Website profiles · Technology insights · Alternatives

romancesa.weebly.com

South Australian Romance Authors - SARA

No paid content found
Visit website
Profile views 0 Outbound visits 0 Normal
South Australian Romance Authors - Home Full homepage screenshot

At a glance

Category
Other
Language
English
Paid-content signal
No paid content foundObserved
Registered
2006
Hosting
CloudflareInferred
HTTPS certificate trusted
PassedObserved
Last updated

Website review

This review may include AI-generated content and is not individually verified. Domain, certificate and other facts come from the observed data on this page.

What is South Australian Romance Authors (SARA)?

South Australian Romance Authors (SARA) is a collective of romance writers based in South Australia, presented through its website South Australian Romance Authors - Home. The site positions itself as a home for local romance authors and their stories, with the keyword themes pointing to romance writing, "romantic elements," and Australian romance authors specifically. In practice, it functions as a hub where readers can discover South Australian romance writers and where the authors themselves have a shared online presence.

Who it's for

  • Readers looking for romance fiction from local South Australian voices rather than international bestseller lists.
  • Aspiring or working romance authors in SA who want to connect with peers in the same genre and region.
  • Anyone curious about the local writing scene who wants a starting point for discovering Australian romance authors.

What to expect and its limits

The site is a Weebly-built group page, so treat it as a directory and community showcase rather than a bookstore or review site. It is useful for finding names and orienting yourself in the local scene; it is not the place to expect in-depth book reviews or purchasing infrastructure. If you want to buy or sample titles, you would typically follow individual authors to their own pages or retailers.

As a next step, browse the site to note which authors' styles appeal to you, then look up those authors individually to check their backlists and where their books are sold.

How can I join SARA as a romance author in South Australia?

Joining SARA starts with contacting the group directly through its website, South Australian Romance Authors, since the public page provides no membership form, fee schedule or eligibility checklist. Treat the site as the first point of contact and ask what the current joining process involves.

What to ask before you write

Send a short, specific message covering:

  • Whether membership is open to unpublished, self-published and traditionally published authors alike.
  • Whether you need to live in South Australia or whether interstate or online members are accepted.
  • Current fees, meeting frequency and whether meetings are in person, online or both.
  • What a first meeting or guest visit looks like, and whether you can attend one before joining.

Practical next step

Prepare a two- or three-sentence introduction: the romance subgenre you write, your publication status and what you want from the group, such as critique partners, industry knowledge or local networking. That helps the organisers point you to the right contact and shows you are serious.

If you are still drafting your first manuscript, ask specifically whether SARA welcomes aspiring authors or whether membership is aimed at published writers; the answer determines whether you join now or attend as a guest first.

What events or meetings does SARA hold for romance writers?

The supplied page information does not list any specific events or meetings, so the site itself cannot confirm a schedule, format or frequency. What can be said is that SARA presents itself as a South Australian romance authors' group, which suggests a local, community-oriented focus rather than a large conference programme.

What to look for on the site

A group like this typically communicates its activity through a few recurring places, so check these before assuming nothing is on:

  • A news or announcements section — the most likely place for upcoming meeting dates and guest speakers.
  • A calendar or events page — useful for distinguishing one-off events from regular gatherings.
  • A membership or contact page — the practical route to ask directly whether meetings are monthly, quarterly or informal catch-ups, and whether they are open to non-members.
  • A news archive — past posts reveal the pattern: workshop-style sessions, author talks, critique or social meetings.

A practical next step

If you are a romance writer in South Australia weighing whether to get involved, send a short enquiry asking three things: how often the group meets, whether meetings are in person or online, and whether unpublished writers are welcome alongside published authors. Those answers matter more than any single event listing, because they tell you whether the group suits your stage of writing.

For broader context on the Australian romance writing community, the Romance Writers of Australia site at Romance Writers of Australia covers national contests, conferences and chapter networks that can complement a state-based group.

How do I find or buy books by South Australian romance authors?

Start with the South Australian Romance Authors group itself: South Australian Romance Authors is the natural first stop for discovering local romance writers and their work. Use it to identify authors and titles, then buy through a retailer or the author's own sales page.

Practical ways to find and buy the books

  • Browse the group's author listings first. A local authors' association page is built to point visitors toward its members, so it is the most direct way to see who writes in South Australia and what kind of romance they publish.
  • Check each author's own site or shop. Many romance authors sell signed print copies or ebooks directly, and their sites usually list the full series order, which matters if you want to read a series in sequence.
  • Search by author name at a general book retailer. Once you have names from the SARA site, an online bookstore or a local independent bookshop can supply print and ebook editions.
  • Ask at a South Australian independent bookshop. Local bookshops often stock or can order titles by writers in their region and can recommend similar authors.
  • Look for library copies. Public libraries in South Australia are a low-cost way to try an unfamiliar author before buying a backlist.

Choosing where to buy

Route Best for Trade-off
Author's own site Signed copies, direct support for the writer, series bundles Shipping costs and slower delivery
Online retailer Wide availability, ebooks, quick delivery Less direct support for the author
Local independent bookshop Browsing, staff recommendations, ordering in May need to order titles not on the shelf
Library Trying new authors at no cost Limited copies and waiting lists

For a concrete example: if you enjoy rural or small-town romance, note two or three South Australian authors from the SARA site, check whether their books form a series, and start with book one through your preferred route. If you mainly read ebooks, buying from the author's own shop or a major ebook retailer is usually the fastest path; if you want a signed copy as a gift, go directly to the author.

What resources or support does SARA offer to aspiring romance writers?

SARA's site is best understood as a directory and community hub for South Australian romance authors rather than a writing course. The page evidence available here is thin—no headings or excerpt text—so the site's own description is the main guide: it presents itself as a home for SA romance writers and their stories. Practical support for an aspiring writer therefore comes through the network it lists, not through published lessons or templates.

What an aspiring writer can realistically expect

  • A local author community. The core value is finding South Australian romance writers, which matters if you want critique partners, beta readers or people who understand the local publishing and bookseller scene.
  • Author discovery. Browsing member profiles shows the range of romance subgenres being written locally and gives you models for how authors present themselves and their books.
  • A starting point for contact. Many regional writing groups run meetings, workshops or critique sessions; whether SARA does is something you would confirm directly rather than assume.

Because the page evidence is sparse, treat any specific claim about workshops, mentorship or membership fees as unverified until you see it on the site itself.

A useful next step

Use the site as a contact list, not a curriculum. Identify two or three authors writing in your subgenre, read one of their books, and send a short, specific note—mention the subgenre, ask whether they know of local critique groups, and offer to join a mailing list if one exists. Concrete, low-effort contact beats a generic "any advice?" email.

For craft and business support that a regional group typically does not provide, pair it with broader organisations such as Romance Writers of America for industry resources and Australian Society of Authors for Australian contract and rights guidance. A sensible decision rule: use SARA for local relationships and genre context, and national bodies for contracts, advocacy and structured craft training.

How can I contact SARA or connect with its members?

The site itself doesn't publish a contact form, email address or phone number, so the practical route is through the group's own online presence: start at South Australian Romance Authors and look for a "Contact" or "Members" page. If none is listed there, the most reliable next step is to reach individual members through their own author websites or social profiles, where contact details are usually public.

Realistic ways to connect

  • Ask about membership. If you write romance and are based in South Australia, an enquiry about joining is the most natural opening — groups like this typically welcome new members and can tell you about meetings and events.
  • Approach a specific author. Find a member whose books match your interests (or your own genre) and use the contact route on their author site. A short note referencing their work gets a far better response than a general enquiry.
  • Watch for events and signings. Author collectives often appear at libraries, writers' festivals and bookshop events; these are the easiest places to meet members in person without needing an email address at all.
  • For media or event enquiries, name the specific author or purpose in your message and keep it brief — volunteer-run groups route these slowly.

A quick decision guide

Your goal Best first move
Join as a writer Enquiry about membership via the group's site
Interview or feature an author Contact that author directly through their own site
Invite speakers to an event Message the group with event date, audience and format
Just follow their work Author newsletters and social profiles

As general advice rather than a description of this group: when a small association has no visible contact details, a polite message through any listed social account, asking who handles enquiries, usually gets you to the right person faster than hunting for a form.

Related questions

More questions →
Who Are Romance Authors and What Do They Do?

A romance author is a writer who creates stories built around a central love story and an emotionally satisfying ending. That definition covers novelists, novella writers, and short-story authors working in any setting or subgenre, from contemporary small-town romance to historical and speculative fiction. The South Australian Romance Authors (SARA) group, a South Australia–based community of romance writers, is one example of how these authors organize around shared craft and genre conventions.

What Makes a Romance Author Different

Romance authors work within a genre that has two widely recognized conventions: the romance is the central plot, not a side story, and the story ends in a way that satisfies the reader emotionally. Writers in other genres can include romantic elements without being romance authors — a mystery with a love interest is still a mystery if the relationship is secondary. The distinction matters because readers choose romance expecting the relationship to drive the story and to resolve in a hopeful or happy way.

Core conventions in practice

  • Central love story: The developing relationship between the main characters is the main conflict and the main source of tension.
  • Satisfying ending: The romance resolves in a way that leaves the reader feeling the relationship is settled and worthwhile.
  • Emotional focus: Interior experience — attraction, doubt, trust, vulnerability — carries as much weight as external events.

How Romance Authors Organize

Romance authors commonly join writers' groups for feedback, industry knowledge, and community. SARA is a South Australian example: a group of romance authors and writers connected by the genre and by their region. Groups like this typically serve several functions:

  • Craft development: critique partners, manuscript feedback, and discussion of genre conventions.
  • Industry awareness: sharing information about publishing paths, promotion, and reader expectations.
  • Local community: connecting authors who might otherwise work alone, and in SARA's case, highlighting romance writing from South Australia.

For a writer considering joining a group, the practical check is whether the group's genre focus and meeting format match your stage — a critique-focused group suits a draft in progress, while an industry-focused group suits someone preparing to publish.

What Romance Authors Actually Do

The work runs well beyond drafting a love story. A typical cycle includes:

  1. Concept and planning — choosing a subgenre, setting, and central conflict that will sustain a full relationship arc.
  2. Drafting — writing the romance as the main plot, with the relationship's progress and setbacks structuring the book.
  3. Revision — tightening pacing, deepening emotional beats, and confirming the ending delivers the resolution romance readers expect.
  4. Publishing — choosing a path (traditional, independent, or hybrid) and preparing the manuscript accordingly.
  5. Promotion — reaching readers through genre communities, reviews, and author networks such as SARA.

Each stage has its own verification point: a completed draft, a revised manuscript that meets genre conventions, and a publishing plan that fits the author's goals.

The Range of Romance Subgenres

Romance authors write across a wide spectrum, and the subgenre shapes setting, tone, and reader expectations. Common categories include contemporary, historical, paranormal and fantasy romance, romantic suspense, and small-town or rural romance. Australian romance authors often draw on local settings and voices, which is part of what regional groups like SARA showcase. A reader or aspiring writer can use subgenre as the first filter: it tells you the setting, the level of external conflict, and the kind of emotional payoff to expect.

Deciding Whether This World Fits You

If you are a reader, knowing these conventions helps you choose books that deliver the relationship-driven experience you want. If you are a writer, the useful next step is to identify your subgenre, confirm your story keeps the romance central and resolves it satisfyingly, and look for a local or genre community — SARA being one South Australian option — to support the drafting and publishing stages.

Who Are South Australian Romance Authors and What Does SARA Do?

South Australian romance authors are writers based in or connected to South Australia who write romance fiction, and SARA — South Australian Romance Authors — is the local community name that brings those writers together. If you are a reader trying to find local romance writers, or a writer looking for a regional writing community, SARA is the relevant starting point. The site itself is a simple home page for the group, so treat it as an introduction to the community rather than a full directory or bookstore.

What "South Australian romance author" means

The phrase describes two things at once:

  • A place connection: the author lives in, writes from, or is otherwise tied to South Australia.
  • A genre focus: their work sits in romance fiction, where a central romantic relationship drives the story.

It is not a formal qualification or a single organisation's membership list. A South Australian romance author might be traditionally published, independently published, or still writing and seeking publication.

What SARA is

SARA stands for South Australian Romance Authors. The website presents it as a home for the local romance-writing community, with the site description naming it simply "South Australian Romance Authors - SARA." Its role is to identify and connect romance writers in South Australia as a group.

Because the page is a home page without detailed programme information, the safest way to describe SARA is as a community identity and meeting point for SA romance authors. For specifics such as events, membership terms, or meeting schedules, check the site directly rather than assuming them.

How SARA differs from "the romance genre"

These are different kinds of things, and mixing them up causes confusion:

Question Romance genre SARA
What is it? A category of fiction defined by a romantic relationship at its centre A South Australian community of romance authors
Scope Worldwide, all publishers and formats Regional, tied to South Australia
Who it is for Readers and writers of romance Local romance writers and those interested in them
What it tells you What kind of story to expect Where to find local authors and community

The genre tells you what a book is; SARA tells you who and where the local writers are.

What kinds of romance these authors write

Romance is a broad genre, and local authors work across its subgenres. Common ones include contemporary romance, historical romance, and stories with strong "romantic elements" — a phrase the site itself uses alongside "romance stories." The presence of both terms suggests the community welcomes writers whose work centres romance as well as writers whose stories include a strong romantic thread.

If you want to know which subgenres a particular author writes, look at their individual book listings rather than the group page.

How readers and writers can connect

The site is the natural first stop. A practical approach:

  1. Start at the SARA home page (romancesa.weebly.com) to see how the group presents itself.
  2. Look for author or member listings on the site to identify individual writers.
  3. Follow through to an author's own pages or books once you have a name — the group page introduces the community, while individual authors carry the detail.
  4. If you are a writer, use the site's contact route to ask about joining or attending, since membership details are not spelled out on the home page.

Common sticking points

  • Expecting a shop: the group site is not a bookstore; you will usually need to move to an author's own listing to find titles.
  • Assuming membership rules: do not assume fees, eligibility, or meeting frequency from the home page alone.
  • Confusing the group with the genre: finding SARA does not tell you what any individual book contains.

The short answer

South Australian romance authors are romance writers with a South Australian connection, and SARA is the community name that represents them locally. Use the SARA site to discover the community and its writers, then follow individual authors for their books and subgenres. For anything beyond that — events, joining, specific titles — confirm with the site or the authors themselves.

What Is the Romance Genre and What Defines a Romance Story?

A romance is a work of fiction built around a central love story that ends in an emotionally satisfying and optimistic way. Both parts are required: the romance must be the main plot, not a side thread, and the ending must leave the couple together and the reader hopeful. If either is missing, the book may still be a love story or women's fiction, but it is not a genre romance.

The Two Requirements That Define the Genre

Romance publishers, booksellers, and reader communities generally apply the same two-part test.

1. The love story is central

The developing relationship drives the plot. Remove it and the story collapses. The characters' choices about each other create the main conflict and the main stakes. A mystery where the detective happens to fall in love is a mystery with romantic elements; a mystery where solving the case forces the couple apart or together is closer to romantic suspense, which sits inside the romance genre.

2. The ending is emotionally satisfying and optimistic

The couple ends up together, committed, and the reader closes the book feeling good about their future. This is often called an HEA (happily ever after) or HFN (happy for now). The path there can include grief, danger, or separation, but the destination is hopeful. A novel that ends with the lovers parted forever may be a great love story, but it is not a romance in the genre sense.

Romance vs. Love Story vs. Women's Fiction

These labels overlap, and the difference is about focus and promise, not quality.

Question Genre romance Love story (general fiction) Women's fiction
What is the main plot? The relationship Often the relationship, but not guaranteed A woman's life journey, which may include romance
Is a hopeful ending guaranteed? Yes No No
Reader expectation Couple together at the end Emotional impact, any outcome Personal growth and life change
Example framing "Will they build a life together?" "What did this love cost them?" "Who does she become?"

A useful rule: if a reader picks up a romance expecting the couple to end up together and the book breaks that promise, readers will say it was mislabeled, not just sad.

Romantic Elements and Tropes Are Not the Genre

A book can include a kiss, a slow-burn attraction, or a marriage-of-convenience plot and still not be romance. Romantic elements are ingredients; the genre label is a promise about structure and ending.

Common elements and tropes include:

  • Meet-cute or forced proximity — the couple is thrown together by circumstance.
  • Slow burn — attraction builds over much of the book.
  • Enemies to lovers, friends to lovers, second chance — relationship arcs that shape the conflict.
  • Grand gesture or reconciliation — a late-book turning point toward the ending.

Tropes help readers predict the experience, but they do not by themselves make a book a romance. A thriller can use enemies to lovers and still be a thriller.

Subgenres and Heat Levels Shape Expectations

Romance is a broad genre with internal categories. Readers often choose by subgenre and by how explicit the intimate content is.

Subgenres (each keeps the central-love-story and hopeful-ending requirements):

  • Contemporary romance
  • Historical romance
  • Paranormal and fantasy romance
  • Romantic suspense
  • Science fiction romance
  • Inspirational or sweet romance

Heat levels describe how much sexual content appears on the page, from closed-door (intimacy happens off-page) to explicit. Heat level is a reader-preference signal, not a definition of the genre. A closed-door romance and an explicit romance are both romances.

How to Tell Whether a Book Is Marketed as Romance

Check these signals before you buy or borrow:

  1. Shelving and category — Is it in the romance section or tagged romance by the retailer or library?
  2. Publisher imprint — Romance imprints usually state the subgenre and heat level.
  3. Cover and blurb language — Words like "falling for," "second chance," "their happily ever after," and couple-focused covers are strong signals.
  4. Series labeling — Romance series often note whether books can be read as standalones and whether each couple gets their own ending.
  5. Reader tags and reviews — Community tags such as "HEA" or "no cheating" reflect genre expectations; treat individual reviews as opinion, not rule.

If the blurb emphasizes a personal journey or a tragic separation and never promises the couple's future, it may be women's fiction or a love story rather than genre romance.

A Quick Self-Check

Ask three questions about any title:

  • Is the relationship the main engine of the plot?
  • Does the story end with the couple together and hopeful?
  • Is the book presented to readers as romance?

Three yeses mean you are almost certainly holding a genre romance. A no on the ending is the most common reason a book that feels romantic is not shelved as romance.

For readers in South Australia, local author communities such as South Australian Romance Authors (SARA) are one place to find writers working in the genre and to see how they describe their own books; use author and publisher descriptions to confirm subgenre and heat level before choosing.

What Is SARA, the South Australian Romance Authors Group?

SARA stands for South Australian Romance Authors — a group of romance writers based in South Australia who publish under the SARA name and present themselves together as local romance authors. The best fit for this answer is a reader or writer who wants to know who the group is and what it offers; the group's site is the natural starting point, but it provides limited public detail, so treat specifics about membership, events, and contact as things to confirm on the site itself.

What SARA is

SARA is a regional author identity rather than a genre definition. Its focus is romance writing produced by authors in South Australia, and its public presence is built around introducing those authors and their romance stories. The name is used as a collective label: "South Australian Romance Authors," shortened to SARA and sometimes to SA.

Two things follow from that:

  • It is place-based. The common thread is South Australia, not a single subgenre such as historical, contemporary, or paranormal romance.
  • It is author-facing and reader-facing at once. The group exists to represent its writers and to give readers a way to find them.

Who the members are and what they write

Members are romance authors connected to South Australia. Their work sits within the romance genre, which conventionally means a story centred on a romantic relationship with an emotionally satisfying outcome. SARA's own materials describe the group in terms of romance authors and romance stories rather than prescribing one style, so expect variety across members rather than a house formula.

If you are checking whether a particular author belongs, the reliable method is to look for that author on the SARA site rather than assuming from the name alone.

What the group offers

The site presents SARA as a home for the group and a way to learn about its authors. Based on what the site states, the practical uses are:

Purpose What to do
Find South Australian romance authors Browse the site's author listings
Learn what kinds of romance they write Read the author descriptions and story information
Get in touch with the group Use the contact route published on the site

The site does not publish pricing, membership fees, or a schedule of events in the material available, so do not assume free membership or open public events. If you need those details — for example, to join, to invite a speaker, or to attend a reading — ask through the site's contact channel and confirm directly.

How SARA differs from "romance authors" in general

"Romance authors" describes anyone writing in the genre, anywhere. SARA narrows that to a South Australian group with a shared local identity. The distinction matters in practice:

  • For readers: SARA is a shortcut to Australian, specifically South Australian, romance voices — useful if you want local settings, local authors, or to support a regional writing community.
  • For writers: SARA is a peer group defined by location, not by subgenre or publisher, so it can sit alongside other memberships rather than replace them.
  • For event organisers and booksellers: SARA is a way to reach several local authors at once, though you should confirm current members and availability rather than relying on the group name alone.

A practical way to use the site

  1. Start at the home page (romancesa.weebly.com) to see how the group describes itself.
  2. Open the author pages to identify members and the romance stories they write — this is where the specific, checkable information lives.
  3. Note the authors who match your interest (subgenre, setting, series) and follow them individually, since a group page rarely carries full book details.
  4. Use the contact option for anything the site does not answer — membership, events, or collaboration.
  5. Verify before relying on it: if you are planning around SARA, such as booking authors for an event, confirm the current lineup and terms directly, because a group site can lag behind its members' activity.

The main pitfall is treating SARA as a publisher, an agent, or a genre standard. It is a collective of local authors; submissions, contracts, and book sales are handled by the individual authors and their publishers, not by the group name.

Website Overview

An established domain and managed infrastructure suggest continuity of operations and may support dependable delivery, although neither guarantees service quality.

Domain and Registration

Registered in 2006, this domain has about 20 years of history. That suggests continuity, although ownership and purpose may have changed. The registrar, MarkMonitor Inc., specializes in corporate domain and brand management, suggesting attention to domain asset protection. Transfer-protection status is present, helping reduce the risk of unauthorized domain transfers. The domain uses the common .com extension, which is not an independent safety signal.

DNS and Email

Nameservers are provided by Amazon Route 53, indicating managed DNS hosting. MX records point to the Google Workspace email service. No CNAME was found; the observed records resolve directly to addresses. SPF and DMARC are configured. DKIM status is unknown. TXT records include verification markers for Google, Meta. Such markers may also remain after a service stops being used.

TLS and Certificates

The public key uses EC with 256 bits. The server supplied a complete certificate chain. No organization name is present in the certificate; the available fields are consistent with domain validation. The certificate was issued by Let's Encrypt, commonly associated with automated certificate services. The certificate's total validity is about 89 days, consistent with a short renewal cycle.

HTTP and Browser Security

The checked browser-security headers were not detected, leaving fewer explicit browser-side safeguards. No X-Powered-By header was found, reducing one common source of backend fingerprinting information. The cf-ray response header indicates a CDN or caching proxy in the delivery path. No obvious internal addresses or debug information were found in the headers. The Server header identifies cloudflare without an exact version.

Technology Stack Analysis

The public page identifies Google Analytics, Cloudflare without precise versions, leaving fewer clues for version-specific scanning.

Search and Social Sharing

Unknown

Hosting and Email

DNSAmazon Route 53
HostingCloudflare
EmailGoogle Workspace
Approximate IP geolocation (inferred; a CDN or proxy may differ from the origin server) United States flagUnited States Inferred 74.115.51.8

Registration details

RDAP / WHOIS

RegistrarMarkMonitor Inc.
Registered2006-03-29
Expires2032-03-28
Domain statusclient delete prohibited、client transfer prohibited、client update prohibited
Nameserversns-123.awsdns-15.com、ns-1500.awsdns-59.org、ns-1797.awsdns-32.co.uk、ns-646.awsdns-16.net
DNSSECunsigned

DNS records

DNS

TypeNameValueTTLPriority
Aromancesa.weebly.com74.115.51.83600—
Aromancesa.weebly.com74.115.51.93600—
MXweebly.comaspmx.l.google.com8640010
MXweebly.comalt1.aspmx.l.google.com8640020
MXweebly.comalt2.aspmx.l.google.com8640020
MXweebly.comaspmx2.googlemail.com8640020
MXweebly.comaspmx3.googlemail.com8640020
NSweebly.comns-123.awsdns-15.com86400—
NSweebly.comns-1500.awsdns-59.org86400—
NSweebly.comns-1797.awsdns-32.co.uk86400—
NSweebly.comns-646.awsdns-16.net86400—
TXTweebly.com78e4ad1ec37ca38d4dbe035e01fa3a0533ccacc4f8e2083013d13571e5904ef986400—
TXTweebly.comfacebook-domain-verification=pgcgq3ulxdr0q5k8130ihxgsfgajtx86400—
TXTweebly.comgoogle-site-verification=TZ4zEVLWw4gmABVLLvmfhXKRj-zP8yV_Llo38JMHGyc86400—
TXTweebly.compostman-domain-verification=7a0f12684fd818d88542a63a6993e876ef284f9472ca49fda5530224a7661f91528b27485bc875c9c71d37bd628267264a247a929ad63752883379e313d91a3a86400—
TXTweebly.comv=spf1 include:_spf.google.com include:mail.zendesk.com include:_netblocks.sparkpostmail.com include:sendgrid.net ip4:74.115.48.0/22 ip6:2620:11c::/44 mx ~all86400—
DMARC_dmarc.weebly.comv=DMARC1; p=none;3389—

TLS and certificates

TLS / SSL

AssessmentNormal configuration
Supported protocolsTLSv1.2、TLSv1.3
Negotiated protocolTLSv1.3
Certificate subjectweebly.com
IssuerLet's Encrypt
Valid until2027-01-04T19:46 · Remaining when checked: 75 days
Verification detailsCertificate trust: Passed · Hostname match: Passed

HTTP response headers

HTTP

HeaderValue
content-typetext/html; charset=UTF-8
cache-controlmax-age=30, private, no-store
servercloudflare

Identified technologies

Google AnalyticsCloudflare

Pages, Search and Sharing

User reviews (0)

  • No reviews yet.