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What is Elias Hanzer?
Elias Hanzer is the name of a design studio and type-design practice, presented on Elias Hanzer as a portfolio of typeface and design work. The site's own listing points to several projects and labels — studio hanli, HAL Typefaces, Phase, ABC Arizona with Dinamo Typefaces, The Arizona Type Specimen Edition, and "EH Normal" — which suggests a practice centered on creating typefaces and specimen materials rather than a general blog or shop.
Who it is useful for
- Designers choosing typefaces: the named releases (HAL Typefaces, Phase, EH Normal) are the concrete things to look at first.
- People studying type design: specimen editions and collaborations, such as the Arizona work with Dinamo Typefaces, show how a typeface is presented and tested in use.
- Anyone commissioning design work: the studio framing indicates a working practice, so the portfolio is the relevant part of the site.
How to use it
Start with the typeface that matches your project's tone: a specimen edition if you want to see a face in extended use, or a single release page if you need a specific style. As general advice, judge typefaces by setting your own sample text at the sizes you will actually use, and check licensing terms before committing to a project.
What typefaces has Elias Hanzer designed, such as Arizona or EH Normal?
Elias Hanzer's site lists several typefaces associated with his studio practice, including Arizona, EH Normal, and HAL Typefaces, alongside references to Phase, ABC, and Dinamo Typefaces. Arizona also appears in a dedicated Arizona Type Specimen Edition, suggesting it is documented as a standalone release rather than only a portfolio exercise.
What the listing suggests
- Arizona is the most clearly presented typeface, with a specimen edition attached to it.
- EH Normal is named directly and appears to be another typeface in his body of work.
- HAL Typefaces and Phase read as additional projects or labels in the same studio context.
- The presence of Dinamo Typefaces and ABC likely points to distribution, collaboration, or specimen context rather than necessarily Hanzer's own designs.
How to use this
If you are choosing a typeface for a project, start with the Arizona specimen: check its weights, spacing, and text-versus-display behavior before assuming it suits long-form reading. For a quick comparison, treat EH Normal as a separate option and evaluate it on the same sample text. For authoritative details and licensing, consult Elias Hanzer and, where relevant, the typeface publisher's own specimen pages.
How can I license or buy a typeface from Elias Hanzer's studio?
The site gives no self-service licensing or checkout path. It lists the studio's projects and typefaces—studio hanli, HAL Typefaces, Phase, ABC Arizona with Dinamo Typefaces, The Arizona Type Specimen Edition, Typeface EH Normal—alongside Instagram and an email link, with no visible pricing, license tiers or store. The practical route is to contact the studio directly by email, naming the typeface, the intended use (print, web, app, logo, broadcast) and the scale, then ask for a quote and the applicable license terms.
What to prepare before emailing
- Exact typeface and style: name the family and weights or cuts you need, using the names shown on Elias Hanzer.
- Use case and scale: number of websites and monthly pageviews, seats, app installs, print run, or campaign reach.
- Term and territory: perpetual or fixed period, worldwide or specific markets.
- Deliverables: desktop, web (WOFF2), app embedding, and whether modifications or custom cuts are possible.
- Trial need: ask for a specimen or test font before committing.
Where to look next
Some listed faces are co-published or distributed through foundries, so licensing may run through a partner rather than the studio. Check the official pages of the relevant foundries—for example Dinamo Typefaces for ABC Arizona—to see whether retail licensing and pricing are already published there. If so, buying directly from the foundry is usually faster; if not, email the studio for a custom quote.
What is the Arizona Type Specimen Edition and who is it for?
The Arizona Type Specimen Edition is a printed type specimen for Arizona — a typeface by Elias Hanzer released through Dinamo Typefaces — presented on his own site alongside his studio work (hanli, HAL Typefaces, Phase) and other projects. It is a physical, printed piece built to show the typeface in use, not a font file or a software license.
Who it is for
- Graphic and type designers evaluating Arizona for a project: a specimen shows letterforms at real sizes, in text and display settings, which is more informative than a screen preview.
- Type enthusiasts and collectors who buy printed specimens as objects in their own right.
- Studios and design educators building a reference shelf of contemporary type design.
- Anyone commissioning Hanzer or Dinamo who wants to see how the face is positioned and demonstrated.
What to expect, and the trade-off
A specimen is a showcase, not a working tool. It helps you judge character, spacing and texture, but it does not grant usage rights — licensing Arizona is a separate step through its foundry. If you need the font for production, start with the foundry's licensing page; if you want the printed object and the presentation, the specimen is the thing. As a practical test: pick one paragraph of your own copy and one headline, and check whether the specimen shows Arizona in comparable settings before you commit to either the print piece or the license.
For context on the designer's other type work, see Elias Hanzer and, for the foundry that publishes Arizona, Dinamo Typefaces.
How do studios hanli, HAL Typefaces, and Phase relate to Elias Hanzer's work?
Elias Hanzer's page lists studio hanli, HAL Typefaces and Phase alongside his own name and other type projects, which suggests they are ventures, labels or collaborations connected to his type-design practice rather than unrelated links. The page itself only names them, so treat the exact relationship (his own studio, a shared label, a collective) as something to confirm on each project's own site.
A practical way to read the list
- As a designer or foundry client: start with the specific label that matches the style you need, then check who designed and released the typeface before licensing. The studio name and the typeface name are not always the same thing.
- As a type user: the surrounding names on the page (HAL Typefaces, Phase, ABC Arizona, Dinamo Typefaces) point to where release and specimen information lives, which matters more than the studio label for licensing questions.
- As a student or researcher: the grouping shows how one designer's output is split across studio work and typeface releases, a common structure in independent type practice.
For context on the wider type scene these names sit in, Dinamo Typefaces publishes its own specimens and licensing details, and Instagram is where many independent studios post work in progress.
Next step: open the page and follow each name to its own site, then compare the typefaces credited to Elias Hanzer with those released under HAL Typefaces or Phase to see which role he plays in each.
Where can I follow or contact Elias Hanzer about typeface collaborations?
For collaboration enquiries, use the contact route listed on Elias Hanzer's own site, Elias Hanzer. The site's navigation includes a mail link alongside his Instagram, so it is the most direct way to reach him about typeface work.
Practical next step
- Email first for collaboration proposals, licensing questions or project briefs. Put the typeface name (for example, one from the site's listed families) in the subject line and include your timeline, use case and whether you need a custom cut or an existing release.
- Use Instagram for a quicker, lighter touch, such as sharing a reference or asking whether he is taking on a particular kind of project. Move to email once terms, scope or files are involved.
What to include in a first message
- Who you are and the studio or client you represent.
- The typeface or project area you are interested in.
- Deliverables, schedule and how rights will be handled.
- Any technical constraints, such as language coverage or variable-font needs.
If you are approaching him as one of several designers, a short note on why his specific work fits the brief will get a more useful reply than a generic outreach template.
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