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What is Peter Shaughnessy known for?
Peter Shaughnessy is a sculptor known for fine craft sculpture "with a twist," made from a mix of wood, glass, brass and acrylic paints. His stated aim is work designed to entertain and move viewers. The site presents him as a maker of small-scale, mixed-material pieces rather than large public monuments, with a gallery of recent and older works, plus a section on an "Invictus to Haida Gwaii" project.
What the work involves
- Mixed materials: wood as the main structure, combined with glass, brass and acrylic paint.
- Tone: playful and slightly unexpected, per the "with a twist" description, rather than purely formal or traditional carving.
- Format: individual craft sculptures intended for display and close viewing.
Who it suits
Collectors of contemporary Canadian craft, buyers looking for distinctive small sculptures rather than paintings or prints, and anyone drawn to British Columbia studio craft. Because the pieces are mixed-media and modest in scale, they tend to work in home and smaller gallery settings better than in large public spaces.
A practical next step
If you are considering a piece, look through the recent works gallery first to see whether the humour and material mix match your taste, then check the Purchasing page for how he handles enquiries and shipping. For context on Canadian studio craft more broadly, Craft Council of BC and the Canadian Craft Guild are useful references; for sculpture in British Columbia generally, International Sculpture Center publishes a wider view.
What materials does Peter Shaughnessy use in his sculptures?
Peter Shaughnessy describes his fine craft sculpture as a mix of wood, glass, brass and acrylic paints. His site presents these as the core materials of the work, assembled to be both entertaining and moving rather than carved from a single substance. The combination suggests pieces built from contrasting parts—warm, grained wood against glass, metal accents and painted surfaces—so expect visual and tactile variety within one sculpture rather than a uniform finish.
If you are considering a piece, use the materials as a practical guide: ask how the wood and paint are finished, how the glass and brass are joined, and how the work should be cleaned and displayed, since mixed-media sculpture often needs more careful handling than a single-material piece. The site's Purchasing page is the sensible next stop for availability and care details.
How can I purchase one of Peter Shaughnessy's sculptures?
The site lists a Purchasing page in its navigation, so that is the first place to check for current buying instructions. The homepage itself gives no prices or checkout process; it presents the work as "fine craft sculpture… with a twist," made from wood, glass, brass and acrylic paints, and provides contact details rather than a shop.
Practical route to buying
- Open the Purchasing page on Peter Shaughnessy for any stated terms.
- If it doesn't answer your question, contact the artist directly using the details on the site: phone 250-476-1170 or [email protected], with the studio address at Tatlayoko Lake, BC.
- In your message, name the specific piece (for example, a work from Recent Works or the Valentine's 2016 piece), ask whether it is still available, and confirm price, shipping or pickup, and payment method.
What to expect
This is an individual sculptor's site, not a gallery checkout. Expect a conversation about availability and logistics rather than an instant online order. Because the works mix wood, glass, brass and paint, ask about packing and shipping for fragile pieces, or whether collection at the studio is preferred. If you are buying a gift, mention any deadline early so timing can be confirmed before you commit.
Can I visit Peter Shaughnessy's studio in Tatlayoko Lake, and how do I arrange it?
The site does not state that Peter Shaughnessy's studio is open for drop-in visits, so you should not assume you can turn up at Tatlayoko Lake and be shown around. What the site does provide is direct contact information and a studio section, which is the right starting point for asking about a visit.
How to arrange it
Contact the artist first, before planning travel. The site lists both a phone number (250-476-1170) and an email address ([email protected]), along with the Tatlayoko Lake, BC mailing address. In your message, be specific: say when you would like to come, how many people are in your group, whether you are interested in viewing works, discussing a purchase, or something else, and how much time you would need. Ask directly whether studio visits are possible and whether there are any restrictions on timing.
A practical reader scenario: someone driving through the Chilcotin who wants to see the sculpture in person should email a week or two ahead, propose two or three possible dates, and treat a reply as the only confirmation that a visit is possible. If you hear nothing back, plan your trip without the studio stop rather than building the itinerary around it.
What to expect once you have a reply
The works are described as fine craft sculpture combining wood, glass, brass and acrylic paints, and the site notes a "Purchasing" section, so a visit may be as much about seeing pieces available for sale as about watching work in progress. Ask in advance whether pieces can be viewed or purchased on site, and whether photography is acceptable. Tatlayoko Lake is remote, so confirm road access and seasonal conditions with the artist at the same time.
For context on the artist's background and body of work before you write, see Peter Shaughnessy.
What is the story behind the 'Invictus to Haida Gwaii' series?
The site does not tell the story behind the "Invictus to Haida Gwaii" series. "Invictus to Haida Gwaii" appears only as a navigation link on Peter Shaughnessy's homepage, alongside Recent Works, Not so recent works, Other Stuff, Peter's Studio, Artist's Statement and Purchasing. The homepage itself gives no description of the series, its inspiration or its connection to Haida Gwaii.
What the page does establish is the artist's working context: Shaughnessy is a sculptor based at Tatlayoko Lake, BC, and describes his output as "fine craft sculpture... with a twist," made from "a mélange of wood, glass, brass and acrylic paints designed to entertain and move you." That points to small-scale, mixed-material pieces rather than large public commissions, but it says nothing specific about this series.
For the actual story, open the "Invictus to Haida Gwaii" page first, then check the Artist's Statement for the artist's own framing. If you are deciding whether the series suits a purchase or an exhibit, compare it against Recent Works: the newer pieces show where the work is heading, while this series may read as a distinct chapter in materials or subject. The Purchasing page is the place to look for buying details.
How do I contact Peter Shaughnessy about a commission or specific piece?
Use the contact details on the site: 250-476-1170 or [email protected]. The page lists two mailing addresses — 7210 Tatlayoko Rd in the header area and 7130 Tatlayoko Road in the footer — both in Tatlayoko Lake, BC V0L 1W0. If you write by post, confirm the correct street number with the artist first.
For a commission or a specific piece, email is the better starting point because you can attach reference images. Include:
- The piece you have in mind (title or a link to the page where you saw it)
- Dimensions and where it will be displayed
- Materials you are drawn to — the work is described as a mix of wood, glass, brass and acrylic paints
- Your budget range and deadline
- Whether you are local to the BC Interior or need shipping
The site has a "Purchasing" page, which is the sensible next place to check for how sales and commissions are handled before you call. For context on the artist's craft-sculpture scene, you could also look at Craft Council of BC or CARFAC for general guidance on commissioning Canadian craft artists; neither is affiliated with this studio.
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