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What is Patrick King?
Patrick King is the website of an artist working across oils, watercolors, drawings, and prints, with commissions and giclées also listed among the available work. In practice, that means the site functions as a portfolio and a point of contact rather than an online storefront: visitors browse finished pieces, then reach out directly to ask about additional available works or to discuss a commission.
Who it suits
- Collectors or buyers looking for an original painting, drawing, or print, and willing to inquire rather than check out instantly.
- People wanting a commissioned piece — a specific subject, size, or palette — who need a conversation with the artist first.
- Curators, galleries, or designers checking whether the style and media fit a project.
What to look at first
Start with the Work section to see the range across media, then the About and Statement pages, which usually explain the artist's subjects and approach. The Resume is the most useful page if you need to judge exhibition history or professional background; Videos and Blog give a sense of process and current activity.
Practical trade-off
Because everything runs through direct contact, you get tailored answers about availability, sizing, and commission scope — but no instant pricing or shipping details, and turnaround depends on the artist's schedule. If you need a quick, fixed-price purchase, this format will feel slower than a conventional shop.
Next step: decide whether you want an existing piece or a commission, then use the Contact page to ask about availability and timing for the specific work or idea you have in mind.
What types of artwork does Patrick King create?
Patrick King creates work across several traditional media, as reflected in the site's own navigation: oils, watercolors, drawings, and prints. The site also lists commissions and giclee reproductions, which means the practice spans both original, hand-made pieces and print-based or reproduced formats.
H3 Practical breakdown
- Oils — typically larger, slower-built paintings with rich color and blending; often the medium collectors associate with a primary original.
- Watercolors — lighter, faster, more transparent work; usually on paper and often more affordable and easier to frame.
- Drawings — works on paper, often preparatory or standalone studies; a good entry point if you want something original at a smaller scale.
- Prints and giclees — reproduced editions of existing images. Useful if you like a specific composition but want a lower-cost or more available version.
- Commissions — you ask for a new piece rather than buying existing stock. This is the route to take if you have a specific subject, size, or space to fill.
H3 Which to choose
| Your goal | Sensible option |
|---|---|
| Own a one-of-a-kind painting | Oil or watercolor original |
| Spend less, still original | Drawing or smaller watercolor |
| Reproduce a favorite image | Print or giclee |
| Match a specific room or subject | Commission |
A useful next step: contact the artist directly, since the site invites inquiries about "additional available works" and commissions. Ask what sizes and media are currently available, and whether a commission would be oil, watercolor, or drawing — the answer will shape both cost and timeline more than the category label alone.
For comparison, other artists' sites organize work similarly, for example Artnet for browsing by medium and Artsy for seeing how galleries present oils versus works on paper.
How can I commission a custom piece from Patrick King?
Commissioning a custom piece from Patrick King starts with direct contact: his site explicitly invites visitors to "Contact the artist for additional available works or to discuss commissions." There is no online commission builder, deposit form or published pricing on the page, so the process is a conversation rather than a checkout.
What to prepare before you write
- Subject and intent — a portrait, a landscape, a building, a boat, or a scene from a photograph.
- Medium — his practice covers oils, watercolors, drawings and prints. Oils generally allow more scale, layering and revision; watercolors and drawings tend to suit quicker, lighter, more immediate pieces.
- Size and orientation — wall space and framing costs usually decide this more than anything else.
- Reference material — good photographs, ideally several angles and in even light.
- Timeline — whether you have a date (a gift, an anniversary, a house closing) or are flexible.
- Budget range — since nothing is listed, stating a range up front saves everyone time.
How the conversation typically goes
Expect to agree on concept, medium, dimensions and a schedule before work begins, and to see the piece at a rough stage so adjustments are possible. Ask directly about deposit terms, revision rounds, framing, shipping and whether a giclée reproduction is an option if the original is out of reach. His site also lists prints and giclées as separate categories, which is useful if you want the image without the original.
Choosing between an original and a reproduction
| Option | Best for | Trade-off |
|---|---|---|
| Original oil or watercolor | A focal piece, an heirloom, one-of-a-kind value | Highest cost, longest lead time, needs care and framing |
| Drawing | Smaller spaces, studies, gifts | More delicate; light exposure matters |
| Giclée or print | Multiple rooms, tighter budgets, gifts | Not unique; quality depends on the print run |
A practical next step: send one email with your subject, preferred medium, approximate size, deadline and budget range, and attach two or three reference images. That single message gives the artist enough to reply with feasibility and a quote instead of a round of back-and-forth. If you are still deciding, browse the work, oils, watercolors and commissions sections of Patrick King first so your request matches what he actually paints.
What is the difference between a giclée and an original painting on this site?
On Patrick King, the split is between a unique handmade work and a reproduction:
- Original painting: a one-of-a-kind piece made by the artist, typically in oils, watercolors, drawings or prints depending on the category you browse. Only one exists.
- Giclée: a fine-art reproduction, usually printed from a digital scan or photograph of an existing artwork. Multiple copies can be produced, so it is not unique.
The practical differences matter most when you are choosing:
| Original | Giclée | |
|---|---|---|
| Uniqueness | One of a kind | Edition/reproduction |
| Surface and texture | Visible brushwork, paint or paper texture | Flat printed surface, texture depends on the paper or canvas used |
| Sense of the artist's hand | Direct | Mediated by scanning and printing |
| Typical use | Collecting, focal point, investment in a unique object | Filling a space, gifting, enjoying a composition at lower cost |
| Care | Handle and frame according to the medium | Similar framing needs, but generally less fragile than wet media |
If you want the piece the artist actually painted, choose an original. If you love a specific image and want it on your wall without competing for a single work, a giclée is the sensible option.
A useful next step: look at the Commissions section of the site. If the painting you want is already sold or you want a specific size or subject, a commission gets you a new original rather than a reproduction. The site also notes that you can contact the artist for additional available works, which is the fastest way to ask what originals and giclées are currently on hand.
Can I see Patrick King's resume and exhibition history?
Yes. The site includes a dedicated Resume page alongside a separate Statement page, and the navigation also lists Videos and a Blog.
The most direct route to exhibition history is the Resume page, since artist résumés typically list solo and group shows, awards, collections and publications. The Statement page is different in kind: it's usually a short first-person text about ideas and process rather than a dated record of where work was shown. If your goal is a factual timeline of exhibitions, start with the résumé; read the statement only if you also want the artist's own framing of the work.
A practical way to use both together, say if you're a curator or gallery staffer checking fit before proposing a show:
- Open the Resume page and scan for exhibition dates, venues and whether shows were solo or group.
- Note the most recent entries to judge current activity, not just early career credits.
- Read the Statement for themes you could echo in wall text or a press release.
- Check the Work sections (Oils, Watercolors, Drawings and Prints, Giclees) to see whether the available media match your space and budget.
- Use the Contact page to ask directly about works not shown online or about commissions, which the site explicitly invites.
If you're a collector rather than a curator, the résumé still helps: a steady exhibition record is one signal of an active practice, while the commissions and giclees sections tell you what can be acquired or made to order. For broader context on the artist, Patrick King is the primary source, and you can compare how other painters present their credentials on Artnet or Artsy, though those platforms list only artists they represent.
How do I contact Patrick King to inquire about available works?
Use the contact method listed on Patrick King. The site's own text says to contact the artist for additional available works or to discuss commissions, and it includes a "Contact" page in its navigation.
If you want a useful next step, visit the Contact page and send a short inquiry that includes:
- The type of work you're interested in (oils, watercolors, drawings, or prints)
- Whether you're asking about currently available pieces or a commission
- Any size, subject, or budget range you have in mind
- Your preferred timeline and how you'd like to be reached
For commissions, expect the artist to need more detail before quoting: subject, dimensions, medium, deadline, and whether you're open to the artist's interpretation. For available works, ask for a current list or images rather than assuming everything on the site is for sale.
As a practical tip: if you don't get a reply quickly, follow up once with the same thread rather than starting a new one.
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