The site positions itself as "your one-stop resource for all of your music-for-media needs," and the service list is broader than the five headline areas. The full scope named on the page includes:

• Curated music pulls
• Turnkey licensing
• Bespoke music production
• Custom sound design
• Mixing
• Sonic branding
• Supervision and clearance

Use this to route yourself:

• You need an existing track, cleared and licensed fast → Music Supervision (Antenna) for curation, licensing and clearance.
• You need original music built for a campaign → Music for Ads for custom music, or the broader bespoke production capability.
• You need trailer music → Trailers (Locked).
• You need audio built around picture → Sound Design.
• You need an audio identity for a brand → Sonic Branding.

Featured Work: what it shows and why it's useful

The homepage also has a Featured Work block covering Advertising, Music Supervision, Trailers, and Sound Design, with a "See the case studies" link. This is the fastest way to judge fit before contacting anyone — the page cites music in Super Bowl spots for TurboTax, Michelob ULTRA, Toyota, Totino's and Zevo as evidence of the advertising work.

If your project resembles one of those categories, the case studies tell you more about output than the service descriptions do.

What happens after you make contact

The homepage describes a six-step process, which is worth knowing before you reach out because it sets expectations on turnaround:

1. Instant Response — your email, text, or call goes directly to the team, who confirm receipt within minutes.
2. Attention to Detail — with as little as a few adjectives or as much as a full video edit, they determine the best approach.
3. Hand Picked Tracks — you receive a custom playlist in your inbox within a few hours, or faster if needed.
4. True Adaptability — with your feedback they adjust: more tracks, a custom route, whatever is needed.
5. Easy Papering — once the soundtrack is chosen, they help finalize all licenses.
6. Reliable — framed as ongoing dependability.

The practical takeaway: you don't need a finished brief to start. A few descriptive adjectives are enough for a first pass, and the first deliverable is a curated playlist rather than a locked decision.

Background signals worth checking against your project

The page states the company was founded in 2010, works with 400+ artists worldwide, holds 50,000+ tracks in its catalog, and has appeared on the Inc. 5000 for five straight years. It also claims to be trusted by 50,000+ creatives.

Those numbers matter mainly for scale questions — catalog depth for a straightforward license, artist roster breadth for something more distinctive. Testimonials on the page come from a DSG client, Workshop, Ogilvy, and a repeat collaborator, and they emphasize speed, uniqueness of catalog, and responsiveness rather than price.

Common sticking points

• Pricing isn't published on the homepage. No pricing links or payment details appear in the page content, so budget questions have to go through the contact step.
• "Music Supervision" and "licensing" overlap. If your need is purely clearance of a track you already have, Antenna is still the right entry point — clearance is listed under that service.
• Locked and Antenna are product names, not separate sites. Look for them inside the Trailers and Music Supervision sections.
• The catalog is large but curated. The process promises a hand-picked playlist within hours, so the first response is a shortlist, not a browse-the-whole-catalog experience.