vimeo.com
Paid content
Multilingual
Categories: Video & Film
The video platform trusted by 287 million creatives, entrepreneurs, and businesses. Everything you need to create, manage, and share stunning videos.
Related questions
More questions →Does Aldersgate United Methodist Church Have a Mobile App?
As of the information available on the church's website, Aldersgate United Methodist Church in Wichita, Kansas does not advertise a dedicated mobile app. The site presents itself as the primary online hub for the congregation, with its mission of "Making Disciples of Jesus Christ for the Transformation of the World" front and center. If a mobile app exists, it is not prominently featured on the homepage. The most reliable way to confirm is to contact the church office directly or check the website for any new announcements.
That said, "no app advertised" is not the same as "no app at all." Churches sometimes launch apps quietly, link them only in weekly bulletins, or roll them out through a congregation-wide email. This article explains what a church mobile app usually includes, how to verify whether Aldersgate has one, and how to stay connected in the meantime.
What a Church Mobile App Typically Offers
Most church apps are built around a handful of core functions. If Aldersgate launches or already operates one, you can reasonably expect some combination of the following:
- Sermons and worship — audio or video of past services, sometimes with notes or discussion questions.
- Events calendar — worship times, Bible studies, youth group meetings, outreach days, and seasonal services.
- Giving — online donations via credit card, debit card, or bank transfer, often with recurring gift options.
- Prayer requests — a form or feed where members can submit and pray for needs.
- Groups and ministries — sign-ups, rosters, and communication for small groups, choirs, or volunteer teams.
- Push notifications — reminders for services, weather cancellations, or special announcements.
- Connection cards — a digital way for first-time visitors to share contact information.
Not every app includes all of these. Some churches use a general-purpose platform that bundles them together; others rely on separate tools for giving and communication.
How to Check Whether Aldersgate Has an App
Because app availability changes and the website may not always reflect the latest tools, verify through more than one channel:
- Search the website. Look for a menu item labeled "App," "Mobile," "Connect," or "Media." Check the footer, too, since app links are sometimes placed there.
- Search your phone's app store. Try terms like "Aldersgate United Methodist," "Aldersgate Wichita," or "Aldersgate Church." Be careful to match the correct city and denomination, since other churches share the Aldersgate name.
- Call or email the church office. This is the fastest way to get a definitive answer. Ask specifically: "Do we have a mobile app, and if so, what is it called and where do I download it?"
- Ask an usher or greeter on Sunday. They often know about new tools before they appear online.
- Check the weekly bulletin or newsletter. App launches are frequently announced there first.
If you find an app, confirm it is officially affiliated with the church before entering any personal or payment information.
If There Is No App: Other Ways to Stay Connected
A dedicated app is convenient, but it is not the only way to remain plugged into church life. These alternatives cover most of what an app would do:
| Need | Alternative |
|---|---|
| Worship times and location | Church website homepage |
| Sermons | Website media page, podcast, or social media |
| Events | Website calendar, bulletin, or email newsletter |
| Giving | Online giving link on the website, or giving during service |
| Prayer requests | Email, phone call, or prayer chain |
| Announcements | Email newsletter, social media, or Sunday bulletin |
For a first-time visitor, the simplest starting point is the website's contact page: send a message introducing yourself and ask how the church prefers to communicate. For a long-time member, the church office can add you to the email list or connect you with the right ministry leader.
A Practical Checklist for Getting Connected
Use this sequence whether or not an app exists:
- Visit the church website and note the worship times and address.
- Find the "Contact" or "About" page and save the office phone number and email.
- Sign up for the email newsletter if a sign-up form is available.
- Follow the church on any social media accounts linked from the site.
- Ask the office directly about a mobile app, online giving, and prayer request channels.
- If an app is confirmed, download it, create an account, and enable notifications for the updates you want.
A Note on Accuracy
App availability, features, and download links can change at any time, and a website may lag behind those changes. Nothing in this article should be treated as a guarantee that Aldersgate United Methodist Church does or does not currently offer an app. Treat the church office as the authoritative source, and confirm details before relying on any tool for giving or personal information.
If you are a member or visitor hoping for an app, it is also reasonable to ask the church whether one is planned. Congregations often gauge interest before investing in a new platform, and a simple question can move the conversation forward.
How Music Video Editing Shapes a Song's Chart and Promotional Run
Music video editing is not just a creative afterthought—it is a release strategy. The cut you publish, how long it runs, how it is paced, and which versions you distribute across platforms all influence how a song is promoted, how playlists and programmers treat it, and whether the video supports or complicates a chart run. For artists, managers, and labels, understanding the difference between creative editing and chart-rule compliance is essential before the first frame goes live.
Why the Edit Is a Business Decision
A song can exist without a video, but once a video is attached, it becomes part of the song's commercial identity. Editors and directors shape that identity through:
- Length – a full narrative video may run four to six minutes, while a platform-friendly cut may be trimmed to match the song's radio edit.
- Pacing – faster cuts suit short-form clips and social teasers; slower, sustained shots suit lyric videos and performance pieces.
- Versioning – the same song may need a clean version, an explicit version, a vertical cut, and a shortened edit for different outlets.
Each of these choices affects where the video can be placed, how it is promoted, and how it interacts with the song's chart eligibility.
The Main Edit Types and When to Use Them
Radio Edit
A shortened, often lyrically cleaned version timed to fit radio formatting. Use it when the song is being serviced to radio and you want the video to mirror what programmers are playing. If the video runs significantly longer than the radio edit, some promotional partners will use the shorter cut instead, which can split audience attention.
Lyric Video
A lower-cost, text-driven edit that can be released quickly, often before or alongside the official video. It is useful for maintaining momentum in the first days of a release, when fans want something to watch immediately. Lyric videos are also easier to update or replace if a lyric correction is needed.
Performance Cut
Focuses on the artist performing, often in a single setting or with minimal narrative. This is the most flexible format for promotional use because it can be trimmed, looped, or reformatted for vertical platforms without losing coherence.
Narrative Cut
A story-driven edit, usually the "official" video. It carries the most editorial weight but is also the hardest to shorten without losing meaning. If a narrative video is the primary release, plan a separate shorter cut for platforms that favor brevity.
Vertical / Short-Form Cut
A re-edited version framed for vertical screens, often using the hook or chorus. This is not simply a cropped version of the horizontal video—good vertical edits re-time cuts to the platform's pacing and place the most recognizable moment early.
How Edit Choices Interact With Promotion and Charts
Chart rules vary by territory and by chart, and they change over time. The safe approach is to treat the following as general principles rather than fixed rules:
- Version strategy matters. Releasing multiple edits of the same song can help promotion, but it can also complicate how streams and sales are counted if the versions are treated as separate releases. Check the current rules of the specific chart you care about before splitting a release.
- Timing matters. A video released before or at the same time as the song can concentrate attention. A video released weeks later can extend a song's promotional life but may miss the initial chart window.
- Platform fit matters. A video that is poorly formatted for a major platform will get less promotional support, which can indirectly affect the song's visibility.
None of this guarantees a chart position. Editing supports a release; it does not replace audience demand.
A Practical Version Plan
Before editing begins, decide which versions you actually need. A workable starting point:
- Official video – the primary creative cut, full length.
- Radio edit video – matches the radio edit length and lyrics.
- Lyric video – fast turnaround, released early if needed.
- Vertical cut – 15–60 seconds, hook-first, for short-form platforms.
- Clean version – if the song has explicit content and you want broader placement.
For each version, note the intended platform, the target length, and the release date. This prevents last-minute re-edits that delay a rollout.
Common Mistakes to Avoid
- Assuming one cut works everywhere. A four-minute narrative video rarely performs well as a short-form clip without re-editing.
- Ignoring chart-rule details. If you plan to release multiple versions, confirm how they will be counted before release day.
- Letting the edit drift from the audio. If the video uses a different mix or edit than the released audio, make sure that is intentional and documented.
- Releasing the lyric video too late. Its main value is speed; if it arrives after the official video, it adds little.
What to Watch For in Industry Coverage
Industry news outlets track release strategies, version rollouts, and chart-rule changes. When reading coverage of a music video release, pay attention to:
- Whether the video is described as an official video, lyric video, or visualizer.
- Whether multiple versions were released and in what order.
- Whether the coverage mentions chart performance, and if so, which chart and which tracking period.
These details tell you more about the strategy than the video's creative style alone.
Bottom Line
Music video editing is a promotional tool with real consequences for how a song is positioned. Decide your version plan before you shoot, match each cut to its platform, and verify chart-rule details for your territory before splitting a release. Creative editing and release strategy are not opposites—the best rollouts treat them as the same job.
What to Look for in a Video Platform Beyond Hosting and Sharing
If you're evaluating a video platform for a small business or marketing team, hosting and sharing are just the entry point. The features that actually determine whether a platform fits your workflow fall into four areas: privacy and playback control, collaboration and review tools, marketing and analytics capabilities, and practical limits like storage and mobile support. Most general-purpose tools (cloud storage, social networks, free hosts) cover hosting well but leave gaps in the other three. This guide walks through what each area means in practice, so you can map features to your own situation instead of comparing endless checklists.
Start by separating three jobs: hosting, editing, and marketing
Video platforms tend to bundle three distinct functions, and confusion usually comes from mixing them up:
- Hosting — storing a file, generating a player, delivering it reliably to viewers. This is the baseline.
- Editing — trimming, assembling, adding captions or branding. Some platforms include basic editors; others expect you to edit elsewhere and upload the result.
- Marketing and business features — privacy controls, lead capture, calls to action, analytics, team review workflows. These are what separate a "video host" from a "video platform."
A useful exercise: write down your last five video tasks (a product demo, a client pitch, a social clip, an internal training, a landing page embed). For each one, note which of the three jobs it required. If most of your tasks stop at hosting, a lighter tool may be enough. If several involve review cycles, gated access, or measuring viewer behavior, a fuller platform earns its cost.
Privacy and playback control: the business-vs-social divide
On social platforms, everything is public by default and wrapped in ads and recommendations. For business use, that's often the opposite of what you want. Look for:
- Granular privacy settings — can you restrict a video to specific people, a password, a domain, or an embed location? Can you make it unlisted but still embeddable?
- Ad-free playback — your product demo shouldn't end with a competitor's ad or an unrelated recommendation.
- Customizable embeds — control over player color, logo, and whether related videos appear. This matters when the video sits on your own site and represents your brand.
- Domain-level restrictions — the ability to limit playback to your own website prevents your content from being re-embedded elsewhere.
If your videos are purely promotional and public, these controls matter less. If you share client work, internal training, or pre-release material, they become the deciding factor.
Collaboration and review: the most common gap
This is where general-purpose tools most often fall short. A shared drive lets people comment on a file, but it doesn't give you a structured review process. A dedicated platform typically offers:
- Timestamped comments — feedback attached to a specific moment in the video, so "the logo looks off" points to an exact frame.
- Versioning — uploading a new cut while keeping the old one, so reviewers can see what changed.
- Approval status — a clear "approved" or "needs changes" state rather than a scattered email thread.
- Role-based access — reviewers who can comment but not download or reshare.
When this becomes relevant: as soon as more than two people need to sign off on a video, or when you're producing videos on a recurring schedule. For a solo operator publishing once a month, a simple comment thread may be sufficient.
Analytics and lead capture: beyond view counts
A raw view count tells you almost nothing actionable. Business-oriented platforms go further:
| Feature | What it tells you | When it matters |
|---|---|---|
| Watch time / engagement graph | Where viewers drop off | Improving content or editing |
| Viewer identity | Who watched (when gated) | Sales follow-up, internal training |
| Lead capture forms | Email collected before or during playback | Demand generation |
| Calls to action | Click-through to a page or booking link | Converting viewers |
| Embed/domain reports | Where your video is being watched | Tracking campaign performance |
If your goal is brand awareness, basic view counts may be fine. If you're using video to generate leads or train staff, the deeper metrics are the reason to choose a platform over a free host.
Practical limits that affect daily use
Feature lists rarely mention the constraints that cause friction later. Check these before committing:
- Storage and bandwidth limits — how much you can upload, and whether high viewership triggers overage fees.
- Upload size and length caps — relevant if you work with long recordings or high-resolution footage.
- Mobile app support — can you upload, review, and respond to comments from a phone? For teams that shoot on mobile, this is a real workflow factor.
- Export and portability — can you download your originals and embed codes if you leave? Lock-in is a hidden cost.
- Integrations — does it connect to the tools you already use (your website builder, CRM, or project tracker)?
Deciding between a full platform and a lighter tool
Use these rough conditions as a starting point:
A lighter tool (free host, cloud storage, social platform) is likely enough if:
- You publish occasionally and mostly to public channels.
- One person handles video end to end.
- You don't need gated access or viewer-level analytics.
A dedicated platform is worth evaluating if:
- Multiple people review or approve videos.
- You need privacy controls, ad-free playback, or branded embeds.
- You're using video for lead generation, training, or client delivery.
- You publish frequently enough that manual workarounds cost more than a subscription.
Pricing and plan details change often, so check the platform's current plans page directly rather than relying on secondhand comparisons. The right approach is to list your actual requirements first, then match them against what each option offers — not the other way around.
How Do Marketers Use Ahrefs for SEO and Content Research? A Beginner's Walkthrough
Ahrefs is a data platform that helps marketers see what people search for, which pages rank for those searches, and who links to those pages. If you're new to it, the fastest way to learn is to start from a real task rather than browsing menus. This walkthrough uses one common goal — finding content and keyword opportunities for a site — and shows the exact steps, which reports to open, how to read the columns, and how to turn the data into a shortlist of tasks.
The steps below describe the general workflow of the platform. Exact menu labels, limits, and available features can change between plans and over time, so treat the interface as the source of truth and check the in-product help or documentation when a term is unfamiliar.
Step 1: Define the goal before opening any tool
Ahrefs answers questions, so the quality of your output depends on the quality of your question. Write down one sentence before you start. Examples:
- "I want 20 keyword ideas for a beginner's guide to home coffee brewing."
- "I want to know which pages on my site have lost the most traffic in the last 6 months."
- "I want to find sites that link to my competitors but not to me."
Each of these maps to a different report. Marketers who skip this step usually end up staring at a dashboard full of numbers with no decision to make.
Step 2: Enter a domain or a keyword
Most workflows begin in one of two places:
- Site Explorer — enter a domain or URL. Use this when your question is about a specific website (yours or a competitor's).
- Keywords Explorer — enter a keyword or phrase. Use this when your question is about a topic or search demand.
A practical habit: start with the competitor or topic you already know is relevant, then expand. If you sell running shoes, entering a well-known running retailer's domain will surface far more useful structure than entering a generic term like "shoes."
Step 3: Read the main columns without over-trusting them
Reports share a common set of columns. Learn what each one actually measures:
| Column | What it tells you | How beginners misread it |
|---|---|---|
| Volume | Estimated monthly searches for a keyword | Treating it as exact traffic you will get |
| Keyword Difficulty (KD) | How hard it looks to rank in the top results | Assuming a low KD guarantees a ranking |
| Traffic / Traffic Potential | Estimated visits a page or keyword can bring | Confusing page-level and keyword-level numbers |
| Referring Domains | Number of unique domains linking to a page | Counting total backlinks instead of unique domains |
| DR / UR | Domain and URL rating on a 0–100 scale | Comparing scores across unrelated niches |
Two rules of thumb: volume is an estimate, not a promise, and difficulty is a relative signal, not a gate. A keyword with modest volume and low difficulty that exactly matches your offer usually beats a high-volume term you cannot realistically rank for.
Step 4: Filter and sort to surface opportunities
Raw lists are noise. Filters turn them into a to-do list. Useful starting filters:
- Keyword Difficulty: cap it at a level your site can realistically compete for. A new site should start low; an established site can raise the ceiling.
- Volume: set a floor so you ignore terms nobody searches.
- Include / exclude words: remove branded terms, job listings, or irrelevant modifiers.
- Search intent: separate informational, commercial, and transactional queries so you don't write a blog post for a page that needs a product listing.
Then sort by the metric that matches your goal — traffic potential for content planning, referring domains for link building, or traffic decline for audits.
Step 5: Turn findings into a shortlist
A report is only useful once it becomes a list of tasks. A simple template you can copy:
Opportunity | Target keyword | Intent | Est. volume | KD | Page to create/update | Owner | Status
Fill it with 10–20 rows, not 200. For each row, decide one of three actions:
- Create a new page for a keyword gap you can serve.
- Update an existing page that already ranks but underperforms.
- Ignore it, with a one-line reason, so you don't revisit it next month.
This is where most beginners stall: they collect data but never commit to a decision. Forcing a create/update/ignore choice per row fixes that.
Step 6: Common beginner mistakes
- Chasing volume only. A high-volume keyword with the wrong intent sends traffic that never converts.
- Ignoring search intent. Check what actually ranks before deciding what to publish.
- Comparing DR across niches. A DR 40 in one industry is not equivalent to DR 40 in another.
- Treating estimates as facts. All third-party search data is modeled, not measured.
- Skipping the audit loop. Research is not a one-time event; revisit your shortlist and check whether the pages you built actually moved.
Where to get help with terms and metrics
Ahrefs maintains an in-product help center and a glossary of SEO terms, and the platform links to documentation from most reports. When a metric is unclear, open the help entry for that specific term rather than guessing — misreading one column can distort an entire content plan.
A realistic first session
If you have one hour, do this: pick one competitor, open Site Explorer, sort their top pages by traffic, filter to pages relevant to your offer, and write down five topics you could cover better. Then open Keywords Explorer for one of those topics, apply a difficulty and volume filter, and add three supporting keywords. You now have a shortlist of eight items and a clear next action — which is the actual point of using Ahrefs as a marketer.
Website Overview
An established domain and managed infrastructure suggest continuity of operations and may support dependable delivery, although neither guarantees service quality. Page metadata, canonical configuration and social previews work together to provide more consistent search and sharing presentation.
Domain and Registration
Registered in 2004, this domain has about 21 years of history. That suggests continuity, although ownership and purpose may have changed. The registrar, MarkMonitor Inc., specializes in corporate domain and brand management, suggesting attention to domain asset protection. Transfer-protection status is present, helping reduce the risk of unauthorized domain transfers. The domain uses the common .com extension, which is not an independent safety signal.
DNS and Email
Nameservers are provided by Amazon Route 53, indicating managed DNS hosting. MX records point to the Google Workspace email service. CAA records restrict which certificate authorities are authorized to issue certificates. No CNAME was found; the observed records resolve directly to addresses. SPF and DMARC are configured. DKIM status is unknown.
TLS and Certificates
The public key uses EC with 256 bits. The server supplied a complete certificate chain. No organization name is present in the certificate; the available fields are consistent with domain validation. The certificate was issued within the Google Trust Services cloud or CDN ecosystem. The certificate's total validity is about 90 days, consistent with a short renewal cycle.
HTTP and Browser Security
X-Powered-By exposes backend information: Next.js. The response lacks these common security headers: CSP, Referrer-Policy, Permissions-Policy. The cf-ray, via response header indicates a CDN or caching proxy in the delivery path. No obvious internal addresses or debug information were found in the headers. The Server header identifies cloudflare without an exact version.
Technology Stack Analysis
The public page identifies Next.js, Cloudflare without precise versions, leaving fewer clues for version-specific scanning.
Search and Social Sharing
Twitter Card metadata is configured. The page declares 8 language or regional alternatives using hreflang. The title has 33 characters, within a common display range. A meta description is present, with 149 characters. No Generator meta tag is publicly exposed.
Hosting and Email
Pages, Search and Sharing
| Meta description | The video platform trusted by 287 million creatives, entrepreneurs, and businesses. Everything you need to create, manage, and share stunning videos. |
|---|---|
| Canonical URL | https://vimeo.com |
| Language | English (default) · Multilingual |
| Twitter Card | summary_large_image |
Social Sharing Preview
16 fieldsrobots.txt (opens in a new tab)
1188 rulesAll bots 296 allowed · 325 disallowed
/api/*/likes/_rv/viewer/_next/viewer/_rv/gtm/_rv/jwt/_next/jwt/_rv/title/_next/title/*/*?_=/*/*?_hsenc=/*/*?_hsmi=/*/*?*&_=/*/*?*&_hsenc=/*/*?*&_hsmi=/*/*?*&1=/*/*?*&activityReferer=/*/*?*&adcPathname=/*/*?*&ajax=/*/*?*&allowfullscreen=/*/*?*&autohide=/*/*?*&autopause=/*/*?*&background=/*/*?*&badge=/*/*?*&brid=/*/*?*&byline=/*/*?*&callback=/*/*?*&cb=/*/*?*&cc_load_policy=/*/*?*&ceid=/*/*?*&cjdata=/*/*?*&cjevent=/*/*?*&clickid=/*/*?*&clipId=/*/*?*&color=/*/*?*&consentEnabled=/*/*?*&content=/*/*?*&context=/*/*?*&controls=/*/*?*&d=/*/*?*&data=/*/*?*&dnt=/*/*?*&ei=/*/*?*&ej=/*/*?*&embed_email_provider=/*/*?*&emci=/*/*?*&emdi=/*/*?*&enablejsapi=/*/*?*&f1=/*/*?*&filter_location=/*/*?*&filter_skills=/*/*?*&fit=/*/*?*&flashvars=/*/*?*&foe=/*/*?*&format=/*/*?*&from=/*/*?*&fromApp=/*/*?*&fullscreen=/*/*?*&h=/*/*?*&hashKey=/*/*?*&hd=/*/*?*&height=/*/*?*&hss_meta=/*/*?*&id=/*/*?*&iframe=/*/*?*&itok=/*/*?*&keepEmbedCode=/*/*?*&keyboard=/*/*?1=/*/*?activityReferer=/*/*?adcPathname=/*/*?ajax=/*/*?allowfullscreen=/*/*?autohide=/*/*?autopause=/*/*?background=/*/*?badge=/*/*?brid=/*/*?byline=/*/*?callback=/*/*?cb=/*/*?cc_load_policy=/*/*?ceid=/*/*?cjdata=/*/*?cjevent=/*/*?clickid=/*/*?clipId=/*/*?color=/*/*?consentEnabled=/*/*?content=/*/*?context=/*/*?controls=/*/*?d=/*/*?data=/*/*?dnt=/*/*?ei=/*/*?ej=/*/*?embed_email_provider=/*/*?emci=/*/*?emdi=/*/*?enablejsapi=/*/*?f1=/*/*?filter_location=/*/*?filter_skills=/*/*?fit=/*/*?flashvars=/*/*?foe=/*/*?format=/*/*?from=/*/*?fromApp=/*/*?fullscreen=/*/*?h=/*/*?hashKey=/*/*?hd=/*/*?height=/*/*?hss_meta=/*/*?id=/*/*?iframe=/*/*?itok=/*/*?keepEmbedCode=/*/*?keyboard=/*/*?*&%3Bfe=/*/*?*&%3Bfl=/*/*?*&kref=/*/*?*&kuid=/*/*?*&lang=/*/*?*&lightbox[modal]=/*/*?*&linkId=/*/*?*&lite=/*/*?*&login=/*/*?*&loop=/*/*?*&maxheight=/*/*?*&maxw=/*/*?*&maxwidth=/*/*?*&mc_cid=/*/*?*&method=/*/*?*&mibextid=/*/*?*&modestbranding=/*/*?*&ms=/*/*?*&msockid=/*/*?*&mute=/*/*?*&odnBg=/*/*?*&odnHeight=/*/*?*&odnWidth=/*/*?*&output=/*/*?*&outro=/*/*?*&per_page=/*/*?*&pgroup=/*/*?*&platform=/*/*?*&play=/*/*?*&player_id=/*/*?*&playerapiid=/*/*?*&playlist=/*/*?*&playsinline=/*/*?*&portrait=/*/*?*&progress_bar=/*/*?*&quality_selector=/*/*?*&quality=/*/*?*&ra=/*/*?*&random=/*/*?*&redirect=/*/*?*&rel=/*/*?*&resize=/*/*?*&responsive=/*/*?*&rmxv=/*/*?*&rt=/*/*?*&rv=/*/*?*&s=/*/*?*&sa=/*/*?*&scrlybrkr=/*/*?*&sd=/*/*?*&server=/*/*?*&sfmc_id=/*/*?*&show_byline=/*/*?*&show_portrait=/*/*?*&show_title=/*/*?*&showinfo=/*/*?*&sig=/*/*?*&signup=/*/*?*&sizes=/*/*?*&sl_key=/*/*?*&sort=/*/*?*&speed=/*/*?*&sr=/*/*?*&ssl=/*/*?*&ssp_iabi=/*/*?*&start=/*/*?*&streamid=/*/*?*&sv=/*/*?*&syclid=/*/*?*&tblci=/*/*?*&test=/*/*?*&texttrack=/*/*?*&title=/*/*?*&tq=/*/*?*&transparent=/*/*?*&trk=/*/*?*&type=/*/*?*&url=/*/*?*&user_id=/*/*?*&usg=/*/*?*&utm_date=/*/*?*&utm_id=/*/*?*&v=/*/*?*&version=/*/*?*&volumeOff=/*/*?*&vq=/*/*?*&w=/*/*?*&ysclid=/*/*?%3Bfe=/*/*?%3Bfl=/*/*?kref=/*/*?kuid=/*/*?lang=/*/*?lightbox[modal]=/*/*?linkId=/*/*?lite=/*/*?login=/*/*?loop=/*/*?maxheight=/*/*?maxw=/*/*?maxwidth=/*/*?mc_cid=/*/*?method=/*/*?mibextid=/*/*?modestbranding=/*/*?ms=/*/*?msockid=/*/*?mute=/*/*?odnBg=/*/*?odnHeight=/*/*?odnWidth=/*/*?output=/*/*?outro=/*/*?per_page=/*/*?pgroup=/*/*?platform=/*/*?play=/*/*?player_id=/*/*?playerapiid=/*/*?playlist=/*/*?playsinline=/*/*?portrait=/*/*?progress_bar=/*/*?quality_selector=/*/*?quality=/*/*?ra=/*/*?random=/*/*?redirect=/*/*?rel=/*/*?resize=/*/*?responsive=/*/*?rmxv=/*/*?rt=/*/*?rv=/*/*?s=/*/*?sa=/*/*?scrlybrkr=/*/*?sd=/*/*?server=/*/*?sfmc_id=/*/*?show_byline=/*/*?show_portrait=/*/*?show_title=/*/*?showinfo=/*/*?sig=/*/*?signup=/*/*?sizes=/*/*?sl_key=/*/*?sort=/*/*?speed=/*/*?sr=/*/*?ssl=/*/*?ssp_iabi=/*/*?start=/*/*?streamid=/*/*?sv=/*/*?syclid=/*/*?tblci=/*/*?test=/*/*?texttrack=/*/*?title=/*/*?tq=/*/*?transparent=/*/*?trk=/*/*?type=/*/*?url=/*/*?user_id=/*/*?usg=/*/*?utm_date=/*/*?utm_id=/*/*?v=/*/*?version=/*/*?volumeOff=/*/*?vq=/*/*?w=/*/*?ysclid=/*/format:thumbnail/download//*/download?/couchmode//groups/*/forum/*/musicstore/preview/musicstore/download/forgot_password/help/forgot_login/help/verify_email/help/zendesk_sso/help/sso/user/verify/search//search?/search\?/_/*mkc=*&/*&mkc=*/*gl=*&/*&gl=*/_global_notifications/*?*referrer_vuid=/*?*vimeo_search/store//*?*_gl=/*/collections/channels/manage/videos//flarepoint//*/likes/reviews//*/sort:*/*:/ablincoln//*tag:/*/videos//legal/~gitbook//manage/showcase/*?_=/*?_hsenc=/*?_hsmi=/*?*&_=/*?*&_hsenc=/*?*&_hsmi=/*?*&1=/*?*&activityReferer=/*?*&adcPathname=/*?*&ajax=/*?*&allowfullscreen=/*?*&autohide=/*?*&autopause=/*?*&background=/*?*&badge=/*?*&brid=/*?*&byline=/*?*&callback=/*?*&cb=/*?*&cc_load_policy=/*?*&ceid=/*?*&cjdata=/*?*&cjevent=/*?*&clickid=/*?*&clipId=/*?*&color=/*?*&consentEnabled=/*?*&content=/*?*&context=/*?*&controls=/*?*&d=/*?*&data=/*?*&dnt=/*?*&ei=/*?*&ej=/*?*&embed_email_provider=/*?*&emci=/*?*&emdi=/*?*&enablejsapi=/*?*&f1=/*?*&filter_location=/*?*&filter_skills=/*?*&fit=/*?*&flashvars=/*?*&foe=/*?*&format=/*?*&from=/*?*&fromApp=/*?*&fullscreen=/*?*&h=/*?*&hashKey=/*?*&hd=/*?*&height=/*?*&hss_meta=/*?*&id=/*?*&iframe=/*?*&itok=/*?*&keepEmbedCode=/*?*&keyboard=/*?1=/*?activityReferer=/*?adcPathname=/*?ajax=/*?allowfullscreen=/*?autohide=/*?autopause=/*?background=/*?badge=/*?brid=/*?byline=/*?callback=/*?cb=/*?cc_load_policy=/*?ceid=/*?cjdata=/*?cjevent=/*?clickid=/*?clipId=/*?color=/*?consentEnabled=/*?content=/*?context=/*?controls=/*?d=/*?data=/*?dnt=/*?ei=/*?ej=/*?embed_email_provider=/*?emci=/*?emdi=/*?enablejsapi=/*?f1=/*?filter_location=/*?filter_skills=/*?fit=/*?flashvars=/*?foe=/*?format=/*?from=/*?fromApp=/*?fullscreen=/*?h=/*?hashKey=/*?hd=/*?height=/*?hss_meta=/*?id=/*?iframe=/*?itok=/*?keepEmbedCode=/*?keyboard=/*?*&%3Bfe=/*?*&%3Bfl=/*?*&kref=/*?*&kuid=/*?*&lang=/*?*&lightbox[modal]=/*?*&linkId=/*?*&lite=/*?*&login=/*?*&loop=/*?*&maxheight=/*?*&maxw=/*?*&maxwidth=/*?*&mc_cid=/*?*&method=/*?*&mibextid=/*?*&modestbranding=/*?*&ms=/*?*&msockid=/*?*&mute=/*?*&odnBg=/*?*&odnHeight=/*?*&odnWidth=/*?*&output=/*?*&outro=/*?*&per_page=/*?*&pgroup=/*?*&platform=/*?*&play=/*?*&player_id=/*?*&playerapiid=/*?*&playlist=/*?*&playsinline=/*?*&portrait=/*?*&progress_bar=/*?*&quality_selector=/*?*&quality=/*?*&ra=/*?*&random=/*?*&redirect=/*?*&rel=/*?*&resize=/*?*&responsive=/*?*&rmxv=/*?*&rt=/*?*&rv=/*?*&s=/*?*&sa=/*?*&scrlybrkr=/*?*&sd=/*?*&server=/*?*&sfmc_id=/*?*&show_byline=/*?*&show_portrait=/*?*&show_title=/*?*&showinfo=/*?*&sig=/*?*&signup=/*?*&sizes=/*?*&sl_key=/*?*&sort=/*?*&speed=/*?*&sr=/*?*&ssl=/*?*&ssp_iabi=/*?*&start=/*?*&streamid=/*?*&sv=/*?*&syclid=/*?*&tblci=/*?*&test=/*?*&texttrack=/*?*&title=/*?*&tq=/*?*&transparent=/*?*&trk=/*?*&type=/*?*&url=/*?*&user_id=/*?*&usg=/*?*&utm_date=/*?*&utm_id=/*?*&v=/*?*&version=/*?*&volumeOff=/*?*&vq=/*?*&w=/*?*&ysclid=/*?%3Bfe=/*?%3Bfl=/*?kref=/*?kuid=/*?lang=/*?lightbox[modal]=/*?linkId=/*?lite=/*?login=/*?loop=/*?maxheight=/*?maxw=/*?maxwidth=/*?mc_cid=/*?method=/*?mibextid=/*?modestbranding=/*?ms=/*?msockid=/*?mute=/*?odnBg=/*?odnHeight=/*?odnWidth=/*?output=/*?outro=/*?per_page=/*?pgroup=/*?platform=/*?play=/*?player_id=/*?playerapiid=/*?playlist=/*?playsinline=/*?portrait=/*?progress_bar=/*?quality_selector=/*?quality=/*?ra=/*?random=/*?redirect=/*?rel=/*?resize=/*?responsive=/*?rmxv=/*?rt=/*?rv=/*?s=/*?sa=/*?scrlybrkr=/*?sd=/*?server=/*?sfmc_id=/*?show_byline=/*?show_portrait=/*?show_title=/*?showinfo=/*?sig=/*?signup=/*?sizes=/*?sl_key=/*?sort=/*?speed=/*?sr=/*?ssl=/*?ssp_iabi=/*?start=/*?streamid=/*?sv=/*?syclid=/*?tblci=/*?test=/*?texttrack=/*?title=/*?tq=/*?transparent=/*?trk=/*?type=/*?url=/*?user_id=/*?usg=/*?utm_date=/*?utm_id=/*?v=/*?version=/*?volumeOff=/*?vq=/*?w=/*?ysclid=- Interval
Crawl delay 2 seconds
seznambot 0 allowed · 19 disallowed
*/format:thumbnail/download//*/download?/couchmode//_global_notifications/musicstore/preview/musicstore/download/forgot_password/help/forgot_login/help/verify_email/help/zendesk_sso/help/sso/api//flarepoint//user/verify/search//search?/search\?/_*
msnbot 0 allowed · 0 disallowed
- Interval
Crawl delay 5 seconds
bingbot 0 allowed · 0 disallowed
- Interval
Crawl delay 5 seconds
adidxbot 0 allowed · 0 disallowed
- Interval
Crawl delay 5 seconds
bingpreview 0 allowed · 0 disallowed
- Interval
Crawl delay 5 seconds
yandex 0 allowed · 0 disallowed
- Interval
Crawl delay 2 seconds
gptbot 106 allowed · 1 disallowed
/features//solutions//product//video-uploader/upgrade-plan/enterprise//integrations//blog//create//ott//customers//events//campaigns//about//vimeo-academy//$/es/features//es/solutions//es/product//es/video-uploader/es/enterprise//es/integrations//es/blog//es/create//es/ott//es/customers//es/events//es/campaigns//es/about//es/vimeo-academy//es/$/fr/features//fr/solutions//fr/product//fr/video-uploader/fr/enterprise//fr/integrations//fr/blog//fr/create//fr/ott//fr/customers//fr/events//fr/campaigns//fr/about//fr/vimeo-academy//fr/$/de/features//de/solutions//de/product//de/video-uploader/de/enterprise//de/integrations//de/blog//de/create//de/ott//de/customers//de/events//de/campaigns//de/about//de/vimeo-academy//de/$/pt-br/features//pt-br/solutions//pt-br/product//pt-BR/video-uploader/pt-br/enterprise//pt-br/integrations//pt-br/blog//pt-br/create//pt-br/ott//pt-br/customers//pt-br/events//pt-br/campaigns//pt-br/about//pt-br/vimeo-academy//pt-br/$/ko/features//ko/solutions//ko/product//ko/video-uploader/ko/enterprise//ko/integrations//ko/blog//ko/create//ko/ott//ko/customers//ko/events//ko/campaigns//ko/about//ko/vimeo-academy//ko/$/jp/features//jp/solutions//jp/product//jp/video-uploader/jp/enterprise//jp/integrations//jp/blog//jp/create//jp/ott//jp/customers//jp/events//jp/campaigns//jp/about//jp/vimeo-academy//jp/$/
google-extended 106 allowed · 1 disallowed
/features//solutions//product//video-uploader/upgrade-plan/enterprise//integrations//blog//create//ott//customers//events//campaigns//about//vimeo-academy//$/es/features//es/solutions//es/product//es/video-uploader/es/enterprise//es/integrations//es/blog//es/create//es/ott//es/customers//es/events//es/campaigns//es/about//es/vimeo-academy//es/$/fr/features//fr/solutions//fr/product//fr/video-uploader/fr/enterprise//fr/integrations//fr/blog//fr/create//fr/ott//fr/customers//fr/events//fr/campaigns//fr/about//fr/vimeo-academy//fr/$/de/features//de/solutions//de/product//de/video-uploader/de/enterprise//de/integrations//de/blog//de/create//de/ott//de/customers//de/events//de/campaigns//de/about//de/vimeo-academy//de/$/pt-br/features//pt-br/solutions//pt-br/product//pt-BR/video-uploader/pt-br/enterprise//pt-br/integrations//pt-br/blog//pt-br/create//pt-br/ott//pt-br/customers//pt-br/events//pt-br/campaigns//pt-br/about//pt-br/vimeo-academy//pt-br/$/ko/features//ko/solutions//ko/product//ko/video-uploader/ko/enterprise//ko/integrations//ko/blog//ko/create//ko/ott//ko/customers//ko/events//ko/campaigns//ko/about//ko/vimeo-academy//ko/$/jp/features//jp/solutions//jp/product//jp/video-uploader/jp/enterprise//jp/integrations//jp/blog//jp/create//jp/ott//jp/customers//jp/events//jp/campaigns//jp/about//jp/vimeo-academy//jp/$/
anthropic-ai 106 allowed · 1 disallowed
/features//solutions//product//video-uploader/upgrade-plan/enterprise//integrations//blog//create//ott//customers//events//campaigns//about//vimeo-academy//$/es/features//es/solutions//es/product//es/video-uploader/es/enterprise//es/integrations//es/blog//es/create//es/ott//es/customers//es/events//es/campaigns//es/about//es/vimeo-academy//es/$/fr/features//fr/solutions//fr/product//fr/video-uploader/fr/enterprise//fr/integrations//fr/blog//fr/create//fr/ott//fr/customers//fr/events//fr/campaigns//fr/about//fr/vimeo-academy//fr/$/de/features//de/solutions//de/product//de/video-uploader/de/enterprise//de/integrations//de/blog//de/create//de/ott//de/customers//de/events//de/campaigns//de/about//de/vimeo-academy//de/$/pt-br/features//pt-br/solutions//pt-br/product//pt-BR/video-uploader/pt-br/enterprise//pt-br/integrations//pt-br/blog//pt-br/create//pt-br/ott//pt-br/customers//pt-br/events//pt-br/campaigns//pt-br/about//pt-br/vimeo-academy//pt-br/$/ko/features//ko/solutions//ko/product//ko/video-uploader/ko/enterprise//ko/integrations//ko/blog//ko/create//ko/ott//ko/customers//ko/events//ko/campaigns//ko/about//ko/vimeo-academy//ko/$/jp/features//jp/solutions//jp/product//jp/video-uploader/jp/enterprise//jp/integrations//jp/blog//jp/create//jp/ott//jp/customers//jp/events//jp/campaigns//jp/about//jp/vimeo-academy//jp/$/
claude-web 106 allowed · 1 disallowed
/features//solutions//product//video-uploader/upgrade-plan/enterprise//integrations//blog//create//ott//customers//events//campaigns//about//vimeo-academy//$/es/features//es/solutions//es/product//es/video-uploader/es/enterprise//es/integrations//es/blog//es/create//es/ott//es/customers//es/events//es/campaigns//es/about//es/vimeo-academy//es/$/fr/features//fr/solutions//fr/product//fr/video-uploader/fr/enterprise//fr/integrations//fr/blog//fr/create//fr/ott//fr/customers//fr/events//fr/campaigns//fr/about//fr/vimeo-academy//fr/$/de/features//de/solutions//de/product//de/video-uploader/de/enterprise//de/integrations//de/blog//de/create//de/ott//de/customers//de/events//de/campaigns//de/about//de/vimeo-academy//de/$/pt-br/features//pt-br/solutions//pt-br/product//pt-BR/video-uploader/pt-br/enterprise//pt-br/integrations//pt-br/blog//pt-br/create//pt-br/ott//pt-br/customers//pt-br/events//pt-br/campaigns//pt-br/about//pt-br/vimeo-academy//pt-br/$/ko/features//ko/solutions//ko/product//ko/video-uploader/ko/enterprise//ko/integrations//ko/blog//ko/create//ko/ott//ko/customers//ko/events//ko/campaigns//ko/about//ko/vimeo-academy//ko/$/jp/features//jp/solutions//jp/product//jp/video-uploader/jp/enterprise//jp/integrations//jp/blog//jp/create//jp/ott//jp/customers//jp/events//jp/campaigns//jp/about//jp/vimeo-academy//jp/$/
claudebot 106 allowed · 1 disallowed
/features//solutions//product//video-uploader/upgrade-plan/enterprise//integrations//blog//create//ott//customers//events//campaigns//about//vimeo-academy//$/es/features//es/solutions//es/product//es/video-uploader/es/enterprise//es/integrations//es/blog//es/create//es/ott//es/customers//es/events//es/campaigns//es/about//es/vimeo-academy//es/$/fr/features//fr/solutions//fr/product//fr/video-uploader/fr/enterprise//fr/integrations//fr/blog//fr/create//fr/ott//fr/customers//fr/events//fr/campaigns//fr/about//fr/vimeo-academy//fr/$/de/features//de/solutions//de/product//de/video-uploader/de/enterprise//de/integrations//de/blog//de/create//de/ott//de/customers//de/events//de/campaigns//de/about//de/vimeo-academy//de/$/pt-br/features//pt-br/solutions//pt-br/product//pt-BR/video-uploader/pt-br/enterprise//pt-br/integrations//pt-br/blog//pt-br/create//pt-br/ott//pt-br/customers//pt-br/events//pt-br/campaigns//pt-br/about//pt-br/vimeo-academy//pt-br/$/ko/features//ko/solutions//ko/product//ko/video-uploader/ko/enterprise//ko/integrations//ko/blog//ko/create//ko/ott//ko/customers//ko/events//ko/campaigns//ko/about//ko/vimeo-academy//ko/$/jp/features//jp/solutions//jp/product//jp/video-uploader/jp/enterprise//jp/integrations//jp/blog//jp/create//jp/ott//jp/customers//jp/events//jp/campaigns//jp/about//jp/vimeo-academy//jp/$/
ccbot 0 allowed · 1 disallowed
/
cc-crawler 0 allowed · 1 disallowed
/
common crawl 0 allowed · 1 disallowed
/
commoncrawl 0 allowed · 1 disallowed
/
diffbot 0 allowed · 1 disallowed
/
facebookbot 0 allowed · 1 disallowed
/
bytespider 0 allowed · 1 disallowed
/
omgilibot 0 allowed · 1 disallowed
/
omgili 0 allowed · 1 disallowed
/
imagesiftbot 0 allowed · 1 disallowed
/
meltwater 0 allowed · 1 disallowed
/
seekr 0 allowed · 1 disallowed
/
grok 0 allowed · 1 disallowed
/
No matching rules.
Sitemaps
2
Registration details RDAP / WHOIS
| Registrar | MarkMonitor Inc. |
|---|---|
| Registered | 2004-12-15 |
| Expires | 2026-12-15 |
| Domain status | client delete prohibited、client transfer prohibited、client update prohibited |
| Nameservers | ns-1463.awsdns-54.org、ns-1886.awsdns-43.co.uk、ns-682.awsdns-21.net、ns-70.awsdns-08.com |
| DNSSEC | unsigned |
DNS records
| Type | Name | Value | TTL | Priority |
|---|---|---|---|---|
| A | vimeo.com | 162.159.128.61 | 693 | — |
| A | vimeo.com | 162.159.138.60 | 693 | — |
| MX | vimeo.com | aspmx.l.google.com | 3600 | 1 |
| MX | vimeo.com | alt1.aspmx.l.google.com | 3600 | 5 |
| MX | vimeo.com | alt2.aspmx.l.google.com | 3600 | 5 |
| MX | vimeo.com | aspmx2.googlemail.com | 3600 | 10 |
| MX | vimeo.com | aspmx3.googlemail.com | 3600 | 10 |
| NS | vimeo.com | ns-1463.awsdns-54.org | 170502 | — |
| NS | vimeo.com | ns-1886.awsdns-43.co.uk | 170502 | — |
| NS | vimeo.com | ns-682.awsdns-21.net | 170502 | — |
| NS | vimeo.com | ns-70.awsdns-08.com | 170502 | — |
| TXT | vimeo.com | 834wn8161vj1q0sw515h2p3pkc3nwwpy | 300 | — |
| TXT | vimeo.com | MS=ms11883597 | 300 | — |
| TXT | vimeo.com | MS=ms31258684 | 300 | — |
| TXT | vimeo.com | MS=ms50463091 | 300 | — |
| TXT | vimeo.com | _globalsign-domain-verification=-ogVhboN12TmJn3fnj8AgBTj2LhZkXy26R2M6hIT_Q | 300 | — |
| TXT | vimeo.com | _globalsign-domain-verification=u43aixYwit_P_nZo8n15y__KZcxnZCg08KEe5iho2D | 300 | — |
| TXT | vimeo.com | _x7awpslobtj17k90mhi3bdsfn4fpiqg | 300 | — |
| TXT | vimeo.com | adobe-idp-site-verification=2b3f171733f9ec79ece6f6deb429f4f4ddf5d3df3e66bf5460e040eb4489cb50 | 300 | — |
| TXT | vimeo.com | amazonses:aG3MHmiDMfK+ROMMdC2TI3pgSqB/irrc/EffhZm8fpY= | 300 | — |
| TXT | vimeo.com | anthropic-domain-verification-c7xc4h=EA7RDQhcYq3danVfSx0B3iMRY | 300 | — |
| TXT | vimeo.com | apple-domain-verification=hqseHhrDZs9mvnIu | 300 | — |
| TXT | vimeo.com | atlassian-domain-verification=OQUW8wO6JYgjdHThsMyRzUbqCNuYUJ1qA4ryjBsCIcdOFxvr5pFrW4Dt27ZDhLRq | 300 | — |
| TXT | vimeo.com | brave-ledger-verification=ea3ce87b613b3706879f8d5c90b564eaa08b31e0d1c1bd59175aa394ef7c8c63 | 300 | — |
| TXT | vimeo.com | ca3-c918c5d16cb8495caffedfd48de3b949 | 300 | — |
| TXT | vimeo.com | canva-site-verification=DQAQJSZSFIPE9wLghNGucA | 300 | — |
| TXT | vimeo.com | docker-verification=bc8a3b85-f3de-4303-a77b-5963968dd27d | 300 | — |
| TXT | vimeo.com | dropbox-domain-verification=i3wbe0w3wzci | 300 | — |
| TXT | vimeo.com | elevenlabs=lagWi04NXUqluH6Z_aJOSAmqqdwRbGllJxQhDj9r1ec | 300 | — |
| TXT | vimeo.com | facebook-domain-verification=m3jcqq4qg23ihpjh5w5x5iswpyg6by | 300 | — |
| TXT | vimeo.com | google-site-verification=-eOb-DlXc3e9Qy6WVinkTxCyRa0MtgCqrlMMtRcyEa8 | 300 | — |
| TXT | vimeo.com | google-site-verification=RcUDKcVx4BFOK12yi3crRyHO0A4ys1NdWSC-q5pA0Aw | 300 | — |
| TXT | vimeo.com | google-site-verification=UYx7dBka_Zr85ae_GcZlDBs_FkRo3loBwU3GDL0rXkA | 300 | — |
| TXT | vimeo.com | google-site-verification=e8qUoscBYD-sPanSS-r0dcYo9EaoIBbLBoyMaBv3sKg | 300 | — |
| TXT | vimeo.com | google-site-verification=hMdG7S08M7DLvcHiWDzVzvXxZUsfkruKr0Uo_oCLO0Y | 300 | — |
| TXT | vimeo.com | google-site-verification=henfs-vWflKItEV28eNNiXdcPPLeB8FAkluqr0wm4i0 | 300 | — |
| TXT | vimeo.com | google-site-verification=hvy1Rpbhxy-S65t34-vb8qhUKGvEGtfPBciS1TQMl3M | 300 | — |
| TXT | vimeo.com | hs-m4HC9yjhxb9JdEsZisAQJEx6 | 300 | — |
| TXT | vimeo.com | hubspot-developer-verification=NWMyOWIzNzAtNWUwNS00MjVlLTlkMjMtYmIyYmY5YzczNTk3 | 300 | — |
| TXT | vimeo.com | jamf-site-verification=Ok9tNLMbaiTgFfGONT6keA | 300 | — |
| TXT | vimeo.com | jetbrains-domain-verification=3ng8i2b2sjr1ojnpfa4akr6ry | 300 | — |
| TXT | vimeo.com | mongodb-site-verification=SMYuJ9hNJ78bA03BaqnO5p8HrRn5pnIx | 300 | — |
| TXT | vimeo.com | mosyle-verification-326584517 | 300 | — |
| TXT | vimeo.com | notion-domain-verification=1PLl3PgY3bgqYvCAzWFbUF99iW9phzauRb9FYvzQPIa | 300 | — |
| TXT | vimeo.com | notion-domain-verification=qP73sg1oSUsNT1z0kwxX7qZrqGtWyBWVW39BmrJzRfp | 300 | — |
| TXT | vimeo.com | openai-domain-verification=dv-jLpzDoIthu5YP30T9S28cHgn | 300 | — |
| TXT | vimeo.com | parallels-domain-verification=6074395df5334b55afeea25a7a158ad484372217232842ebb488297a740e23c1 | 300 | — |
| TXT | vimeo.com | pardot1125061=5dc9fc1db14d4ab197d6d920f4b106693801c1989a52face12b1d76675cfd922 | 300 | — |
| TXT | vimeo.com | pendo-domain-verification=6b8dfe6a-b123-4af8-a9d1-34f905d0d913 | 300 | — |
| TXT | vimeo.com | sending_domain1125061=22ff236a83e1d42acb8bf0bb257fce1e87eb4b9f3967a3167bf55da342f56f7d | 300 | — |
| TXT | vimeo.com | smartsheet-site-validation=Z_Zhh94Jn680XCzJ92bQI72bIBCat5Vw | 300 | — |
| TXT | vimeo.com | stripe-verification=0905bcb5e5ed859c59ffac03f0580752c43adbd9282bb40aa1d68b6f93742a43 | 300 | — |
| TXT | vimeo.com | stripe-verification=515b72a65b4832050e6f4076d2db128f4e88520c3b5fb553475b1df83fdb32e9 | 300 | — |
| TXT | vimeo.com | stripe-verification=8c8a6dfe7831b0d791528fb81c0f1302f0d2919a5cce9e455045feb2dda61868 | 300 | — |
| TXT | vimeo.com | stripe-verification=8f5465c02af6b9e2739d83ed01d0231504d39f845e6ab2c500ebe9fa5884934c | 300 | — |
| TXT | vimeo.com | stripe-verification=9C62CFA25412CCA90EEFA2F73D0FAB0569988DAE456E14993A808C05DEBAA460 | 300 | — |
| TXT | vimeo.com | stripe-verification=9d282334c83ec1bad81c10522b09ecbe5ab60b559747c606f318bc4071a7899e | 300 | — |
| TXT | vimeo.com | stripe-verification=E1C768C81651F3AB136567486779A84AAA7BFB9BB069E433B6D2D9396FAD8E69 | 300 | — |
| TXT | vimeo.com | stripe-verification=ba8501efece26680bae276979f5c24f1248cc3ca389b87a1c20889cec54438b4 | 300 | — |
| TXT | vimeo.com | stripe-verification=c63db8272ec91b68ebacdbe0526f7f976eb7cf5907ce4f45ea6bca970a33659d | 300 | — |
| TXT | vimeo.com | v=spf1 include:%{i}._ip.%{h}._ehlo.%{d}._spf.vali.email include:mail.zendesk.com include:helpscoutemail.com include:mktomail.com ~all | 300 | — |
| TXT | vimeo.com | yilRhWU2gaWPjUDNJn7Jzxym+9x0hezYabN6SdN0jgD6pU1GgIjgsbqxpR9VIAzo/zsaOf9UCfGqqG0J6onbIw== | 300 | — |
| TXT | vimeo.com | zoho-verification=zb15890134.zmverify.zoho.com | 300 | — |
| CAA | vimeo.com | 0 issue "amazon.com" | 1800 | — |
| CAA | vimeo.com | 0 issue "digicert.com" | 1800 | — |
| CAA | vimeo.com | 0 issue "globalsign.com" | 1800 | — |
| CAA | vimeo.com | 0 issue "letsencrypt.org" | 1800 | — |
| CAA | vimeo.com | 0 issue "pki.goog; cansignhttpexchanges=yes" | 1800 | — |
| CAA | vimeo.com | 0 issuewild "digicert.com" | 1800 | — |
| CAA | vimeo.com | 0 issuewild "globalsign.com" | 1800 | — |
| CAA | vimeo.com | 0 issuewild "letsencrypt.org" | 1800 | — |
| CAA | vimeo.com | 0 issuewild "pki.goog; cansignhttpexchanges=yes" | 1800 | — |
| DMARC | _dmarc.vimeo.com | v=DMARC1; p=reject; sp=reject; pct=100; adkim=r; aspf=r; rua=mailto:[email protected],mailto:[email protected]; ruf=mailto:[email protected]; fo=1 | 136 | — |
TLS and certificates
| Assessment | Normal configuration |
|---|---|
| Supported protocols | TLSv1.2、TLSv1.3 |
| Negotiated protocol | TLSv1.3 |
| Certificate subject | vimeo.com |
| Issuer | Google Trust Services |
| Valid until | 2026-12-02T13:26 · Remaining when checked: 71 days |
| Verification details | Certificate trust: Passed · Hostname match: Passed |
HTTP response headers
| Header | Value |
|---|---|
| content-type | text/html; charset=utf-8 |
| cache-control | no-store, no-cache, must-revalidate, post-check=0, pre-check=0 |
| server | cloudflare |
| strict-transport-security | max-age=31536000; includeSubDomains; preload |
| x-frame-options | SAMEORIGIN |
| x-content-type-options | nosniff |
Identified technologies
Recent Updates
- Website images
- Screenshots
- Network details
- Website Technologies
- Pages and Search Information
- HTTP Response Information
- TLS and certificates
- DNS Information
- Domain Registration
- Website profile
- Website Description
- Website Name
- Website profile
- Website Description
- Website Name
User reviews (0)