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sharonkam.com

Read about Sharon Kam Clarinet, read and download my biography and photos, Listen to my classical music recordings, find out about upcoming concerts and follow me on social media.

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English
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2002
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Website review

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What is Sharon Kam?

Sharon Kam is a classical clarinetist who performs as a soloist, chamber musician and recording artist, and who also teaches. Her own site presents her as the hub for her concert dates, recordings, videos, biography and teaching activity, so it works best as a first stop for listeners and presenters rather than as a store or booking engine. See Sharon Kam.

What the site actually covers

  • Concerts and events: upcoming performances and other appearances, which is the most time-sensitive reason to visit.
  • Recordings and videos: her classical releases plus listening and viewing links, including a Weber, Kurpiński and Crusell concerto programme and a Copland clarinet concerto performance.
  • Teaching: masterclasses are added regularly, with details collected on a teaching page.
  • Biography and photos: downloadable press material, useful for promoters, journalists and festival programmers.
  • Social media: links for following news between site updates.

Who gets the most from it

A concertgoer can check whether she is playing nearby and sample recordings before buying a ticket. A presenter or journalist can pull the biography and photos for a programme note or preview. A clarinet student or young professional should look at the teaching page, since masterclasses are the clearest route to direct contact.

A practical next step

If you are deciding whether to attend, start with the concert listings, then listen to one concerto recording and one chamber recording. The contrast matters: her chamber work, such as the trio programme with violist Ori Kam and pianist Matan Porat, sounds quite different from her concerto playing with orchestra, and knowing which you prefer tells you which event to prioritise. If you are a clarinetist rather than a listener, go straight to the teaching page and note the application requirements for the next masterclass.

For broader context on her repertoire and reviews, general classical music resources such as Opus Klassik cover award results, but her own site remains the authoritative source for her schedule and press materials.

What recordings and albums has Sharon Kam released?

Sharon Kam's site highlights a mix of concerto and chamber recordings, with a few recent releases singled out on the homepage.

H3 Recordings mentioned on her site

  • Weber, Kurpiński, Crusell clarinet concertos – Weber's Concerto No. 2 op. 74 and Crusell's Concerto No. 1 op. 1, both published in 1811, presented together with the Vienna Radio Symphony Orchestra under Gregor Bühl.
  • Hindemith album – with Antje Weithaas, Julian Steckel, Enrico Pace and Daniel Cohen, featuring the Clarinet Concerto, the Clarinet Sonata and the Clarinet Quartet. This recording received an Opus Classic award.
  • "Contrasts" chamber music CD – with her brother, violist Ori Kam, and pianist Matan Porat. It was chosen for the Deutsche Schallplattenkritik best list in January 2020.
  • Copland: Concerto for Clarinet, Strings, Harp and Piano – a video excerpt is featured, noted as starting at 29 minutes.

H3 Who this is for These entries suit listeners who follow her concertos with orchestra, her chamber partnerships, or her teaching and masterclass activity. The site is best treated as a starting point for titles and context, not as a complete discography; the biography and recordings sections are the places to look for the fuller list.

H3 Practical next step If you want to explore her chamber playing first, start with the "Contrasts" album, since the site gives a clear sense of the trio and its recognition. For a more orchestral entry point, the Weber–Kurpiński–Crusell disc pairs two 1811 concertos, making it an easy way to compare two works written in the same year. For official reference points, you can also check Opus Classic for the Hindemith award listing.

How can I attend a Sharon Kam concert or masterclass?

You can attend a Sharon Kam concert by checking the upcoming-concerts section of her official site, and you can join a masterclass by watching her Teaching page, which she updates regularly as she expands her teaching activity. Both paths start at Sharon Kam.

H3 Practical steps

  • Concerts: Open the site and look for the concert/events listing. Her homepage explicitly invites visitors to find out about "future concerts and other events," so that is the authoritative starting point. Venues and ticket sellers vary by orchestra and festival, so confirm details with the presenting organization once you have the date.
  • Masterclasses: Go to the Teaching page. The site notes that "new masterclasses are regularly added," which means the page is a live list rather than a fixed annual schedule — worth revisiting every few months if you are planning around one.
  • Recordings and videos: If you cannot attend in person, the same site offers recordings and video excerpts, including performance footage.

H3 What to expect from each format

  • A concert is a passive, fixed-date event: you buy a ticket, travel to the hall, and hear her as soloist with an orchestra or in chamber repertoire. Her recent programs have ranged from Weber, Kurpiński and Crusell concertos with the Vienna Radio Symphony Orchestra to chamber works with her brother, violist Ori Kam, and pianist Matan Porat.
  • A masterclass is participatory and usually aimed at advanced clarinet students — you play for her and receive feedback, often in front of an audience. Places are typically limited and may require an application or audition, so treat the Teaching page as an announcement board, not a booking system.

H3 A concrete scenario Suppose you are a conservatory clarinetist in Europe. Check the Teaching page now for any announced masterclass, note the host institution, then contact that institution directly about eligibility, fee and deadline — those administrative details normally sit with the host, not the artist's site. In parallel, scan the concert list for a date within travel range, since attending a live performance is often the easier first step.

H3 Decision criterion If your goal is to learn from her playing, prioritize a masterclass where you can perform; if your goal is simply to hear the repertoire, pick a concert date that fits your schedule. For broader context on the clarinet world and other artists' dates, sites such as Opus Klassik document the awards her recordings have received, which can help you choose which program to seek out.

What is Sharon Kam's teaching style and what masterclasses does she offer?

Sharon Kam presents her teaching as an active, ongoing part of her career rather than a side activity. Her site says she is "looking forward to intensifying my teaching activities," and that new masterclasses are "regularly added" to the Teaching page. That wording points to a masterclass format—intensive, short-term sessions for advanced clarinetists—rather than a fixed weekly studio or a published method.

The site does not describe a step-by-step teaching method, so her style has to be inferred from her public profile: a soloist and recording artist who works with orchestras, chamber partners and living composers. In practice, that suggests coaching centered on repertoire, interpretation and performance preparation, with students expected to arrive already technically fluent. If you are looking for beginner instruction, a graded syllabus or a long-term conservatory program, this is probably not the right fit.

H3 What is actually confirmed

  • Masterclasses are listed and updated on the Teaching page of Sharon Kam.
  • The site frames teaching as an area she intends to expand, so the offer changes over time.
  • Specific dates, locations, eligibility and fees are not stated in the material available here; check the Teaching page directly before planning anything.

H3 Who gets the most from it An advanced student preparing a concerto or audition piece, or a young professional wanting outside ears on interpretation, is the natural audience. A useful next step: before applying, listen to her recordings of the repertoire you plan to play—for example the Weber, Kurpiński and Crusell concertos she has recorded with the Vienna Radio Symphony Orchestra—so you can judge whether her musical approach matches what you want to develop.

What awards and recognitions has Sharon Kam received for her music?

Sharon Kam's site highlights several awards and recognitions tied to specific recordings and projects:

  • Opus Classic award for a Hindemith CD — The site notes the disc was honored with this prize, recorded with Antje Weithaas, Julian Steckel, Enrico Pace and Daniel Cohen. The program includes the Clarinet Concerto, the Clarinet Sonata, and the Clarinet Quartet.
  • Deutsche Schallplattenkritik Best List (1/2020) — Her chamber-music CD with violist Ori Kam and pianist Matan Porat was selected for this German critics' best-of list.
  • World premiere recognition — The site announces the premiere of H.K. Gruber's FINTango at the Carinthischer Sommer with the ORF Vienna Radio Symphony Orchestra, conducted by the composer. A premiere is a notable professional milestone rather than a prize, but it signals standing among contemporary composers and orchestras.

If you want to verify or explore further, start with the Opus Classic prize-winner page referenced on her site, then use her [["Teaching" page]] for masterclass dates and her recordings page for the award-winning discs. A useful decision rule: treat recording prizes (Opus Classic, Schallplattenkritik) as evidence of interpretive quality, and premieres or composer collaborations as evidence of her role in expanding the clarinet repertoire.

How can I download Sharon Kam's biography and photos for press or promotional use?

Sharon Kam's site provides a dedicated press area where her biography and photos can be read and downloaded; the homepage itself only summarizes that these materials exist and points visitors toward the relevant section rather than hosting the files directly.

What to expect

  • A written biography in a form you can read on the page and save for a program note, press release or artist introduction.
  • Portrait and promotional photos intended for media use, typically offered in print-friendly resolution.
  • Links to her recordings, videos, concert dates and social media if you need supporting context.

Practical steps

  1. Open the site and look for the press, media or biography/photo section rather than the news items on the homepage.
  2. Download the biography and images to your own device before editing, so you keep an untouched original.
  3. Check the credit line and any usage note that accompanies each photo, and reproduce it exactly in your publication.
  4. If you need a specific crop, high-resolution file or an approved quote, contact the artist or her management through the details given on the site.

For a concrete scenario: if you are preparing a concert programme, download the short biography for the artist page and one landscape portrait for the cover, then confirm the photographer credit before going to print. For a longer feature, use the full biography plus a selection of images, and request anything missing directly.

Related official sources

  • Sharon Kam for the biography, photos and current concert information.
  • Opus Klassik for details of the Hindemith recording award mentioned on her site.

Decision criterion: use the site's own downloads when you need standard press material; go through management when your use is commercial, exclusive or requires a file the site does not offer.

Related questions

More questions →
What Is a Musician or Band? Soloists, Ensembles, and How to Follow an Artist

A musician is an individual who performs or composes music; a band is a group of musicians who perform together under a shared name. The distinction matters mainly for how you search, listen, and follow: a soloist's work is usually tracked through one person's name, while a band's work is tracked through the group's name even as members change. Sharon Kam, a clarinetist who performs as a soloist and recording artist, is a useful example of the soloist model — her site lists recordings, videos, masterclasses, and upcoming concerts under her own name.

Soloist vs. ensemble: the main types

Type Who performs How it's usually billed
Soloist One player, often with orchestra or piano accompaniment The individual's name
Duo / Trio / Quartet Two to four players, no conductor The players' names or a group name
Chamber orchestra A small orchestra, sometimes led by the soloist or concertmaster Orchestra name, plus conductor if any
Full orchestra Many players, led by a conductor Orchestra name and conductor

A soloist is not necessarily unaccompanied. Concertos, for example, place one solo instrument in front of an orchestra. Sharon Kam's Hindemith CD pairs a clarinet concerto with chamber works — the same artist appears as concerto soloist and as one voice in a quartet, which shows how fluid these categories are in practice.

Roles inside a group

  • Soloist — the featured player; in a concerto, the orchestra supports this part.
  • Conductor — leads the ensemble and shapes tempo and balance; some composers conduct their own works.
  • Accompanist or chamber partners — piano or small-group players who share the texture rather than merely support it.
  • Composer — writes the music; may or may not perform it.

These roles can overlap. On the world premiere of H.K. Gruber's FINTango at the Carinthischer Sommer, the composer conducted the ORF Vienna Radio Symphony Orchestra with Sharon Kam as soloist — composer, conductor, orchestra, and soloist in one event.

How to find an artist's recordings, videos, and concerts

  1. Start with the official site. An artist's own site typically groups content by recordings, videos, concerts, and teaching. Sharon Kam's homepage links to recordings, videos, future concerts, and a Teaching page for masterclasses.
  2. Check the discography or recordings page for release titles and collaborators. Example from the site: a Hindemith CD with Antje Weithaas, Julian Steckel, Enrico Pace, and Daniel Cohen, and a Weber–Kurpiński–Crusell CD with the Vienna Radio Symphony Orchestra under Gregor Bühl.
  3. Look for embedded video where the site provides it. The site includes a Copland clarinet concerto performance and a chamber program with Ori Kam and Matan Porat.
  4. Use the concerts or events section for dates and venues; masterclasses are listed separately on the Teaching page.
  5. Verify awards and premieres through the linked external source when the site names one — for instance, the Opus Klassik prize page linked for the Hindemith recording.

How to follow an artist

  • Official website — the most reliable place for concert dates, releases, and teaching announcements.
  • Social media — the site lists Facebook, Twitter, Pinterest, and Tumblr, plus a copy-link option for sharing videos.
  • Newsletter or updates page — useful if the artist posts new masterclasses or premieres there, as this site does.

Following a soloist usually means following one name across several contexts: concerto appearances, chamber recordings, and teaching. Following a band means following the group name, and you may need to check member changes separately.

A worked example: Sharon Kam

Her site shows the typical shape of a soloist's public profile:

  • Recordings across concerto and chamber repertoire, including the award-winning Hindemith CD and the Weber–Kurpiński–Crusell release.
  • Premieres such as H.K. Gruber's FINTango, performed with the ORF Vienna Radio Symphony Orchestra.
  • Teaching through regularly added masterclasses.
  • Video of live performances, including a Copland concerto and a chamber trio program.

If you want to hear a specific instrument in both solo and ensemble settings, this kind of site lets you compare the same player across both — which is often the fastest way to understand what "soloist" and "ensemble player" actually mean in practice.

Website Overview

An established domain and managed infrastructure suggest continuity of operations and may support dependable delivery, although neither guarantees service quality. Several search or sharing settings need attention. Together they may make snippets, preview images or preferred URLs less consistent across platforms.

Domain and Registration

Registered in 2002, this domain has about 24 years of history. That suggests continuity, although ownership and purpose may have changed. Transfer-protection status is present, helping reduce the risk of unauthorized domain transfers. The domain uses the common .com extension, which is not an independent safety signal.

DNS and Email

The observed email authentication setup is incomplete: DMARC is missing. Nameservers are provided by wixdns.net, indicating managed DNS hosting. MX records point to the IONOS Mail email service. DNSSEC signatures were not detected, so this additional DNS authenticity protection is not confirmed. The lowest observed DNS TTL is 3600 seconds.

TLS and Certificates

The certificate uses an RSA 2048-bit public key, offering broad client compatibility. The server supplied a complete certificate chain. No organization name is present in the certificate; the available fields are consistent with domain validation. The certificate was issued within the Google Trust Services cloud or CDN ecosystem. The certificate's total validity is about 89 days, consistent with a short renewal cycle.

HTTP and Browser Security

The response lacks these common security headers: CSP, Referrer-Policy, Permissions-Policy, clickjacking protection. No X-Powered-By header was found, reducing one common source of backend fingerprinting information. The cf-ray, x-cache, x-served-by response header indicates a CDN or caching proxy in the delivery path. No obvious internal addresses or debug information were found in the headers. The Server header identifies cloudflare without an exact version.

Technology Stack Analysis

The public page identifies Wix.com Website Builder, Wix, React, Sentry, Cloudflare, Fastly without precise versions, leaving fewer clues for version-specific scanning.

Search and Social Sharing

The meta description has 179 characters and may be shortened in search results. The Generator tag identifies Wix.com Website Builder, making the publishing system easier to fingerprint. Open Graph is partially configured; og:image is missing. Twitter Card metadata is configured. The page declares 3 language or regional alternatives using hreflang.

Hosting and Email

DNSwixdns.net
HostingFastly
EmailIONOS Mail
Approximate IP geolocation (inferred; a CDN or proxy may differ from the origin server) United States flagUnited States Inferred 162.159.143.12

Registration details

RDAP / WHOIS

RegistrarIONOS SE
Registered2002-10-01
Expires2026-10-01
Domain statusclient transfer prohibited
Nameserversns14.wixdns.net、ns15.wixdns.net
DNSSECunsigned

DNS records

DNS

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TXTsharonkam.comv=spf1 include:_spf-eu.ionos.com ~all3600—
CNAMEwww.sharonkam.comcdn3.wixdns.net3600—

TLS and certificates

TLS / SSL

AssessmentNormal configuration
Supported protocolsTLSv1.2、TLSv1.3
Negotiated protocolTLSv1.3
Certificate subjectsharonkam.com
IssuerGoogle Trust Services
Valid until2026-12-09T06:57 · Remaining when checked: 70 days
Verification detailsCertificate trust: Passed · Hostname match: Passed

HTTP response headers

HTTP

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content-languageen
cache-controlprivate,max-age=0,must-revalidate
servercloudflare
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x-content-type-optionsnosniff
set-cookieRedacted

Identified technologies

Wix.com Website BuilderWixReactSentryCloudflareFastly

Pages, Search and Sharing

Meta descriptionRead about Sharon Kam Clarinet, read and download my biography and photos, Listen to my classical music recordings, find out about upcoming concerts and follow me on social media.
Canonical URLhttps://www.sharonkam.com
LanguageEnglish (default) · Multilingual
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