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ourgig.com

Creative strategy agency helping artists grow their audience, brand, and reach through data-driven music marketing and innovative campaigns.

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What is OURGIG Agency?

OURGIG Agency is a music marketing and artist-growth agency based in Miami and NYC, working with musicians, independent artists and labels. Its stated focus is building an artist's audience, brand and reach through strategy, promotion and creative execution rather than one-off promotional spikes.

What they say they do

  • Creative strategy — aligning the music, artist, audience, content and marketing around one purpose.
  • Music marketing — campaigns aimed at engagement, recognition, streams and sustained momentum around releases.
  • Artist growth — connecting brand, content and marketing into a system for consistency, retention and expansion.
  • Services — release strategy, media outreach, Spotify playlisting, social media, website design, artwork design and content creation.
  • Label services — support aimed at labels as well as individual artists.

The site presents its work as a "365 Momentum" approach, meaning year-round activity instead of short bursts tied only to a release date. It also lists concert data and music manager services among its offerings.

Who it suits

An artist preparing a release who wants promotion handled alongside the surrounding creative assets — cover artwork, site, social content — is the clearest fit, since those services sit under one roof. A label wanting campaign support without building an in-house marketing team is another plausible user. Someone seeking only playlist pitching, or only a website, may find a narrower specialist cheaper.

Practical next step

Check the Clients / Projects and Blog sections to see the genres and campaign types they actually work in, then compare against your release timeline and budget. If your goal is a single release push, ask specifically how the 365 Momentum model applies to your case; if it is long-term audience building, ask what they measure beyond stream counts. The agency takes music submissions through its site, so prepare a short pitch with your links and current audience numbers before making contact.

How can OURGIG help me grow my music career as an independent artist?

OURGIG is a music marketing and artist-growth agency, not a record label or distributor. For an independent artist, its value is execution: it runs campaigns around your releases and builds ongoing systems for audience growth, rather than only promoting a single track. The site groups this into three areas — Creative Strategy (aligning music, audience, content and marketing around one purpose), Music Marketing (campaigns aimed at engagement, recognition and streams) and Artist Growth (connecting brand, content and marketing into consistent long-term progress).

Services you can plug into

  • Release strategy — planning how and when a song, EP or album reaches listeners.
  • Media outreach and PR — pitching to press and outlets.
  • Spotify playlisting — playlist promotion as a discovery channel.
  • Social media — content and channel management.
  • Creative production — artwork design, website design and content creation.

The site also lists Concert Data (concert intelligence for smarter touring), Music Manager Services and label services, so there is an option for artists who need support beyond a single campaign.

Who this fits, and who it doesn't

Your situation Likely fit
You have finished music and want a structured release push Strong — release strategy, PR, playlisting
You want a repeatable growth system, not one-off spikes Strong — the "365 Momentum" framing points here
You need artwork, a website or content produced Strong — these are listed services
You want distribution, royalties admin or label ownership Not the core offer — look elsewhere
You have no budget for marketing and want free growth Weak fit — this is an agency engagement

A practical next step

Before contacting them, write a one-page brief: your release date, the audience you already have (follower counts, monthly listeners, email list), the specific outcome you want in 90 days, and your budget range. The site invites artists to submit music, and it lists a phone number and email for contact. If you are weighing alternatives, compare against a distributor such as Distrokid or TuneCore for getting music live, and a direct-to-fan platform such as Bandcamp for sales — those handle a different job than an agency campaign does.

Choose OURGIG if you want a team to run promotion and creative execution while you keep making music; choose a distributor-plus-DIY approach if your main gap is simply getting releases online.

What does OURGIG's playlist promotion and media outreach service actually do for a release?

OURGIG describes its playlist promotion and media outreach as part of a broader release campaign rather than a standalone placement service. According to the site, the work spans "media outreach, Spotify playlisting, social media, website, artwork and content creation," with the stated aim of generating "consistent engagement, boost recognition, more streams, and build lasting energy around your releases — not just temporary surges." In practice, that means pitching a release to press and playlist curators, coordinating the timing with the artist's social and content output, and keeping the visual assets consistent so the campaign reads as one push instead of scattered posts.

What the service covers

  • Media outreach: approaching press, blogs and other outlets around a release date.
  • Playlist promotion: pursuing Spotify playlist placements, presented as one part of the campaign rather than the whole of it.
  • Social media: supporting posts and content tied to the release.
  • Creative execution: artwork, website and content creation, so the release has matching visuals across channels.
  • Strategy layer: aligning music, audience, content and marketing "with a singular purpose," as the site puts it.

The agency frames this as its "365 Momentum" approach, meaning promotion is meant to continue between releases rather than spike and stop. The site also lists "Concert Data" and "Music Manager Services" among its offerings, suggesting tour and management support can sit alongside a release push.

Who it fits

A practical example: an independent artist with a finished single and a four-to-six week runway before release. Playlisting and press pitches work best in that window, and having artwork, a website and social content prepared in advance means the outreach has somewhere to send new listeners. An artist still writing or recording may get less from this stage, since there is nothing to pitch.

How to judge it

Ask three questions before committing to a campaign:

  1. What is the release timeline? Outreach and playlisting need lead time before the release date, not after.
  2. Which services are included? The site lists several under one roof; confirm whether you are buying outreach, playlisting, social, or the full package.
  3. What does success look like? Streams, press coverage, follower growth and repeat listeners are different goals and need different plans.

Playlist placements and press coverage can raise awareness quickly, but they rarely build a durable audience on their own. Treat them as the entry point, with the social, content and creative work doing the retention. If you want to see how the agency presents its own results and process, start with the services and blog sections at OURGIG Agency.

How much does it cost to work with OURGIG, and what services are included?

OURGIG does not publish pricing on its site, so there is no list of rates to quote. The page presents the agency's services and credentials — 26 years in business, 7K+ completed projects, 8B+ music streams — but no cost figures or packages. Treat any number you see elsewhere as unverified until the agency confirms it directly.

What the site says is included

The work is grouped into three overlapping areas:

  • Creative Strategy — aligning music, artist, audience, content and marketing around one purpose.
  • Music Marketing — campaigns aimed at consistent engagement, recognition, streams and sustained energy around releases.
  • Artist Growth — building a system that connects brand, content and marketing for retention and expansion.

Under services, the site also lists media outreach, playlist promotion, social media, artwork design and website design, plus label services and a "365 Momentum" offering. Recent blog topics point to concert data, music manager services, and PR with playlisting and social media.

How to get an actual cost

Because the site's only call to action is "Submit Your Music" alongside phone and email contact details, the practical route is a direct quote. A useful first message includes:

  • Your release timeline (single, EP, album, or ongoing)
  • Which services you want — for example, playlist promotion alone versus strategy plus PR plus design
  • Your budget range and whether you want a one-off campaign or a monthly retainer
  • Your current baseline: monthly listeners, social following, past campaign results

That lets them scope a package rather than quote blind.

A realistic scenario

An independent artist with a single out in eight weeks might ask for playlist promotion plus social content. A label or manager with several releases might ask for a retainer covering strategy, media outreach and design. Those are very different scopes, which is why published rates are rare for agencies like this.

Decision criteria

  • Scope first, price second. Ask what is included, how many placements or assets, and what happens if results fall short.
  • Compare against alternatives. For playlist pitching, SubmitHub and Groover sell per-submission credits; for distribution and royalty collection, DistroKid and TuneCore publish their fees openly. An agency typically costs more because it bundles strategy and execution.
  • Check fit. Ask for recent campaign examples in your genre and whether they work with artists at your stage.

Start by emailing [email protected] or calling (800) 921-4875 with the scope details above, and request a written breakdown of deliverables and fees before committing.

What is OURGIG Concert Intelligence and how does it help plan smarter tours?

OURGIG Concert Intelligence is a concert-data offering from OURGIG Agency, a music marketing and artist growth firm based in Miami and NYC. The agency presents it as a way to use concert data for smarter tour planning, alongside its broader services in release strategy, media outreach, Spotify playlisting, social media, website and artwork design. OURGIG describes itself as having 26 years in business, 7K+ completed projects and 8B+ music streams, and frames its work around "365 Momentum" — continuous campaigns rather than one-off pushes.

What it is, based on the page

The site lists "Concert Data" as a blog/news topic, with a post titled "Unlock the Power of OURGIG Concert Intelligence for Smarter Tours." That framing suggests the service is about turning live-show information into planning input: where demand exists, which markets or rooms suit an artist, and how a routing decision might perform. The page does not spell out the exact data sources, dashboard features or methodology, so treat those specifics as something to confirm directly with the agency.

How concert data can make tours smarter

Used well, concert intelligence answers questions that guesswork handles badly:

  • Where to play next: compare streaming or fan engagement in a city against past ticket demand or comparable artists' results.
  • Which room size fits: match venue capacity to realistic attendance rather than booking optimistically and absorbing losses.
  • How to route efficiently: sequence cities to cut travel costs and keep momentum, instead of hopping between distant markets.
  • When to announce and price: time on-sales and ticket tiers to local behaviour patterns.
  • What to promote where: direct ad spend and content to markets showing genuine intent.

Who benefits most

Artist situation Likely value
First regional tour Avoids overbooking unfamiliar cities; identifies safer starting markets
Growing act with scattered fans Turns streaming spikes into concrete routing decisions
Established touring artist Refines repeat markets and tests new ones with less risk
Team without a data analyst Outsources interpretation, not just raw numbers

The trade-off is that data describes past patterns; it does not guarantee a new market will convert, and it cannot replace a compelling live show or local promotion. Smaller artists with thin historical data may get less signal than mid-level acts with several releases and prior dates behind them.

A practical next step

Before committing to a routing plan, ask OURGIG which cities and venues the concert data covers, how far back it reaches, and whether the output is a report, a dashboard or ongoing advisory. If you are planning a first tour, start by testing two or three cities where your streaming and social numbers are strongest, then use results from those dates to inform the next leg. Related industry tools worth comparing include Chartmetric for streaming and audience analytics and Songkick for concert listings and local demand signals.

Should I hire OURGIG for a single release campaign or ongoing monthly management?

Choose based on whether you need a campaign or a system. OURGIG presents both options: single-release work (release strategy, media outreach, playlisting, social media, artwork) and an ongoing "365 Momentum" model built around artist growth, retention and consistency. If your goal is to make one song land well, a release campaign fits. If your problem is that each release starts from zero, ongoing management is the better fit.

Single release campaign

Best when you have a finished track, a date, and a defined window of a few weeks or months. You want concentrated effort on one asset: pitching, content, playlist and media outreach, visuals.

Trade-off: momentum usually drops after the release window. If you have no team, no content pipeline and no audience data, a one-off campaign can still leave you where you started.

Ongoing management

Best when you release regularly, want a consistent brand and content presence, and need someone to connect music, audience and marketing over time. OURGIG frames this as building a system rather than chasing temporary surges.

Trade-off: higher commitment and cost, and it only pays off if you can keep supplying music, footage and access. Ongoing management with nothing to promote is expensive maintenance.

A simple decision rule

Your situation Better fit
One finished track, fixed date, clear goal (e.g. a sync pitch or a first push) Single release campaign
Multiple releases per year, inconsistent branding or content Ongoing management
You want to test the working relationship first Start with one campaign, then extend

The practical middle path: begin with a single-release campaign as a paid trial, judge the communication, reporting and creative quality, then convert to monthly if the results and workflow suit you. Ask both options to be scoped against the same release so you can compare what each actually includes.

For context on how other agencies structure these tiers, see Cyber PR and Sonicbids.

Related questions

More questions →
What is OURGIG Agency?

OURGIG Agency is a creative strategy and music marketing agency based in Miami and NYC that helps artists, bands, and record labels grow their audience, brand, and reach. It describes its work as data-driven music marketing combined with creative execution, and it offers services across release strategy, media outreach, Spotify playlisting, social media, website and artwork design, and content creation. If you are an independent artist or a label looking for an external team to handle promotion and long-term growth rather than a one-off boost, this is the type of company you would evaluate.

Who it serves

The site names three broad client groups:

  • Artists — musicians building a career and audience around their releases.
  • Bands — groups needing coordinated promotion and creative assets.
  • Record labels — organizations seeking label services and campaign support.

The stated goal is not just attention but "consistency, retention, and expansion," which signals an emphasis on ongoing work rather than single campaigns.

What it offers

OURGIG organizes its services into three main areas, plus a set of execution services.

Area What it covers
Creative Strategy Aligning music, artist, audience, content, and marketing around a single purpose
Music Marketing Campaigns designed to generate consistent engagement, recognition, and streams
Artist Growth Building a system that connects brand, content, and marketing for long-term progress
Label Services Support aimed at record labels
Execution services Media outreach, playlist promotion, social media, artwork design, website design

A recurring concept on the site is "365 Momentum" — the idea of continuous, year-round promotion rather than temporary surges around a release.

Track record and contact

The agency lists these figures about itself:

  • 26 years in business
  • 7K+ completed projects
  • 8B+ music streams

Contact details published on the site:

There is also a "Submit Your Music" path for artists who want to be considered.

How to decide if it fits

Use these conditions to judge fit:

  • Consider it if you want an agency handling strategy and execution (playlisting, PR, social, design) under one roof, and you are looking for sustained promotion across a release cycle or longer.
  • Look elsewhere if you only need a single narrow task, or if you prefer to keep strategy in-house and outsource only one channel.
  • Check first whether pricing, minimum engagement length, and genre focus match your situation — the site does not publish pricing or payment details, so you would need to ask directly via the contact channels above.

For a concrete next step: if you are an artist with a release coming up, submit your music through the site and ask specifically how a "365 Momentum" engagement would be structured for your timeline and budget.

How to Evaluate Whether OURGIG Agency Is the Right Music Marketing Partner

OURGIG Agency is a music marketing and artist growth agency based in Miami and NYC that, according to its website, has been in business 26 years, completed 7K+ projects, and driven 8B+ music streams. It is worth a closer look if you want a partner covering release strategy, media outreach, playlist promotion, social media, artwork, website, and content creation under one roof. It is not the right fit if you need transparent public pricing, published client case studies, or a self-serve signup — none of those appear on the site, so you would have to request them directly.

What OURGIG actually offers

The site groups its work into three pillars plus a service list:

Pillar What the site says it covers
Creative Strategy Aligning music, artist, audience, content, and marketing around one purpose
Music Marketing Campaigns aimed at consistent engagement, recognition, streams, and lasting release energy
Artist Growth A system connecting brand, content, and marketing for consistency, retention, and expansion

Under "What We Deliver" it lists release strategy, media outreach, Spotify playlisting, social media, website, artwork, and content creation. There is also a "365 Momentum" framing, which suggests an ongoing retainer-style engagement rather than a one-off campaign — worth confirming, since the site does not spell out contract length or cadence.

It also advertises Music Manager Services, Concert Data (Concert Intelligence for tour planning), and label services, so the agency positions itself as serving both independent artists and labels.

Credibility signals you can check

The homepage states three hard numbers: 26 years in business, 7K+ completed projects, and 8B+ music streams. These are the most concrete trust markers on the page, but they are self-reported and unverified there. Before committing:

  • Ask for the time period those 8B+ streams cover and how they are measured (catalog-wide vs. campaign-attributed).
  • Ask for two or three references in your genre and at your career stage — a 26-year agency's client mix may skew toward artists with very different budgets and goals than yours.
  • Check the blog for how they think. Current posts include "Concert Data," "Music Manager Services," and "Trend Music PR, Playlisting & Social Media." Reading one or two tells you whether their approach matches how you want to work.

Match the service list to your release cycle

Map your next 6–12 months against what they sell, and flag anything missing:

  • Pre-release: release strategy, artwork design, content creation
  • Release window: media outreach, Spotify playlisting, social media
  • Post-release / ongoing: 365 Momentum, artist growth system, concert data for touring
  • Infrastructure: website design, music manager services

If your gap is, for example, only playlist pitching, ask whether they take single-service engagements or require the full strategy package. The site does not say, and that answer changes the cost and commitment significantly.

How to make contact and what to prepare

The site gives two direct channels: (800) 921-4875 and [email protected], plus a "Submit Your Music" path and a contact form with a newsletter signup. Offices are listed as Miami and NYC.

When you reach out, lead with specifics so you get a useful reply rather than a generic deck:

  1. Your release timeline and genre.
  2. Which services you want (strategy only, or full campaign).
  3. Your budget range and whether you can commit to an ongoing engagement.
  4. Your current baseline — monthly listeners, past campaign results, existing audience channels.
  5. Direct questions on pricing structure, contract length, reporting cadence, and who on the team actually runs your account.

Where the site leaves gaps

  • No public pricing. Nothing on the page indicates cost, packages, or payment terms. Treat pricing as unknown until you ask.
  • No named client roster on the homepage. "Clients / Projects" is a nav item, so check that page before assuming fit.
  • No stated minimum career level. Whether they work with emerging artists or only established ones is not addressed.
  • Cookie consent is the only compliance detail visible, which tells you nothing about how they handle your masters, data, or rights — ask.

A practical decision test

OURGIG is a reasonable candidate to contact if you want one agency handling strategy, promotion, creative, and web presence, and you are comfortable starting a conversation without published rates. It is a weaker fit if you need upfront pricing, verifiable third-party reviews, or a narrow single-service engagement — in those cases, get written answers to the five questions above before any call, and compare at least two other agencies on the same dimensions: services covered, proof of results, pricing model, and who does the day-to-day work.

What services does OURGIG Agency offer for artists and labels?

OURGIG Agency is a creative strategy agency that provides music marketing, artist growth, and label services. According to its website, the agency offers release strategy, media outreach, Spotify playlisting, social media, website and artwork design, and content creation, organized around a framework it calls "365 Momentum." It is based in Miami and NYC and states 26 years in business, 7K+ completed projects, and 8B+ music streams. If you are an artist or label looking for an external team to handle promotion and creative execution alongside your releases, these are the service areas to evaluate.

Core service areas

The site groups its work into three main pillars, each with a different goal:

  • Creative Strategy — Aligns the music, artist, audience, content, and marketing around a single purpose. The stated idea is that promotion alone is not enough; every part of a release should work together.
  • Music Marketing — Designs and runs campaigns intended to generate consistent engagement, recognition, streams, and lasting energy around releases, rather than one-time spikes.
  • Artist Growth — Builds a system connecting brand, content, and marketing for long-term progress, with the stated goal of consistency, retention, and expansion.

What "365 Momentum" means here

The site presents 365 Momentum as the umbrella for its delivery: strategy, promotion, and creative execution running continuously rather than as a single campaign burst. For an artist or label, this is the main framing to test against your own release calendar — it suits ongoing output better than a one-off single push.

Specific services listed

Under its services and label services sections, the site lists:

Category Services named
Promotion Media outreach, playlist promotion, Spotify playlisting
Social & content Social media, content creation
Creative production Artwork design, website design
Release support Release strategy

It also references Concert Data / Concert Intelligence (described in a blog post as supporting smarter tours) and Music Manager Services (described as artist support). These appear as newer offerings announced on the blog rather than as fully detailed service pages, so treat them as areas to ask about directly.

Who this fits

  • Artists who want an outside team for release strategy, PR, playlisting, social media, and visual assets in one place.
  • Labels looking for label services and campaign execution across multiple releases.
  • Anyone whose priority is sustained output — the 365 Momentum framing points to continuous marketing rather than a single launch.

If you only need one narrow task, such as artwork alone, the site does not break out standalone pricing or scope, so you would need to confirm whether individual services are offered separately.

How to move forward

The site's stated next step is a "Submit Your Music" form, and it lists contact details: (800) 921-4875 and [email protected], with locations in Miami and NYC. The website does not publish pricing, package tiers, or contract terms, so those are questions to raise in an initial conversation. Before submitting, it helps to have your release timeline, current audience and streaming numbers, and the specific services you want quoted.

What Is OURGIG Agency's 365 Momentum Approach to Artist Growth?

365 Momentum is OURGIG Agency's name for treating artist growth as a continuous system rather than a series of one-off release pushes. According to the agency's own description, it connects brand, content, and marketing into long-term progress, with the stated goal of consistency, retention, and expansion instead of temporary attention spikes. It is most relevant if you are planning beyond a single release and want promotion, creative work, and audience-building handled as one coordinated effort.

The core idea

Most artist marketing is organized around moments: a single drops, you buy promotion, streams spike, then everything goes quiet until the next release. OURGIG positions 365 Momentum as the opposite — a year-round structure in which each release feeds the next.

The agency frames this around three connected outcomes:

  • Consistency — regular activity rather than bursts tied only to release dates
  • Retention — keeping the listeners you already reached instead of losing them between cycles
  • Expansion — growing reach on top of that retained base

The mechanism it describes is alignment: music, artist, audience, content, and marketing pointed at a single purpose. In practice that means your visual identity, your social output, your playlist and press strategy, and your release calendar are planned to reinforce each other rather than run as separate projects.

What sits inside the system

OURGIG lists its work across several service areas. Under 365 Momentum, these are meant to operate together:

Service area What it covers
Creative Strategy Aligning music, artist, audience, content, and marketing
Music Marketing Campaigns aimed at engagement, recognition, streams, and lasting energy around releases
Artist Growth Building a system linking brand, content, and marketing for long-term progress
Release strategy Planning how and when music reaches listeners
Media outreach Press and media promotion
Playlist promotion Spotify playlisting
Social media Ongoing channel activity
Website, artwork, content creation The visual and owned-media side of the brand

The agency also lists Label Services and Music Manager Services, and publishes on Concert Data (described as "Concert Intelligence for Smarter Tours"). Those sit alongside the artist-growth offering rather than inside it.

How it differs from a single-release campaign

A useful way to judge whether this model fits you is to compare the two structures directly:

  • Single-release campaign: activity starts near the release date, peaks, then stops. Success is measured in the spike.
  • 365 Momentum: activity runs continuously. Each release is a checkpoint inside an ongoing system, and success is measured in whether the audience you gained is still there and still growing.

If your problem is "this release underperformed," a campaign may be enough. If your problem is "I gain listeners and then lose them," the continuous-system framing is the relevant one.

Signals from the agency's own track record

OURGIG states on its site:

  • 26 years in business
  • 7K+ completed projects
  • 8B+ music streams

These are the agency's own figures and are not independently verified here. They are useful mainly as a scale signal — the services span promotion, creative execution, and web/artwork production, which is consistent with a system-style offering rather than a single-channel service.

What to check before committing

Because the site does not publish pricing, package tiers, contract length, or what "365" means in billing terms, those are the first things to confirm directly. Contact details listed are (800) 921-4875 and [email protected], with locations in Miami and NYC.

Questions worth asking:

  1. What exactly runs for 365 days — strategy, social output, playlist pitching, or all of it?
  2. How is progress reported, and against which metrics (streams, saves, follower retention, playlist adds)?
  3. Which parts are done in-house versus outsourced?
  4. What happens to the system if you pause releases for a period?
  5. Is there a minimum term, and what does the exit look like?

Who this approach suits

365 Momentum is a reasonable fit if you are an artist or label with a steady release cadence who wants brand, content, and promotion managed as one continuous operation, and who values retention over spike metrics. It is a weaker fit if you only need a one-time push behind a single track, or if you want to run promotion yourself and only outsource one narrow task such as playlist pitching.

How to Contact OURGIG Agency or Submit Your Music

OURGIG Agency can be reached by phone at (800) 921-4875 or by email at [email protected], and the site provides a "Submit Your Music" entry point for artists and labels who want to be considered for its services. The agency lists offices in Miami and NYC, and also offers a contact form plus Instagram, Facebook, LinkedIn, and YouTube channels for staying updated. Use the phone or email if you want a direct reply; use the submission route if you are an artist or label pitching music for strategy, promotion, or creative work.

Ways to Reach OURGIG Agency

Channel Details Best for
Phone (800) 921-4875 Direct questions, time-sensitive inquiries
Email [email protected] Project details, attachments, service questions
Submit Your Music Entry point on the OURGIG site Artists and labels pitching music for consideration
Contact form Available on the site's contact section General inquiries and service requests
Social Instagram, Facebook, LinkedIn, YouTube Following news, projects, and updates

The site lists Miami and NYC as its locations in the United States.

How to Submit Your Music

  1. Go to the OURGIG site and locate the Submit Your Music entry point.
  2. Provide your music and the basic context the agency needs to evaluate it — who you are, what you are releasing, and what kind of help you are looking for.
  3. Expect the submission to be reviewed against the services the agency actually provides, not as a general inbox for anything music-related.
  4. If you do not hear back through the submission route and the matter is urgent, follow up by email at [email protected] or by phone at (800) 921-4875.

The site does not publish a response-time commitment, a submission fee, or a guarantee that submitted music will be accepted, so treat the submission as an inquiry rather than a confirmed engagement.

What OURGIG Does — So You Pitch the Right Thing

The agency describes itself as a creative strategy agency focused on music marketing and artist growth. Its listed services include:

  • Creative Strategy — aligning music, artist, audience, content, and marketing around a single purpose.
  • Music Marketing — campaigns aimed at consistent engagement, recognition, streams, and lasting energy around releases rather than temporary spikes.
  • Artist Growth — building a system that connects brand, content, and marketing into long-term progress, with an emphasis on consistency, retention, and expansion.
  • Label Services
  • Media Outreach
  • Playlist Promotion
  • Social Media
  • Artwork Design
  • Website Design

The agency also promotes a 365 Momentum approach and a Concert Data / Concert Intelligence offering aimed at smarter touring, plus Music Manager Services. Its stated track record is 26 years in business, 7K+ completed projects, and 8B+ music streams.

If your request falls inside one of these areas — release strategy, media outreach, Spotify playlisting, social media, website, artwork, or content creation — say so explicitly when you submit or write in. That makes it easier to route your inquiry to the right service.

Before You Reach Out

  • Be specific about the release. If you have a single, EP, or album coming, include the timing and what stage you are at.
  • Name the service you want. "Playlist promotion" or "release strategy" gets a more useful reply than a general request for help.
  • Include your links. Streaming profiles, social handles, and any existing press or data help the agency assess fit.
  • Check the fit first. The agency positions itself around strategy, promotion, and creative execution for artists and labels — if your need is outside that scope, the submission may not go anywhere.

Common Questions

Is there a cost to submit music? The site does not state a submission fee, and it also does not state that submissions are free. Treat pricing as something to confirm directly by email or phone.

Can I just call instead of submitting? Yes — (800) 921-4875 is listed as a contact number. Calling is reasonable for quick questions; submitting is better when you want your music reviewed.

Where is the agency based? Miami and NYC, United States.

How do I keep up with the agency? Follow Instagram, Facebook, LinkedIn, and YouTube, or use the contact form to stay on the update list.

Website Overview

Identifiable technologies and additional version or configuration signals make the service easier to fingerprint, which may help targeted scanners narrow their checks. An established domain and managed infrastructure suggest continuity of operations and may support dependable delivery, although neither guarantees service quality.

Domain and Registration

Registered in 2000, this domain has about 26 years of history. That suggests continuity, although ownership and purpose may have changed. Transfer-protection status is present, helping reduce the risk of unauthorized domain transfers. The registrar is GoDaddy.com, LLC, a widely used domain service provider. The domain uses the common .com extension, which is not an independent safety signal.

DNS and Email

Nameservers are provided by ourgig.com, indicating managed DNS hosting. MX records point to the Microsoft 365 email service. No CNAME was found; the observed records resolve directly to addresses. SPF and DMARC are configured. DKIM status is unknown. TXT records include verification markers for Google. Such markers may also remain after a service stops being used.

TLS and Certificates

The certificate uses an RSA 2048-bit public key, offering broad client compatibility. The server supplied a complete certificate chain. No organization name is present in the certificate; the available fields are consistent with domain validation. The certificate was issued by Let's Encrypt, commonly associated with automated certificate services. The certificate's total validity is about 89 days, consistent with a short renewal cycle.

HTTP and Browser Security

X-Powered-By exposes backend information: PHP/8.2.34, PleskLin. The checked browser-security headers were not detected, leaving fewer explicit browser-side safeguards. No obvious internal addresses or debug information were found in the headers. The Server header identifies nginx without an exact version. No explicit CDN or WAF marker was found in the response headers.

Technology Stack Analysis

The public page identifies Site Kit by Google 1.189.0, WordPress, jQuery, nginx, PHP, with exact versions exposed for 1 technologies. These details can narrow vulnerability checks, although exposure alone is not a vulnerability.

Search and Social Sharing

The Generator tag identifies Site Kit by Google 1.189.0, making the publishing system easier to fingerprint. Twitter Card metadata is configured. JSON-LD includes Organization data, helping describe the organization as an entity. The title has 47 characters, within a common display range. A meta description is present, with 140 characters.

Hosting and Email

DNSourgig.com
HostingLiquid Web, L.L.C
EmailMicrosoft 365
Approximate IP geolocation (inferred; a CDN or proxy may differ from the origin server) United States flagUnited States Inferred 67.227.212.139

Registration details

RDAP / WHOIS

RegistrarGoDaddy.com, LLC
Registered2000-03-17
Expires2027-03-17
Domain statusclient delete prohibited、client renew prohibited、client transfer prohibited、client update prohibited
Nameserversns1.sobedns.net、ns2.sobedns.net
DNSSECunsigned

DNS records

DNS

TypeNameValueTTLPriority
Aourgig.com67.227.212.139300—
MXourgig.comourgig-com.mail.protection.outlook.com36000
NSourgig.comns1.ourgig.com300—
NSourgig.comns2.ourgig.com300—
TXTourgig.comgoogle-site-verification=6Jsnm0vBB-lDpZNR5wt4uO07N0VDUNoOHaprxxnFFVs300—
TXTourgig.comv=spf1 include:spf.protection.outlook.com -all300—
DMARC_dmarc.ourgig.comv=DMARC1; p=none300—

TLS and certificates

TLS / SSL

AssessmentNormal configuration
Supported protocolsTLSv1.2、TLSv1.3
Negotiated protocolTLSv1.3
Certificate subjectourgig.com
IssuerLet's Encrypt
Valid until2026-11-13T11:09 · Remaining when checked: 36 days
Verification detailsCertificate trust: Passed · Hostname match: Passed

HTTP response headers

HTTP

HeaderValue
content-typetext/html; charset=UTF-8
cache-controlno-cache
servernginx

Identified technologies

Site Kit by Google 1.189.0WordPressjQuerynginxPHP

Pages, Search and Sharing

Meta descriptionCreative strategy agency helping artists grow their audience, brand, and reach through data-driven music marketing and innovative campaigns.
Canonical URLhttps://ourgig.com/
LanguageEnglish (default)
Twitter Cardsummary_large_image
All bots 1 allowed · 0 disallowed
  • Allow/

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