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What is Connecticut Repertory Theatre?
Connecticut Repertory Theatre (CRT) is the producing arm of the University of Connecticut's Department of Dramatic Arts, based at UConn's School of Fine Arts. It operates under a year-round contract with the Actors' Equity Association and describes itself as a cultural center for Connecticut and New England. Its productions are directed, designed and cast with a mix of visiting professional artists (including Equity actors), faculty and student artists—CRT frames this professional–student collaboration as its distinctive learning environment.
What a season looks like
The current listing shows a four-show slate across three venues, which illustrates the range of work:
- Twelfth Night (Shakespeare), October 15–25, 2026, Nafe Katter Theatre
- Little Women by Lauren Gunderson, December 3–11, 2026, Nafe Katter Theatre
- Giants Have Us in Their Books by José Rivera, March 4–13, 2027, Studio Theatre
- Urinetown, the Musical, April 15–25, 2027, Harriet S. Jorgensen Theatre
Who it suits
- Local theatergoers who want a repertory season mixing classical text, contemporary adaptation, experimental work and musical theater within a short drive.
- Families and students looking for accessible programming tied to a university arts department.
- Prospective students and emerging artists interested in seeing how a professional contract company trains and casts students alongside Equity performers.
Practical next step
CRT offers Flex Passes marketed for discounts and scheduling flexibility, plus an email list for announcements. If you're planning around a specific title, note that the smaller Studio Theatre slot (Rivera's Giants) will differ in scale and staging from the proscenium houses—worth checking before choosing seats. Contact the box office at 860-486-2113 or [email protected], or see Connecticut Repertory Theatre for ticket details. For comparison with other regional companies, Hartford Stage and Long Wharf Theatre are established Connecticut alternatives.
How do Flex Passes work and what discounts do they offer?
Flex Passes are the Connecticut Repertory Theatre's bundled ticket option, presented on the theatre's site as a way to get both discounts and flexibility across a season. The page lists a dedicated "About & Purchase Flex Passes" path alongside the individual show listings, so the pass is handled separately from single-ticket buying.
What the page establishes
- Flex Passes are positioned as offering "discounts and flexibility," but the page does not state the number of tickets included, the discount percentage, blackout rules, or whether seats can be split across different productions.
- The season spans four productions in three venues: Twelfth Night (October 15–25, 2026, Nafe Katter Theatre), Little Women (December 3–11, 2026, Nafe Katter Theatre), Giants Have Us in Their Books (March 4–13, 2027, Studio Theatre), and Urinetown, the Musical (April 15–25, 2027, Harriet S. Jorgensen Theatre).
- Each show has its own "About & Tickets" link, and the box office is reachable at 860-486-2113 or [email protected].
How to decide whether a Flex Pass fits
A pass tends to suit someone who expects to attend more than one production and wants to choose dates later, rather than a single-show visitor or a group buying together on one night. Because the page does not spell out the terms, the practical next step is to open the Flex Pass purchase page or call the box office and ask three things: how many admissions the pass covers, whether they can be spread across different shows and venues, and how far ahead seats must be reserved for a given performance.
As a comparison point, other regional theatres publish similar bundled passes; the Goodspeed Musicals and Long Wharf Theatre sites are useful for seeing how pass terms are typically described, though their rules will differ from CRT's.
A concrete scenario
A reader planning to see Twelfth Night in October and Urinetown in April, with a possible third show in between, is the natural Flex Pass candidate: the pass rewards that intent if it allows unused admissions to roll to another production. A reader who only wants opening-night seats for one show should compare the single-ticket price first, since a pass only saves money when most of its admissions get used.
How can I buy tickets for a specific show like Twelfth Night or Urinetown?
Buy tickets through the show's own page: the site lists each production with an "About [show] & Tickets" link. For Twelfth Night (October 15–25, 2026, Nafe Katter Theatre) and Urinetown, the Musical (April 15–25, 2027, Harriet S. Jorgensen Theatre), open that production's page and follow its ticket link. For help or questions, the CRT Box Office is listed at 860-486-2113 and [email protected]. If you plan to see more than one show, look at the Flex Passes option, which the site describes as offering discounts and flexibility; check its terms before buying.
A practical next step
Decide first whether you want a single-show ticket or a multi-show pass. Single tickets suit a visitor targeting one title, while a Flex Pass makes more sense if two or more productions interest you. Then confirm the date and venue on the specific show page, since the four productions run in three different theatres.
Example
A couple visiting from out of town wants Twelfth Night on a Saturday. They open the Twelfth Night page, choose a Saturday performance within October 15–25, 2026, and buy there; if they also want Little Women in December, they compare the combined cost against a Flex Pass before committing.
For context on the works themselves, see Shakespeare Birthplace Trust for Twelfth Night and Music Theatre International for Urinetown licensing and show details.
What is the difference between the Nafe Katter, Studio, and Harriet S. Jorgensen theatres?
The page itself doesn't describe differences between the three venues beyond naming them—it only shows which productions use which space. Based on the season listing, the practical distinction is scale and programming type: the Nafe Katter Theatre hosts the two larger literary/classical titles (Twelfth Night and Little Women), the Studio Theatre hosts the smaller-cast Giants Have Us in Their Books, and the Harriet S. Jorgensen Theatre hosts the musical Urinetown. That pattern suggests the Studio is the most intimate space, Jorgensen is built for musicals, and Nafe Katter is the mainstage for plays—but treat that as inference from the schedule, not a stated venue description.
How to use this if you're choosing a show
- If you want a big, familiar night out: the Nafe Katter productions or the Jorgensen musical are the safer picks.
- If you prefer close-up, unconventional work: the Studio Theatre slot is where a smaller ensemble piece lands.
- If accessibility matters: call the box office at 860-486-2113 or email [email protected] to ask about seating layout and access in each venue before booking.
For context on the producing model—professional Equity actors working alongside students—see Connecticut Repertory Theatre.
How does CRT combine professional Equity actors with UConn student artists?
CRT combines the two by casting, directing and designing each production with visiting professional artists—including Actors' Equity Association members—alongside UConn faculty and students in the Department of Dramatic Arts. The theatre describes this professional–student "synergy" as the core of its learning model: students work on staged productions with Equity professionals rather than only in classroom settings, while the public gets fully produced shows. It operates under a year-round Equity contract, which is what makes professional casting possible across its season.
What this looks like in practice
- On stage: Equity actors perform with student actors. A season such as Twelfth Night, Little Women, Giants Have Us in Their Books and Urinetown, the Musical shows the range this pairing is applied to—classical text, literary adaptation, contemporary drama and musical theatre.
- Behind the scenes: Professional directors and designers lead productions, with students contributing as cast and production artists.
- Venues: Shows rotate across the Nafe Katter Theatre, Studio Theatre and Harriet S. Jorgensen Theatre, so scale and format vary by production.
Who benefits, and the trade-off
For a prospective student or family evaluating the program, the practical question is how much sustained stage time students get when Equity roles are in the mix—worth asking the department directly. For audiences, the appeal is professional-standard work at a university venue; the trade-off is a season built around an academic calendar, with runs of roughly one to two weeks.
A useful next step: check the individual production pages for each title's dates and tickets, or contact the box office at 860-486-2113 / [email protected]. For context on the professional pipeline, see Actors' Equity Association.
What is the contact information and box office procedure for reaching CRT?
Contact the CRT Box Office at 860-486-2113 or [email protected]. The website lists these as the box office phone and email; it does not describe a step-by-step ordering process. For tickets, the practical route is to call or email the box office directly, or use the "About & Purchase" links listed for each production on Connecticut Repertory Theatre.
What the site makes clear
- Phone: 860-486-2113
- Email: [email protected]
- Flex Passes: Offered as a discount-and-flexibility option, with a separate "About & Purchase Flex Passes" link.
- Productions and venues: Each show has its own "About … & Tickets" link, so confirm the venue when booking. The listed 2026–27 season spans the Nafe Katter Theatre, Studio Theatre, and Harriet S. Jorgensen Theatre.
A practical next step
If you are choosing between a single show and several, compare the Flex Pass against individual tickets for the productions you actually want to see. For a group, call rather than email so seating can be discussed in real time. If you are traveling to Storrs, confirm the venue and date by phone before finalizing plans, since the site lists multiple theaters.
For broader context on the university's arts programming, see University of Connecticut.
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