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iHeart is a free streaming platform that combines live radio stations, customizable artist stations, playlists, and podcasts in one place. You can start listening without paying by opening iheart.com in a browser or using the iHeart app, then searching for a station, artist, song, or podcast. A subscription is only relevant for certain premium features; the core listening experience described on iHeart's site is available for free.

What you can listen to on iHeart

iHeart organizes its content into a few main types, and knowing the difference helps you find what you want faster.

The key distinction is live versus on-demand. Live radio plays whatever is broadcasting right now, so you can't skip tracks. Artist stations and playlists behave more like on-demand listening, where you control the starting point.

How to start listening for free

You can begin on either the web or the app. The steps are similar.

1. Open the platform. Go to iheart.com in a browser, or install the iHeart app on your phone or tablet.
2. Search or browse. Use the search function to enter a station name, artist, song, or podcast. Alternatively, browse categories to see what's available.
3. Select what you want to hear. Choosing a live station starts playback immediately. Choosing an artist creates or opens a station built around that artist.
4. Press play and adjust. Use the player controls to pause, change volume, or move between stations. On live radio, expect no track skipping; on artist stations, you have more control over what plays next.
5. Save what you like. Favoriting a station or artist makes it easier to return to later without searching again.

Expected result: audio begins playing shortly after you select content, and your favorites appear in your account for quick access next time.

Creating your own stations and playlists

• Artist stations: Start from an artist you like, and the station plays music in that style. This is the fastest way to get continuous music without building a list yourself.
• Playlists: Add individual songs to a playlist when you want a specific set of tracks rather than a continuous stream. This suits workouts, commutes, or a fixed party set.
• Tip: Use artist stations for discovery and playlists for control. If a station drifts away from what you want, switch to a playlist instead of fighting the stream.

What's free versus what needs a subscription

iHeart's own description states that its music, podcasts, and radio stations are available for free, and that you can listen to thousands of live stations or create your own artist stations and playlists. The site also references a subscription, which indicates that some features sit behind a paid tier.

Because the exact free-versus-paid split isn't fully detailed in the available information, treat it this way:

• Assume free: live radio stations, artist stations, playlists, podcasts, and general music/news browsing, based on iHeart's stated offering.
• Check before assuming: any feature labeled as premium, ad-free, or subscription-only. If a paywall appears, that specific feature requires payment.
• Don't assume: that a subscription is required to listen at all, or that everything is free. Verify at the point where you're asked to sign up or pay.

Common snags and how to handle them

• A station won't play. Live stations can be unavailable due to regional restrictions or temporary outages. Try another station to confirm whether the issue is the station or your connection.
• You can't skip a track. That's expected on live radio. Switch to an artist station or playlist if you want control.
• Search returns too many results. Add the type of content to your search, such as the artist name plus "station," or search podcasts separately from music.
• You lose your favorites. Sign in to an account so saved stations and playlists persist across sessions and devices.

Quick decision guide

• Want background music with no effort? Open an artist station.
• Want a specific set of songs? Build a playlist.
• Want a live show or local broadcast? Pick a live radio station.
• Want talk or storytelling? Go to podcasts.
• Want to avoid paying? Stick to the free listening options above and check any prompt before entering payment details.

Arx Libertatis is an improved, cross-platform, open-source engine for Arx Fatalis, the 2002 first-person RPG/dungeon crawler/immersive sim from Arkane Studios. To play on Linux, you install Arx Libertatis (official Linux builds are provided), then point it at a copy of the original Arx Fatalis game data — the engine itself does not include the game. You need to own or otherwise obtain Arx Fatalis or its demo before you can play.

What Arx Libertatis actually is

Arx Libertatis is a port and modernization of the Arx Fatalis engine, based on the publicly released Arx Fatalis source code and available under the GPL 3+ license. Version 1.2.1 supports modern systems, brings the game to new platforms, and removes bugs and limitations of the original release.

Two things follow from that:

• The engine is free and open source. You can download, inspect, and redistribute the code under the GPL.
• The game data is not included. The license covers the engine only. The art, audio, levels, and other assets remain part of the commercial game, so you must supply them yourself.

The game itself features crafting, melee and ranged combat, and a distinctive spellcasting system where you draw runes in real time to cast the spell you want.

What you need before installing

The original game is sold through storefronts such as GOG.com, the Microsoft Store, and the Bethesda Store, and it also has a demo. Any of these gives you the data files the engine needs.

Installing Arx Libertatis on Linux

Arx Libertatis provides official builds for Windows and Linux. Beyond those, it has been packaged for macOS (Homebrew), FreeBSD, DragonFly BSD, NetBSD, OpenBSD, Haiku, and Pandora, and will likely compile and work on other operating systems.

On Linux, you have two practical routes:

Option 1: Use a distribution package

Check whether your distribution ships Arx Libertatis in its repositories. If it does, install it through your normal package manager. This is the least manual path and keeps updates tied to your system.

Option 2: Use the official Linux build

Download the Linux build from the project's download page and unpack it. This works regardless of whether your distribution packages the engine, and it lets you run a specific version such as 1.2.1.

If neither fits, the source is available on GitHub, so you can build it yourself — the project notes it will likely compile on other systems too.

Pointing the engine at your game data

The engine needs to find the Arx Fatalis data files. The general flow is:

1. Install or unpack Arx Libertatis using one of the routes above.
2. Locate your Arx Fatalis data. If you bought the game from a storefront, the installer places the data files somewhere on disk; if you have the demo, it comes as its own set of files.
3. Tell Arx Libertatis where that data is when you first launch it, or place the data where the engine expects it.
4. Launch the game and confirm it reaches the main menu.

The expected result at each step is simple: the engine starts, finds the data, and loads the game rather than exiting with a "data not found" style error.

If the game does not run

Check these in order:

• Data path is wrong. The most common failure is the engine not finding the Arx Fatalis data. Re-check the path you gave it.
• You installed the engine but not the game. Arx Libertatis alone cannot run — it has no assets of its own.
• Graphics/driver problems. Since the engine targets modern systems, most rendering issues trace back to drivers or to running an old build. Try the current release (1.2.1).
• Wrong build for your system. Make sure you grabbed the Linux build, not the Windows one, if you installed manually.

Where to go next

The project plans to keep improving and modernizing the engine and to enable community customizations and mods. If you want to follow development or get help, the project links to its GitHub repository, Mod DB page, and community forums such as the TTLG Forum and the GOG.com forum. There are also community projects built around the game, including the Arx Insanity Mod and other Arx mods.

Strawberry Music Player is a free, cross-platform music player and music collection organizer for Linux, macOS, and Windows, aimed at music collectors and audiophiles. If you have a local digital music library you want to play, tag, and organize — or you want to stream radio and Subsonic-compatible servers — Strawberry is built for that. It is free software released under the GPL, written in C++ with the Qt framework and GStreamer, and is a fork of Clementine.

What Strawberry can do

The feature set centers on managing a local collection and getting clean audio out of it:

• Play and organize music — supports WAV, FLAC, WavPack, Ogg Vorbis, Speex, MPC, TrueAudio, AIFF, MP4, MP3, ASF, and Monkey's Audio.
• Playlist management — playlists in multiple formats, plus smart and dynamic playlists that update based on rules.
• Tag editing — edit tags on audio files directly, and automatically retrieve tags from MusicBrainz.
• Album art and lyrics — cover art pulled from Last.fm, MusicBrainz, Discogs, Musixmatch, Deezer, Tidal, and Spotify; lyrics from multiple sources.
• Audio tools — audio analyzer, audio equalizer, and advanced audio output and device configuration for bit-perfect playback on Linux.
• Scrobbling — support for Last.fm and ListenBrainz.
• Streaming — support for Subsonic-compatible servers, plus radio streaming.
• Device transfer — move music to mass-storage USB players, MTP-compatible devices, and iPod Nano/Classic.
• Audio CD playback — with a platform caveat noted below.
• Native desktop notifications.

Platform caveats worth knowing before you install

Two limitations come directly from the project's own notes:

• Audio CD and device support is not available on Windows. If CD ripping/playback or syncing to portable players is central to your workflow, Windows is not the right platform for those tasks in Strawberry.
• Only older iPod models work. If you rely on a newer iPod or iPhone-style device, don't expect that sync path to function.

Linux is where the deepest audio configuration lives — the bit-perfect playback and advanced output/device settings are described specifically for Linux.

Who it fits, and who it doesn't

How it's funded and maintained

Strawberry is free software and depends on donations. The project states that most development is done by one person, and that maintaining the app, services, releases, and bug handling is time-consuming. Sponsorship options listed are Patreon, GitHub, Ko-fi, and PayPal, with monthly donations through Patreon, Ko-fi, or GitHub preferred and one-time PayPal donations also possible. The source code is available on GitHub.

Getting started

Downloads are available from the project's Downloads page for Linux, macOS, and Windows. Once installed, the practical first steps are to point it at your music folders, let it index the collection, then use tag editing and MusicBrainz lookups to clean up metadata, and configure your audio output device if you're on Linux and want bit-perfect playback.

MP3 is a lossy compressed audio format that shrinks music and other audio to a fraction of its original size by discarding sound data most listeners can't easily hear. You use it when you want small files that play almost anywhere — on phones, cars, old MP3 players, and computers. You should choose a different format when you need studio-grade fidelity or plan to edit and re-export audio repeatedly, because MP3 throws away data permanently each time it's encoded.

What MP3 actually is

MP3 stands for MPEG-1 Audio Layer III. It's a lossy format: the encoder analyzes the audio and removes frequencies and quiet details that are masked by louder sounds, a principle called psychoacoustic modeling. What's left is a much smaller file that still sounds close to the original to most people.

The trade-off is controlled mainly by bitrate, measured in kilobits per second (kbps):

Higher bitrate means bigger files and better fidelity. There's also variable bitrate (VBR), which spends more data on complex passages and less on simple ones — often a better quality-to-size ratio than a fixed rate.

MP3 vs. other audio formats

Use the same dimensions to compare, then pick based on your goal:

Choose MP3 if compatibility matters most — nearly every device and app plays it. Choose AAC if you're inside Apple's ecosystem or streaming. Choose FLAC or WAV if you're archiving a collection or doing audio production and don't want to lose data. Converting a lossy MP3 to FLAC won't restore quality — it just makes a bigger file.

How to get MP3 files legally

• Digital stores — Platforms like Amazon Music, Bandcamp, and 7digital sell MP3 (and sometimes FLAC) downloads outright. You keep the files.
• Streaming services with downloads — Some subscription services let you download tracks for offline playback, but those files are usually locked inside the app and not portable MP3s.
• Public domain and Creative Commons sources — Internet Archive, Free Music Archive, and Jamendo host MP3s you can download and often reuse under stated licenses. Check each track's license.
• Your own CDs — Ripping a CD you own to MP3 with software like Exact Audio Copy, dBpoweramp, or iTunes/Apple Music is a common legal route in many jurisdictions for personal use. Rules vary by country.
• BitTorrent and P2P sites — Sites like The Pirate Bay index torrents across categories including music (mp3), movies (avi), games, and applications. Downloading copyrighted material without permission is illegal in most countries and carries real risks: malware in bundled files, ISP notices, and legal exposure. If you use torrents at all, stick to content that's explicitly licensed for free distribution.

How to play and manage MP3s

Playing:

• On phones and computers, any default player works — VLC, Windows Media Player, Apple Music, or a browser.
• On dedicated MP3 players, drag files into the device's music folder via USB.
• In cars, use a USB drive, aux cable, or Bluetooth depending on the stereo.

Managing tags and metadata: MP3 files carry ID3 tags (title, artist, album, artwork). If your files show up as "Track 01" with no artist, use a tag editor like Mp3tag, MusicBrainz Picard, or Kid3 to fix them in bulk. Consistent tags are what make a library searchable and sortable.

Converting other formats to MP3: Use a converter such as Audacity (with the LAME encoder), FFmpeg, or a dedicated tool. The input is your source file, the action is encoding at your chosen bitrate, and the expected result is a smaller MP3. Remember: converting from a lossy format to MP3 loses quality again.

Common MP3 problems and fixes

• Missing or wrong tags — Re-tag with a metadata editor; enable automatic tagging from an online database if your tool supports it.
• Won't play — The file may be corrupted or mislabeled. Try VLC, which handles many damaged files; if it still fails, re-download or re-rip.
• Corrupted files — Partial downloads are a frequent cause. Verify the file size and re-download from the source.
• Choppy playback — Usually a slow drive or overloaded device, not the file itself.
• Suspicious downloads — Files from untrusted sources can carry malware. Scan downloads, avoid executables disguised as audio, and prefer official stores or known archives.

Safe downloading practices

• Prefer stores, artist pages, and established archives over random file hosts.
• Check the license before reusing anything, especially for public performance or uploads.
• Keep a backup of your library; lossy files can't be recovered once corrupted.
• If a "free MP3" site asks you to install a codec, run a program, or enter payment details for a free track, treat it as a red flag.

MP3 remains the most compatible audio format you can carry. Pick your bitrate by how you'll listen, get files from sources you trust, and keep your tags tidy so the library stays usable.

bleh is a browser extension that restyles and extends Last.fm, described by its developer as "a fresh coat of paint for Last.fm bringing you closer to the music that defines you." It is aimed at people who already use Last.fm but want a less cluttered interface, deeper library views, and features Last.fm itself doesn't offer — custom themes, profile banners, Markdown in shoutboxes, and built-in album collages. It's worth considering if you spend real time on Last.fm and find the default site visually noisy or limited; if you only check your scrobbles occasionally, the standard site may be enough.

What bleh changes about Last.fm

bleh doesn't replace Last.fm or scrobble from a separate app. It sits on top of the existing site and rebuilds how pages are presented. According to the project, every page has been restructured based on the developer's own years of using Last.fm, so the layout should feel more focused on the music itself.

The main areas it touches:

• Visual clutter — guest features and song tags are automatically detected and treated so they don't distract from the music.
• Titles and capitalisation — title capitalisation can be corrected through bleh's own community-contributed system, and tags can be detected from music titles.
• Themes — a range of five themes from brightest to darkest, plus accent colours, presets, seasonal event themes, and a customiser for fine-tuning.
• Profile personalisation — a banner image across the top of your profile, visible to other bleh users, plus display name, profile accent colour, and badges.
• Shoutboxes — native Markdown integration in shoutboxes and profile descriptions, including images, line breaks, timestamps, and text formatting. Shoutbox previews also return on music pages so you can see what's being discussed.
• Collages — generate album collages without external tools, with preset timestamps (for now) for artists, albums, and tracks, and a chosen width and height.
• Social features — add people as close friends to follow their recent listening, and pick a "starred friend" whose scrobbles appear alongside yours everywhere.
• On-site scrobbling — connect your account to scrobble on-site with no external tools, and use "copy" on someone's page to clone a scrobble without retyping.

Free features vs. sponsoring the project

The site distinguishes between what every user gets and what requires sponsorship. Clutter reduction, tag detection, capitalisation fixes, Markdown shoutboxes, shoutbox previews, collages, close friends, starred friends, and on-site scrobbling are presented as general features. Profile-level personalisation — banner image, custom display name, profile accent colour, and badges — is tied to sponsoring the project. The site lists "Install now," "Sponsor," and "Discord" as its calls to action, but it does not publish prices or payment details, so check the sponsor page for current terms rather than assuming a cost.

Installation, updates, and translations

The site's primary call to action is "Install now," which is the entry point for adding the extension to your browser. It does not document specific browser support or menu paths, so treat the install link as the authoritative source for where it works.

Two maintenance features matter once it's installed:

• Update checker — helps keep you on a bug-free, feature-full version, with changelogs included so you can follow what's changed.
• In-built translations — bleh is built to support community-contributed translations and matches every language Last.fm offers as an option, so the interface can follow your Last.fm language setting.

Who should install it

Install bleh if you want Last.fm to look and feel like your own space — a darker or brighter theme, a profile banner, Markdown in shoutboxes, and collages without leaving the site — and you're comfortable with a third-party extension modifying how a site you use renders. Skip it if you want the plain Last.fm experience, or if you'd rather not depend on an extension for features like scrobbling and collages that you can otherwise handle with Last.fm's own tools and external collage makers.