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Welcome to Connecticut Repertory Theatre Connecticut Repertory Theatre is the producing arm of the University of Connecticut’s Department of Dramatic Arts. ...

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What is Connecticut Repertory Theatre?

Connecticut Repertory Theatre (CRT) is the producing arm of the University of Connecticut's Department of Dramatic Arts, based at UConn's School of Fine Arts. It operates under a year-round contract with the Actors' Equity Association and describes itself as a cultural center for Connecticut and New England. Its productions are directed, designed and cast with a mix of visiting professional artists (including Equity actors), faculty and student artists—CRT frames this professional–student collaboration as its distinctive learning environment.

What a season looks like

The current listing shows a four-show slate across three venues, which illustrates the range of work:

  • Twelfth Night (Shakespeare), October 15–25, 2026, Nafe Katter Theatre
  • Little Women by Lauren Gunderson, December 3–11, 2026, Nafe Katter Theatre
  • Giants Have Us in Their Books by José Rivera, March 4–13, 2027, Studio Theatre
  • Urinetown, the Musical, April 15–25, 2027, Harriet S. Jorgensen Theatre

Who it suits

  • Local theatergoers who want a repertory season mixing classical text, contemporary adaptation, experimental work and musical theater within a short drive.
  • Families and students looking for accessible programming tied to a university arts department.
  • Prospective students and emerging artists interested in seeing how a professional contract company trains and casts students alongside Equity performers.

Practical next step

CRT offers Flex Passes marketed for discounts and scheduling flexibility, plus an email list for announcements. If you're planning around a specific title, note that the smaller Studio Theatre slot (Rivera's Giants) will differ in scale and staging from the proscenium houses—worth checking before choosing seats. Contact the box office at 860-486-2113 or [email protected], or see Connecticut Repertory Theatre for ticket details. For comparison with other regional companies, Hartford Stage and Long Wharf Theatre are established Connecticut alternatives.

How do Flex Passes work and what discounts do they offer?

Flex Passes are the Connecticut Repertory Theatre's bundled ticket option, presented on the theatre's site as a way to get both discounts and flexibility across a season. The page lists a dedicated "About & Purchase Flex Passes" path alongside the individual show listings, so the pass is handled separately from single-ticket buying.

What the page establishes

  • Flex Passes are positioned as offering "discounts and flexibility," but the page does not state the number of tickets included, the discount percentage, blackout rules, or whether seats can be split across different productions.
  • The season spans four productions in three venues: Twelfth Night (October 15–25, 2026, Nafe Katter Theatre), Little Women (December 3–11, 2026, Nafe Katter Theatre), Giants Have Us in Their Books (March 4–13, 2027, Studio Theatre), and Urinetown, the Musical (April 15–25, 2027, Harriet S. Jorgensen Theatre).
  • Each show has its own "About & Tickets" link, and the box office is reachable at 860-486-2113 or [email protected].

How to decide whether a Flex Pass fits

A pass tends to suit someone who expects to attend more than one production and wants to choose dates later, rather than a single-show visitor or a group buying together on one night. Because the page does not spell out the terms, the practical next step is to open the Flex Pass purchase page or call the box office and ask three things: how many admissions the pass covers, whether they can be spread across different shows and venues, and how far ahead seats must be reserved for a given performance.

As a comparison point, other regional theatres publish similar bundled passes; the Goodspeed Musicals and Long Wharf Theatre sites are useful for seeing how pass terms are typically described, though their rules will differ from CRT's.

A concrete scenario

A reader planning to see Twelfth Night in October and Urinetown in April, with a possible third show in between, is the natural Flex Pass candidate: the pass rewards that intent if it allows unused admissions to roll to another production. A reader who only wants opening-night seats for one show should compare the single-ticket price first, since a pass only saves money when most of its admissions get used.

How can I buy tickets for a specific show like Twelfth Night or Urinetown?

Buy tickets through the show's own page: the site lists each production with an "About [show] & Tickets" link. For Twelfth Night (October 15–25, 2026, Nafe Katter Theatre) and Urinetown, the Musical (April 15–25, 2027, Harriet S. Jorgensen Theatre), open that production's page and follow its ticket link. For help or questions, the CRT Box Office is listed at 860-486-2113 and [email protected]. If you plan to see more than one show, look at the Flex Passes option, which the site describes as offering discounts and flexibility; check its terms before buying.

A practical next step

Decide first whether you want a single-show ticket or a multi-show pass. Single tickets suit a visitor targeting one title, while a Flex Pass makes more sense if two or more productions interest you. Then confirm the date and venue on the specific show page, since the four productions run in three different theatres.

Example

A couple visiting from out of town wants Twelfth Night on a Saturday. They open the Twelfth Night page, choose a Saturday performance within October 15–25, 2026, and buy there; if they also want Little Women in December, they compare the combined cost against a Flex Pass before committing.

For context on the works themselves, see Shakespeare Birthplace Trust for Twelfth Night and Music Theatre International for Urinetown licensing and show details.

What is the difference between the Nafe Katter, Studio, and Harriet S. Jorgensen theatres?

The page itself doesn't describe differences between the three venues beyond naming them—it only shows which productions use which space. Based on the season listing, the practical distinction is scale and programming type: the Nafe Katter Theatre hosts the two larger literary/classical titles (Twelfth Night and Little Women), the Studio Theatre hosts the smaller-cast Giants Have Us in Their Books, and the Harriet S. Jorgensen Theatre hosts the musical Urinetown. That pattern suggests the Studio is the most intimate space, Jorgensen is built for musicals, and Nafe Katter is the mainstage for plays—but treat that as inference from the schedule, not a stated venue description.

How to use this if you're choosing a show

  • If you want a big, familiar night out: the Nafe Katter productions or the Jorgensen musical are the safer picks.
  • If you prefer close-up, unconventional work: the Studio Theatre slot is where a smaller ensemble piece lands.
  • If accessibility matters: call the box office at 860-486-2113 or email [email protected] to ask about seating layout and access in each venue before booking.

For context on the producing model—professional Equity actors working alongside students—see Connecticut Repertory Theatre.

How does CRT combine professional Equity actors with UConn student artists?

CRT combines the two by casting, directing and designing each production with visiting professional artists—including Actors' Equity Association members—alongside UConn faculty and students in the Department of Dramatic Arts. The theatre describes this professional–student "synergy" as the core of its learning model: students work on staged productions with Equity professionals rather than only in classroom settings, while the public gets fully produced shows. It operates under a year-round Equity contract, which is what makes professional casting possible across its season.

What this looks like in practice

  • On stage: Equity actors perform with student actors. A season such as Twelfth Night, Little Women, Giants Have Us in Their Books and Urinetown, the Musical shows the range this pairing is applied to—classical text, literary adaptation, contemporary drama and musical theatre.
  • Behind the scenes: Professional directors and designers lead productions, with students contributing as cast and production artists.
  • Venues: Shows rotate across the Nafe Katter Theatre, Studio Theatre and Harriet S. Jorgensen Theatre, so scale and format vary by production.

Who benefits, and the trade-off

For a prospective student or family evaluating the program, the practical question is how much sustained stage time students get when Equity roles are in the mix—worth asking the department directly. For audiences, the appeal is professional-standard work at a university venue; the trade-off is a season built around an academic calendar, with runs of roughly one to two weeks.

A useful next step: check the individual production pages for each title's dates and tickets, or contact the box office at 860-486-2113 / [email protected]. For context on the professional pipeline, see Actors' Equity Association.

What is the contact information and box office procedure for reaching CRT?

Contact the CRT Box Office at 860-486-2113 or [email protected]. The website lists these as the box office phone and email; it does not describe a step-by-step ordering process. For tickets, the practical route is to call or email the box office directly, or use the "About & Purchase" links listed for each production on Connecticut Repertory Theatre.

What the site makes clear

  • Phone: 860-486-2113
  • Email: [email protected]
  • Flex Passes: Offered as a discount-and-flexibility option, with a separate "About & Purchase Flex Passes" link.
  • Productions and venues: Each show has its own "About … & Tickets" link, so confirm the venue when booking. The listed 2026–27 season spans the Nafe Katter Theatre, Studio Theatre, and Harriet S. Jorgensen Theatre.

A practical next step

If you are choosing between a single show and several, compare the Flex Pass against individual tickets for the productions you actually want to see. For a group, call rather than email so seating can be discussed in real time. If you are traveling to Storrs, confirm the venue and date by phone before finalizing plans, since the site lists multiple theaters.

For broader context on the university's arts programming, see University of Connecticut.

Related questions

More questions →
Connecticut Repertory Theatre's 2026–2027 Season: Shows, Dates, and Venues

Connecticut Repertory Theatre (CRT), the producing arm of the University of Connecticut's Department of Dramatic Arts, has announced four productions for its 2026–2027 season. The lineup runs from October 2026 through April 2027 and moves across three venues on the UConn campus: the Nafe Katter Theatre, the Studio Theatre, and the Harriet S. Jorgensen Theatre. Each show has a dedicated "About & Tickets" page linked from the CRT homepage, and the box office can be reached at 860-486-2113 or [email protected].

The 2026–2027 Season at a Glance

Production Dates Venue
Twelfth Night by William Shakespeare October 15–25, 2026 Nafe Katter Theatre
Louisa May Alcott's Little Women by Lauren Gunderson December 3–11, 2026 Nafe Katter Theatre
Giants Have Us in Their Books by José Rivera March 4–13, 2027 Studio Theatre
Urinetown, the Musical (music & lyrics by Mark Hollmann, book & lyrics by Greg Kotis) April 15–25, 2027 Harriet S. Jorgensen Theatre

What Each Production Offers

Twelfth Night — October 2026

Shakespeare's comedy opens the season at the Nafe Katter Theatre. It is the only Shakespeare title on the slate and the first chance to see CRT's professional and student artists together this year.

Little Women — December 2026

Lauren Gunderson's adaptation of Louisa May Alcott's novel returns to the Nafe Katter Theatre for a December run. Licensing information points to Concord Theatricals, the play's publisher.

Giants Have Us in Their Books — March 2027

José Rivera's collection of short plays is staged in the Studio Theatre, the season's most intimate venue. Its mid-March dates make it the spring semester's first offering.

Urinetown, the Musical — April 2027

The season closes with the satirical musical at the Harriet S. Jorgensen Theatre, the largest of the three spaces. The production is presented through special arrangement with Music Theatre International (MTI), which supplies all authorized performance materials.

How to Plan Around the Season

  • Check dates before booking travel. Each run is roughly one to two weeks long, so the window for any single show is narrow. Confirm the exact performance schedule on the individual show page rather than relying on the season overview.
  • Note the venue for each title. The season uses three different theatres, so seating and accessibility details will vary by production.
  • Use the Flex Pass for flexibility. CRT advertises Flex Passes as a way to get discounts and flexibility across the season; details and purchase are handled through a dedicated Flex Pass page.
  • Stay informed by email. CRT invites audiences to join its e-mailing list for updates, which is useful if performance times or casting details change closer to opening.

Who CRT Is

CRT produces under a year-round contract with the Actors' Equity Association and serves as a cultural center for Connecticut and New England. Productions are directed and designed by, and cast with, visiting professional artists—including Equity actors, faculty, and the department's student artists. The organization describes its model as one where the synergy between professionals and students creates a distinctive learning environment for developing theater. That context helps explain the season's mix of classical work, literary adaptation, contemporary short-form drama, and musical theater.

For tickets to any title, start at the show's "About & Tickets" link on the CRT homepage, or contact the box office directly at 860-486-2113 or [email protected].

What Are Connecticut Repertory Theatre Flex Passes and How Do I Purchase Them?

Connecticut Repertory Theatre (CRT) promotes Flex Passes as a way to get both discounts and flexibility when attending multiple productions in its season. The site presents them as a purchase option alongside single-show tickets, with a dedicated "About & Purchase Flex Passes" path on the CRT website and a box office (860-486-2113, [email protected]) for questions. The published pages do not list Flex Pass prices, the number of tickets included, or any seating restrictions, so confirm those details with the box office before buying.

What a Flex Pass Is For

CRT is the producing arm of the University of Connecticut's Department of Dramatic Arts, performing under a year-round Actors' Equity Association contract. Its season mixes professional and student artists, and the 2026–2027 lineup spans four shows in three venues:

Show Dates Venue
Twelfth Night (Shakespeare) October 15–25, 2026 Nafe Katter Theatre
Louisa May Alcott's Little Women (Lauren Gunderson) December 3–11, 2026 Nafe Katter Theatre
Giants Have Us in Their Books (José Rivera) March 4–13, 2027 Studio Theatre
Urinetown, the Musical April 15–25, 2027 Harriet S. Jorgensen Theatre

A Flex Pass suits someone who expects to see more than one of these productions and wants to choose dates later rather than commit to a single performance at checkout. Because the site markets the pass for "discounts and flexibility," the practical comparison is: price per show under the pass versus buying single tickets to the same number of shows.

How to Purchase

  1. Go to the CRT website (connecticutrep.uconn.edu) and find the Flex Pass section on the home page — it appears as "Flex Passes" and "About & Purchase Flex Passes."
  2. Follow that link to the Flex Pass page, where the purchase flow begins.
  3. If the page does not show pricing, ticket counts, or eligible performances, contact the box office at 860-486-2113 or [email protected] before paying.
  4. For individual shows, each production has its own "About [Show] & Tickets" link on the home page; use those if you decide against a pass.

You can also join CRT's e-mailing list from the home page to receive season and ticket announcements.

What to Confirm Before You Buy

  • Price and savings: the site does not publish Flex Pass pricing, so ask what the pass costs and how it compares with single tickets.
  • Number of admissions: confirm how many tickets the pass covers and whether all four shows are eligible.
  • Booking mechanics: ask whether you reserve seats in advance or at the door, and whether popular performances can sell out before pass holders book.
  • Venue differences: the season runs in the Nafe Katter, Studio, and Jorgensen theatres; check whether pass seating is general admission or assigned.
  • Refunds and exchanges: the published pages say nothing about changing dates or returning unused admissions.

A Simple Decision Rule

Buy a Flex Pass if you plan to attend at least two CRT productions in 2026–2027 and want date flexibility — but only after the box office confirms the price, the number of tickets, and how reservations work. If you only want one show, or you need a specific seat on a specific night, buy a single-show ticket through that production's ticket link instead.

What is Connecticut Repertory Theatre?

Connecticut Repertory Theatre (CRT) is the producing arm of the University of Connecticut's Department of Dramatic Arts. It produces under a year-round contract with the Actors' Equity Association and serves as a cultural center for Connecticut and the New England region. Its defining feature is a working model that mixes visiting professional artists—including Equity actors—with faculty members and the department's student artists.

Who runs it and how it is staffed

CRT's productions are directed and designed by, and cast with, a combination of:

  • Visiting professional artists, including Actors' Equity actors
  • Faculty members from the Department of Dramatic Arts
  • Student artists in the department

The organization states that it operates on the belief that "the synergy between professional and student artists creates a unique learning environment for the development of extraordinary theater." In practice, this means a CRT production is neither a purely academic exercise nor a standalone professional company—it is a shared stage where students work alongside contracted professionals.

What a season looks like

CRT's published 2026–27 season shows the range of work and the venues involved:

Production Dates Venue
Twelfth Night by William Shakespeare October 15–25, 2026 Nafe Katter Theatre
Louisa May Alcott's Little Women by Lauren Gunderson December 3–11, 2026 Nafe Katter Theatre
Giants Have Us in Their Books by José Rivera March 4–13, 2027 Studio Theatre
Urinetown, the Musical (music & lyrics by Mark Hollmann; book & lyrics by Greg Kotis) April 15–25, 2027 Harriet S. Jorgensen Theatre

The season spans a Shakespeare comedy, a literary adaptation, a contemporary play, and a musical—performed across three different spaces on campus. Urinetown is presented through special arrangement with Music Theatre International (MTI), with authorized performance materials supplied by MTI.

How to attend or stay informed

  • Tickets and Flex Passes: CRT offers Flex Passes advertised as providing discounts and flexibility; the site links to details and purchase for each production and for Flex Passes.
  • Box office: 860-486-2113 | [email protected]
  • Mailing list: The site invites visitors to join its email list for updates.
  • Social channels: Instagram, Facebook, and YouTube.

If you are deciding whether to go, the practical starting points are the specific production page (for dates, venue, and ticket links) and the Flex Pass page if you plan to attend more than one show. The site does not publish prices in the material available here, so confirm cost and availability through the box office or the linked purchase pages.

Why it matters beyond the stage

CRT describes itself as a cultural center for Connecticut and New England, not just a campus activity. That role comes from combining a year-round Equity contract—unusual for a university-affiliated theater—with public-facing programming across multiple venues. For students, it is a credit-bearing-adjacent training environment with professional peers; for audiences, it is a regional theater with a repertory-style season.

The organization also publishes a land acknowledgement recognizing the territory of the Mohegan, Mashantucket Pequot, Eastern Pequot, Schaghticoke, Golden Hill Paugussett, Nipmuc, and Lenape Peoples.

How Connecticut Repertory Theatre Pairs Students with Professional Actors

Connecticut Repertory Theatre (CRT) mixes students and professionals in the same productions by design: it operates under a year-round contract with the Actors' Equity Association, and its shows are directed, designed, and cast with visiting professional artists — including Equity actors — alongside UConn faculty and student artists. CRT describes this combination as the core of its model, stating that the synergy between professional and student artists creates a unique learning environment for developing extraordinary theater. If you want to see the result on stage, the practical takeaway is that a single CRT production may put a working Equity actor, a faculty member, and a student in the same cast or creative team.

What CRT is

CRT is the producing arm of the University of Connecticut's Department of Dramatic Arts. It also serves as a cultural center for Connecticut and the New England region. Its work is not a student club production and not a touring professional company — it is a producing organization that deliberately blends both worlds.

How the professional–student mix works

The page evidence supports three concrete mechanisms:

  • Union contract: CRT produces under a year-round contract with the Actors' Equity Association, the union for professional stage actors. That contract is what allows Equity actors to appear in CRT productions.
  • Professional involvement across roles: Productions are directed, designed by, and cast with visiting professional artists. The professional contribution is not limited to acting — it extends to direction and design.
  • Shared company: Equity actors work alongside faculty members and the department's student artists, so students are in the same production process as working professionals.

A concrete example

Take a single title from the announced season, such as Twelfth Night (October 15–25, 2026, Nafe Katter Theatre). Under CRT's model, the production you see could be directed or designed by a visiting professional, with Equity actors and faculty sharing the stage with students from the Department of Dramatic Arts. The page does not list individual casting for each show, so specific role assignments should be confirmed through CRT's show pages or box office rather than assumed.

Why CRT says this matters

CRT states its operating belief directly: the synergy between professional and student artists creates a unique learning environment for the development of extraordinary theater. In practice, that means students train inside a professional production structure — union rules, professional directors and designers, and a public performance run — rather than only in classroom settings.

What this means if you're deciding to attend

  • You are seeing professional-standard work: Equity actors and visiting professional directors and designers are part of the productions.
  • You are also supporting training: Student artists are integrated into the same shows, which is the educational purpose CRT describes.
  • Casting varies by show: The site does not publish per-role casting on the home page, so check individual show pages ("About & Tickets" links) or contact the box office for specifics.

Season context

The announced productions, each with its own "About & Tickets" page, are:

Show Dates Venue
Twelfth Night October 15–25, 2026 Nafe Katter Theatre
Louisa May Alcott's Little Women December 3–11, 2026 Nafe Katter Theatre
Giants Have Us in Their Books March 4–13, 2027 Studio Theatre
Urinetown, the Musical April 15–25, 2027 Harriet S. Jorgensen Theatre

Where to go next

For tickets, Flex Passes (which CRT advertises as offering discounts and flexibility), or questions about a specific production's cast and creative team, contact the CRT Box Office at 860-486-2113 or [email protected]. You can also join CRT's email list for updates.

How to Get Tickets or Contact the Connecticut Repertory Theatre Box Office

To reach Connecticut Repertory Theatre (CRT), call the box office at 860-486-2113 or email [email protected]. To get tickets for a specific show, open that production's "About & Tickets" link on the CRT website. CRT also offers Flex Passes for discounts and flexibility, with a separate "About & Purchase Flex Passes" link on the home page.

Contacting the Box Office

CRT lists one box office contact channel set on its site:

Method Detail
Phone 860-486-2113
Email [email protected]

The site does not publish box office hours, an in-person window schedule, or a separate ticketing phone line, so use the phone or email above and confirm details directly with the box office.

Getting Tickets for a Specific Show

Each production on the CRT home page has its own "About & Tickets" link. That is the entry point for show information and ticket purchase for that title.

  1. Go to the CRT website (connecticutrep.uconn.edu).
  2. Find the show you want in the season list.
  3. Select its "About & Tickets" link.
  4. Follow the ticket options on that production page.

The site does not state which ticketing platform processes orders, whether online purchase is required, or what fees apply. Treat the production page as the starting point and confirm availability and pricing there or with the box office.

2026–2027 Season at a Glance

Use this to identify the right production page before buying:

Show Dates Venue
Twelfth Night by William Shakespeare October 15–25, 2026 Nafe Katter Theatre
Louisa May Alcott's Little Women by Lauren Gunderson December 3–11, 2026 Nafe Katter Theatre
Giants Have Us in Their Books by José Rivera March 4–13, 2027 Studio Theatre
Urinetown, the Musical (music & lyrics by Mark Hollmann; book & lyrics by Greg Kotis) April 15–25, 2027 Harriet S. Jorgensen Theatre

Urinetown is presented through special arrangement with Music Theatre International (MTI), which also supplies all authorized performance materials.

Flex Passes

CRT describes Flex Passes as offering "discounts and flexibility." The home page links to an "About & Purchase Flex Passes" page for details and purchase. The site does not publish Flex Pass pricing, the number of tickets included, eligible performances, or expiration rules, so check the Flex Pass page or ask the box office before buying if those terms matter to you.

Staying Updated

CRT invites visitors to join its email list to "stay in the know" about productions and announcements. The signup is on the home page. This is useful if you want season or on-sale notices rather than checking the site repeatedly.

What CRT Is

Connecticut Repertory Theatre is the producing arm of the University of Connecticut's Department of Dramatic Arts. It produces under a year-round contract with the Actors' Equity Association and serves as a cultural center for Connecticut and the New England region. Productions are directed and designed by, and cast with, visiting professional artists—including Equity actors, faculty, and student artists—on the belief that collaboration between professionals and students creates a distinctive learning environment.

Website Overview

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DNS and Email

The lowest TTL is 60 seconds, supporting rapid record changes at the cost of more frequent lookups. Nameservers are provided by uconn.edu, indicating managed DNS hosting. MX records point to the Microsoft 365 email service. SPF and DMARC are configured. DKIM status is unknown. TXT records include verification markers for Google, Atlassian, Microsoft. Such markers may also remain after a service stops being used.

TLS and Certificates

The certificate includes the organization field University of Connecticut. The certificate uses an RSA 2048-bit public key, offering broad client compatibility. The server supplied a complete certificate chain. The certificate is valid for about 198 days in total, with 94 days remaining. The certificate covers the main domain and its usual www hostname.

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Technology Stack Analysis

The public page identifies WordPress 7.1.3, React, jQuery, Bootstrap, nginx 1.20.1, PHP, with exact versions exposed for 2 technologies. These details can narrow vulnerability checks, although exposure alone is not a vulnerability.

Search and Social Sharing

The title has 86 characters and may be truncated in search results. The Generator tag identifies WordPress 7.1.3, making the publishing system easier to fingerprint. JSON-LD includes Organization data, helping describe the organization as an entity. A meta description is present, with 160 characters. A viewport declaration is present, providing a basis for mobile layout.

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DNS records

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TLS and certificates

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HTTP response headers

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Pages, Search and Sharing

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