softlights.com

SOFTLIGHTS lists three film and TV productions that used its FLAME lighting tool: The Walking Dead: Daryl Dixon season 3 (2023, Netflix), Le Rouge et le Noir (2026, Siècle Production and France TV), and SULIS 1907 (2023, STORYLINE production). Each credit names the director of photography or gaffer involved, so you can verify the work and judge whether the tool fits productions at that level.

The productions SOFTLIGHTS credits

Two of the three credits are feature or limited-series drama for streaming and broadcast; one is a TV series adaptation. All three are European-produced projects, which is consistent with SOFTLIGHTS describing itself as working closely with creative crews from fluorescent through to LED.

What the credits tell you about FLAME

The site describes FLAME as usable both as a key-light and as a fill-light. That dual role is the useful detail here: a single unit credited across a zombie-apocalypse series, a period literary adaptation, and a historical drama suggests it is being chosen for flexibility rather than for one narrow look.

The credits also name the person responsible for the lighting on each production — a DOP on two, a gaffer on one. If you are evaluating the tool for your own work, those names are the practical starting point: you can look up their other credits and see whether their on-set style resembles what you are trying to achieve.

How to use this when deciding

• If you want proof of professional use: the three titles above are the documented examples. There is no larger published credit list on the site, so treat this as a sample rather than a complete filmography.
• If you want to see the tool in motion: the site embeds a Vimeo link tied to the SULIS 1907 credit, which is the only moving-image reference given.
• If you need pricing or availability: the site does not publish prices. It directs you to contact SOFTLIGHTS for details, with price on request. Any cost, rental, or purchase terms have to come from that conversation, not from the credits.

A practical next step

Match the credit closest to your own project type — episodic streaming drama, broadcast series, or independent historical feature — then ask SOFTLIGHTS directly about that use case. Because the site frames its work as custom lighting tools built around individual crew needs, the most useful question is not "what does FLAME cost" but "what did it do on the production most like mine."

SOFTLIGHTS does not publish prices on its website. The site states "contact us for details / price on request," so pricing and custom solutions are handled through direct contact rather than an online store or published rate card. To get a quote, use the "contact us" entry point on softlights.com and describe your production, the fixtures you need, and how they will be used. The site also has an "About Us" page that explains the company's background — useful context to reference in your first message.

What SOFTLIGHTS offers

SOFTLIGHTS describes itself as crafting custom lighting tools for cinematographers and gaffers, with a focus on special lighting for cinema and TV, wireless lighting, and custom solutions. Its work spans fluorescent to LED technology, and the company positions itself as working closely with creative crews on their needs.

The product named on the site is FLAME, used as both a key-light and fill-light. Because the company also advertises custom solutions, a request does not have to be limited to a catalog item — you can describe the lighting problem you are trying to solve.

How to reach them

1. Go to softlights.com.
2. Use the contact us entry point on the site (the page also links to an About Us section).
3. State that you are requesting details and pricing.
4. Include your project details so the reply can be specific.

The site does not list a phone number, email address, or contact form fields in the available material, so the exact contact method is whatever the "contact us" link on the live site provides. Check that page directly rather than assuming a channel.

What to include in your inquiry

Since pricing is on request, the quality of your first message determines how useful the reply is. Cover:

• Project type — feature film, TV series, commercial, or other production.
• Shooting schedule and location — relevant for availability and shipping.
• Fixture role — key-light, fill-light, or another position in the lighting plan.
• Wireless or custom requirements — state explicitly if you need wireless lighting or a modified/custom build.
• Quantity — how many units you are considering.
• Reference work — mention any SOFTLIGHTS credits you are matching, so the team understands the look you are after.

Using their on-set credits as a reference

The site lists FLAME used in productions including The Walking Dead: Daryl Dixon season 3 (2023, Netflix) with DOP Tommaso Fiorilli, Le Rouge et le Noir (TV series, 2026, Siècle Production and France TV) with gaffer Guillaume Ader, and SULIS 1907 (2023, STORYLINE production) with DOP Anders Bohman. A Vimeo link showing FLAME work with DOP Anders Bohman is also referenced on the site.

If your production resembles one of these — a period drama, a series with heavy location work, or a project needing a soft key — naming that credit in your inquiry gives the team a concrete starting point.

What is not available without contacting them

• Prices — no rates are published; all pricing is "on request."
• Full specifications — the site does not list technical parameters for FLAME in the available material.
• Custom solution scope and lead times — these depend on the brief and must be discussed directly.

Quick reference

SOFTLIGHTS FLAME is a lighting fixture from SOFTLIGHTS, a company that describes itself as crafting custom lighting tools for cinematographers and gaffers. According to the company's own site, FLAME is used as both a key-light and a fill-light, and it has appeared in productions including The Walking Dead: Daryl Dixon season 3 (2023, Netflix), Le Rouge et le Noir (TV series, 2026, Siècle Production and France TV), and SULIS 1907 (2023, STORYLINE production). If you need exact specifications or pricing, SOFTLIGHTS directs you to contact them directly — the site lists price on request.

What SOFTLIGHTS says about FLAME

The available product information is deliberately brief. From the SOFTLIGHTS homepage:

• Dual role: FLAME is positioned as usable for both key-light and fill-light duties.
• Production credits: The site names specific titles and crew, including DOP Tommaso Fiorilli on The Walking Dead: Daryl Dixon 3, gaffer Guillaume Ader on Le Rouge et le Noir, and DOP Anders Bohman on SULIS 1907.
• Company background: SOFTLIGHTS states it has worked "from fluorescent to LED" and stays close to creative people and their needs, with a focus on wireless lighting and custom solutions.

That is the extent of what the site publishes. There are no listed beam angles, power draw, color temperature ranges, or dimensions in the source material.

How a key-and-fill fixture is used on set

The key light is the primary light source shaping a subject — it establishes the direction, intensity, and quality of the main illumination. The fill light softens the shadows the key creates, reducing contrast. A single fixture marketed for both roles suggests a unit intended to be flexible enough to serve either position depending on how it is placed, diffused, or dimmed.

For example, a gaffer shooting an interior dialogue scene might place FLAME as the key through a diffusion frame to shape a face, then reposition or re-rig the same unit type as a broader, softer fill from the opposite side. Because SOFTLIGHTS also emphasizes wireless lighting and custom solutions, the practical appeal for crews is likely in adapting the fixture to a specific set rather than buying a fixed, catalog-standard unit.

What the production credits tell you

The three named productions span different formats and years:

These credits are useful as a signal that the fixture has been used in professional episodic and film work, but they do not tell you how it performed, what conditions it was used in, or how it compares to alternatives. The site also links to a Vimeo clip featuring FLAME in SULIS 1907.

How to get actual specifications or pricing

SOFTLIGHTS does not publish a spec sheet or price list on the page reviewed here. The site's stated path is:

1. Go to softlights.com.
2. Use the "contact us for details / price on request" route.
3. Ask directly about FLAME's technical specifications, availability, and pricing for your production.

If you are evaluating FLAME for a shoot, prepare specific questions before contacting them — power requirements, mounting, control protocol, color accuracy, and lead time are the details you will need and that the public site does not provide.

What is not established here

• No pricing is published; "price on request" is the only signal.
• No technical specifications (output, color temperature, dimensions, weight) appear in the source material.
• No independent reviews or third-party test data are included.
• The production credits are self-reported by SOFTLIGHTS.

Treat the site as a starting point for a direct inquiry rather than a complete product reference.

SOFTLIGHTS is a maker of custom lighting tools for cinematographers and gaffers working in cinema and TV. Its site describes the company as building "special lighting for cinema and TV, wireless lighting and custom solutions," and notes a history that runs "from fluorescent to LED." If you are a director of photography, gaffer, or production looking for a specialized fixture rather than a mass-market light, SOFTLIGHTS is positioned as a custom-solutions supplier. Pricing is not published: the site says "contact us for details / price on request," so any budget figure has to come from a direct inquiry.

What SOFTLIGHTS makes

The company's stated focus is custom lighting tools, not a broad catalog of standard units. Two product directions appear on the site:

• Wireless lighting — fixtures and solutions built around wireless operation.
• Custom solutions — lighting tools tailored to a production's needs, which is consistent with a company that describes itself as "crafting custom lighting tools."

The site frames this work as long-running: "From fluorescent to LED, we have always been close to creative people and their needs." That suggests the company has moved with the industry's shift from fluorescent sources to LED while keeping a custom, collaboration-driven approach.

FLAME: the named product

FLAME is the product SOFTLIGHTS highlights, and the site describes it as usable as both a key-light and fill-light. That dual role matters on set: a fixture that can serve as key and then be dialed down or repositioned as fill reduces the number of units a gaffer needs to carry and rig.

Where FLAME has been used

The site lists specific productions and crew as evidence of real-world use:

A Vimeo link is also provided showing FLAME in use, credited to DOP Anders Bohman. For a gaffer evaluating the fixture, these credits are the main available signal about how FLAME behaves in narrative and TV production conditions.

How to get details and pricing

The site does not publish specifications, price lists, or a product configurator. Its call to action is "contact us for details / price on request," which means:

1. Identify the production or project you are lighting.
2. Reach out through the site's contact route.
3. Ask for details and a price quote for the specific configuration you need.

Because SOFTLIGHTS works on custom solutions, expect the conversation to cover your intended use — key, fill, or both — rather than a fixed off-the-shelf order.

Who this is for

SOFTLIGHTS fits you if you are a cinematographer or gaffer who needs a specialized or custom lighting tool and is willing to inquire directly rather than buy from a published catalog. It is a weaker fit if you need immediate online ordering, published specs, or transparent list pricing — none of those are offered on the site as described.

Yes. SOFTLIGHTS describes itself as crafting custom lighting tools for cinematographers and gaffers, with special lighting for cinema and TV, wireless lighting, and custom solutions. The company positions its work around creative crews rather than fixed retail products, so the practical answer is: it offers both wireless lighting and custom solutions, but the exact configuration, compatibility, and price for a given project are confirmed directly with SOFTLIGHTS.

What SOFTLIGHTS offers

Based on the site's own description, SOFTLIGHTS covers:

• Special lighting for cinema and TV — the core focus of the company.
• Wireless lighting — listed as part of the offering.
• Custom solutions — lighting tools built or adapted around a production's needs.
• A product line that includes FLAME — described as usable as a key-light and fill-light.

The site also frames its history as moving "from fluorescent to LED," while staying close to creative people and their needs. That matters if you are comparing it to a standard rental catalog: the emphasis is on tools shaped around how a gaffer or DOP actually works, not on a single fixed fixture.

Who it is built for

SOFTLIGHTS names two roles directly: cinematographers (DOPs) and gaffers. That tells you the intended user is someone making lighting decisions on set, not a general consumer. If you are a producer, rental house, or gaffer sourcing a fixture for a specific look or rigging constraint, this is the right kind of vendor to approach.

Evidence from productions

The site lists FLAME used in real film and TV work, which is useful as a signal of the kind of projects the tools are built for:

FLAME is described as serving as both key-light and fill-light, and the SULIS 1907 entry links to a Vimeo reference. These credits are the site's own claims, so treat them as a starting point for a conversation rather than an independent spec sheet.

What you cannot confirm from the site alone

The site does not publish pricing, technical specifications, wireless protocol details, power draw, or a product catalog with dimensions. The only pricing signal is the line "contact us for details / price on request." That means:

• You cannot assume a fixture is free, rental-only, or available off the shelf.
• You cannot confirm which wireless system or control protocol is used.
• You cannot confirm lead times, shipping regions, or support terms.

How to get a usable answer

1. Identify your need — a specific fixture type, a wireless control requirement, or a custom build for a set.
2. Contact SOFTLIGHTS directly through the site's contact option, referencing the production context (film, TV, episodic, commercial).
3. Ask for specifics — price on request, availability, wireless compatibility, and whether the solution is a standard product or a custom build.
4. Verify against your own workflow — confirm the fixture fits your rigging, power, and control setup before committing.

If your project needs a standard, catalogued fixture with published specs, SOFTLIGHTS may not be the fastest path. If your project needs a lighting tool adapted to a particular look or set condition, and you are willing to confirm details directly, the site's stated focus on custom and wireless solutions for cinema and TV is a reasonable match.