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What is Movie Posters Gallery?
Movie Posters Gallery is the online showcase of one person's private movie-poster collection, presented as "My Personal Collection." It is a viewing archive rather than a shop: the site states plainly that the posters are not for sale and asks visitors not to enquire about buying them. What you get instead is a large, browsable record of original posters, lobby cards and re-release material spanning the earliest days of cinema to the present, with items grouped in scroll-down galleries and recent additions pictured on the main page.
What the collection covers
The range is unusually broad in era, country and format. Examples from the page include:
- Classics and studio-era titles — Jamaica Inn (1939), Spellbound (1945), Joan of Arc (1948), The Man Who Knew Too Much (1956), The Rain People (1969).
- European and art-house cinema — Et Dieu… Créa la Femme (1956), La Vérité (1960), Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975), Aus dem Leben der Marionetten (1980).
- New Hollywood and blockbusters — Star Wars and its sequels, Alien (1979), The Shining (1980), Planet of the Apes (1968), The Lord of the Rings: The Fellowship of the Ring (2001).
- Television and streaming — Stranger Things seasons one, three and four.
- Recent and re-release material — 4K and anniversary re-releases such as Kiki's Delivery Service and titles dated 2026.
Formats and sizes
The listings mix formats, which matters if you are trying to understand what a given entry actually is:
| Format | Typical size shown | Notes |
|---|---|---|
| Standard posters | 23x33in, 27x39in, 39x55in, 47x63in | European sizes dominate the mid-range |
| Large-format posters | 55x78in, 92x123in, 81x81in | Often French or Italian releases |
| Lobby card sets | Not sized individually | Noted as complete sets |
| Home video / video posters | 19x25in, 24x36in | Distinct category from theatrical |
| Private commissions | Various | Modern commissioned artwork, not original release material |
Condition and treatment are flagged where relevant: "Linen" indicates a poster that has been backed, "Rolled" indicates it has not been folded, and "Foil" appears on at least one commission piece. Awards and recognition are also tagged in the entries — AAN, GGDN, BAFTAW, AFI and National Film Registry — which effectively doubles as a quality filter.
Who it is for
This is most useful to collectors, researchers and designers who want to see what original material for a given title actually looks like, including the size and artwork variations between countries. If you are trying to identify a poster you own, or decide which version of a title is worth pursuing, the galleries give you real examples to compare against. If you arrived hoping to buy, note that the site is explicit that nothing is for sale; treat it as a reference collection. A practical next step is to pick two or three titles you know well and compare their entries across sizes and countries — that contrast is where the collection teaches you the most.
How can I browse the movie posters in this collection?
Start with the scroll-down galleries the site points you toward. The collection page itself is mostly a long list of recent purchases, so the galleries above it are the intended browsing route rather than a search or filter system.
How browsing works in practice
The page presents a single owner's holdings — tens of thousands of original posters and complete lobby card sets — with a running count and a dated latest update. Entries appear as a list: title, year, and format or size notes in parentheses. That means browsing is closer to reading a catalog than shopping a store.
A few things to expect:
- No purchase path. The page states plainly that the posters are not for sale and asks visitors not to inquire. Treat this as a reference and viewing collection, not a marketplace.
- Format notes carry meaning. Parentheticals like linen backing, rolled versus folded, re-release, home video, and sizes in inches tell you the physical state and edition. National Film Registry, awards abbreviations, and "Private Commission" tags mark notable or custom-printed items.
- Era spread is wide. Listings run from the silent and studio era through recent streaming series, so you can browse by period of interest rather than by genre filters that don't exist here.
A sensible approach
Pick a title you already know and read its full entry first — the parenthetical details teach you the site's shorthand quickly. Then scan the galleries by decade or by the sizes that interest you. If you are researching a specific film's poster history, note that a single title can appear multiple times in different sizes, countries, and backing states, which is often the most useful thing such a collection reveals.
For a wider frame of reference on poster formats and terminology, the Library of Congress and British Film Institute publish background on film marketing materials, and auction houses such as Christie's and Bonhams show how comparable pieces are cataloged when they do reach sale.
The owner also points to a separate site, eatbrieposters.com, for newer material — worth a look if the main galleries don't cover what you're after.
What types of movie posters are in the collection, such as lobby cards or international posters?
The collection is built around original theatrical posters, with a strong showing of international and large-format material. It also includes complete lobby card sets, though the page presents those as a category alongside the posters rather than as a separate browsable section.
What the collection contains
- Original release posters from the earliest days of cinema through recent releases, described as originals rather than reproductions.
- International posters, including French, Italian and other non-English-market versions. Titles like Et Dieu... Créa la Femme, La Vérité, En Cas de Malheur and Aus dem Leben der Marionetten appear in their original-language forms.
- Large-format posters in sizes such as 47x63in, 55x78in, 81x81in and 92x123in, alongside more familiar 23x33in, 24x36in and 39x55in formats.
- Complete lobby card sets, listed as part of the collection rather than as loose single cards.
- Re-release and anniversary material, such as a 2023 re-release of Jeanne Dielman and a 4K 2026 re-release of Kiki's Delivery Service.
- Home video and streaming-era pieces, including a 1981 home video Alien poster and Stranger Things season posters tied to their Netflix release dates.
- Private commission and special-finish prints, such as Star Wars commissions and a foil The Shining.
- Rolled and linen-backed examples, with linen backing noted on several older titles.
How to use this
If you collect by country of origin, treat the international listings as the main draw: the French and Italian titles are the ones most likely to differ in artwork, size and text from their US counterparts. If you collect by format, the lobby card sets and the oversized 47x63in-and-up pieces are the two groupings worth checking first, since both are harder to find intact than standard one-sheets.
One practical caveat: the page states plainly that the posters are not for sale, so this is a reference and viewing collection rather than a shop. Use it to identify titles, formats and country variants, then look for availability elsewhere. For studio-issued material and release documentation, the official archives at Library of Congress can help confirm a film's original release details, and BFI is useful for British and international release context.
Are the movie posters for sale or can I purchase them?
No. Movie Posters Gallery states plainly that its posters are not for sale and asks visitors not to inquire about buying them. It presents itself as one person's private collection, currently listed at 19,969 original posters and complete lobby card sets, with a dated update. The featured items — including Star Wars, Jeanne Dielman, The Shining and Stranger Things — are shown as recent purchases, not inventory.
What you can actually do there
- Browse the scroll-down galleries as a reference collection, useful for identifying titles, formats and size notations such as 47x63in or 39x55in.
- Study how the owner labels things: re-releases, linen-backed copies, rolled versus folded, home video issues, private commissions, and awards or registry tags like AAN, BAFTA or National Film Registry.
- Follow the pointer to the owner's separate site, eatbrieposters.com, if you want to see whether anything there is offered differently. Nothing on the collection page indicates sales, payment options or shipping.
If your goal is to buy
Treat this site as a catalogue to learn from and take your want list elsewhere. A practical route:
- Note the exact title, year and poster size you want, plus whether you need an original theatrical release or will accept a re-release or reproduction.
- Compare against dealer sites and auction results for that specific format, since a 47x63in French poster and a 14x20in lobby card of the same film are entirely different markets.
- Ask sellers directly about linen backing, restoration and provenance before paying, because those factors move value more than the film's fame alone.
For broader price context, established marketplaces such as eBay and specialist auction houses such as Christie's and Bonhams list poster sales, while the Library of Congress is a useful free reference for film and poster history. None of these are connected to this collection.
The quick decision rule: if you want to look, this site is a deep, well-organised archive. If you want to own, expect to buy somewhere else.
What are the most recent additions to the collection?
The latest update, dated October 9, 2026, lists 19,969 original posters and complete lobby card sets, and the page's "most recent purchases" section is the closest thing to a current arrivals list. It shows recent buys spanning early cinema to streaming-era titles, with an emphasis on large European formats and re-release or private-commission pieces.
Titles shown as recent purchases
- Et Dieu… Créa la Femme (…And God Created Woman), 1956 — 23x33in
- The Terror, 1963
- Star Wars, 1977 — private commission, with awards and National Film Registry notations
- Star Wars: The Empire Strikes Back, 1980 — private commission, National Film Registry
- Star Wars: Return of the Jedi, 1983 — private commission, National Film Registry
- Bardot, 2026 — 47x63in
- Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, 1975 — 47x63in, 2023 re-release
- Gremlins, 1984 — 14x20in
- The Rain People, 1969 — 39x55in and 55x78in
- The Man Who Knew Too Much, 1956 — 47x63in, linen
- River of No Return, 1954 — 92x123in
- En Cas de Malheur (Love is my Profession), 1958 — 55x78in
- La Vérité (The Truth), 1960 — 47x63in
- Jamaica Inn, 1939 — 47x63in, linen
- Spellbound, 1945 — 47x63in
- Paint Your Wagon, 1969 — 81x81in
- City Heat, 1984 — 39x55in
- Midnight, 1982 — 19x25in, home video
- Teenage Sex and Death At Camp Miasma, 2026
- Soylent Green, 1973
- Downhill Racer, 1969
- The Lord of the Rings: The Fellowship of the Ring, 2001 — 48x70in, multiple award notations
- The Odyssey, 2026 — 35mm and 70mm
- Angelica: L'Amore Orientale e i Suoi Vizi Proibiti, 1974 — 55x78in
- Silver Bullet, 1985 — 39x55in
- Gone in 60 Seconds, 1974 — 39x55in
- Planet of the Apes, 1968 — National Film Registry
- Et Dieu… Créa la Femme, 1956 — 16x23in
- Joan of Arc, 1948
- Bram Stoker's Dracula, 1992 — 48x70in
- Majo no Takkyūbin (Kiki's Delivery Service), 1989 — 4K 2026 re-release
- Alien, 1979 — 24x36in, 1981 home video, National Film Registry
- Night of the Comet, 1984 — rolled
- Stranger Things, season 4 (May 27, 2022) and season 1 (July 15, 2016) — Netflix
- The Hateful Eight, 2015 — 27x39in
- Aus dem Leben der Marionetten (From the Life of the Marionettes), 1980 — rolled
- The Shining, 1980 — private commission, foil, National Film Registry
- Une Parisienne (La Parisienne), 1957 — 23x33in and 30x40in linen
- Star Wars Trilogy, 1977/1980/1983 — private commission, 19x40in, National Film Registry
- Starman, 1984 — 21x31in
- Stranger Things, season 3 (July 4, 2019) — Netflix
What the list suggests
The additions are not a single era or genre. They mix 1930s–1960s classics, 1970s–1980s studio films, and recent television and re-release material. Several entries are unusually large European formats, such as the 92x123in River of No Return and 81x81in Paint Your Wagon, which matters if you are comparing display space rather than just title rarity. The repeated Star Wars and The Shining entries are marked as private commissions, so they are not original theatrical release posters in the usual sense — a distinction worth checking before treating them as vintage originals.
The page states plainly that these posters are not for sale and asks visitors not to ask. That makes this a reference collection rather than a shop, so the practical use is research: identifying formats, sizes, linen backing, re-release markings, and award or registry notations. If you want to see the full scroll-down galleries or the owner's newer site, start with Movie Posters Gallery and follow the page's own links rather than searching for resale listings.
How is the collection organized or updated over time?
The collection is organized as a personal, chronological archive rather than a storefront. The page presents it as one owner's holdings, with a dated running count at the top and a note that the posters are not for sale. Updates appear to be occasional and cumulative: the total is stamped with a specific "as of" date, and a "most recent purchases" section sits below it.
How it's structured
- A dated inventory headline. The count and date give a quick sense of scale and freshness, so a returning visitor can see whether anything has changed since their last look.
- Scroll-down galleries. The page directs visitors to galleries above the recent-purchases block, suggesting the main browsing happens in image groups rather than a single list.
- A recent-additions strip. Newly acquired pieces are shown together, each with title, year, size and sometimes condition or edition notes.
- Per-item annotations. Entries carry details such as format dimensions, "Linen" or "Rolled" condition, re-release years, and tags for awards or archival recognition.
What the entries tell you
The annotations do real work. A title like The Man Who Knew Too Much (1956, 47x63in, Linen) signals a European-format poster that has been linen-backed, while Night of the Comet (1984, Rolled) suggests an unused copy. Tags such as National Film Registry, AAN, BAFTA and GGN function as shorthand for significance or provenance. Private Commission labels mark items that are not original theatrical releases, which matters if you care about that distinction.
The range is broad: silent-era-adjacent classics, mid-century European cinema, 1970s and 1980s American films, and recent streaming titles like Stranger Things seasons dated to their release. Sizes vary widely, from roughly 14x20in to 92x123in, so the collection is clearly built around visual impact and availability rather than a uniform format.
A practical way to use it
If you are researching a specific title, treat the galleries as an image reference and the recent-purchases block as a signal of what the owner currently considers worth adding. If you are a collector yourself, the useful takeaway is the annotation habit: record size, condition and edition alongside every acquisition, because those details are what make a collection legible years later.
For a second reference point on poster formats and terminology, IMDb covers release data, and Library of Congress maintains National Film Registry listings that explain the recognition tags used here.
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